Preview

The Oppression Of The Female Nude In Art

Powerful Essays
Open Document
Open Document
2355 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
The Oppression Of The Female Nude In Art
In art history, the female nude in art is both at the center and the edge of cultural acceptance. According to Art Historian Lynda Nead, this acceptability, if found, has always become under threat, for the female nude stands at the edge of the art category. The female nude risks, and has always stood to lose, its respectability in the art world if it spills out and over into the pornographic--meaning images associated with eroticism and obscenity. The trouble has always been the vagueness and instability of cultural definitions of both art and pornography. For the meanings of eroticism and obscenity continue to change over time, as the boundaries of acceptable art are shaped by culture and society (Nead 323-325). Artists of the 20th century, …show more content…
For, Renaissance artists such as Titian had incorporated the nude female in their art, which “indicated that the goals of art had changed” (Bernstein 60). For example, Titian’s Danae is considered one of the “most sensual paintings of the Renaissance”. It depicts the goddess Danae reclining nude, with the god Jupiter appearing in the disguise of a shower of gold coins. Anabeth Guthrie of the National Gallery of Art, states that the painting, while obviously sensual, was deemed acceptable by “classical precedent” (Guthrie) due to the mythological pretense of the painting. Titian’s Danae helped established the “accepted” female nude in art that showed women “to be flawless, skin pale, pubes shaved, and poses classical” (Clark 163). Furthermore, artists did not stray from this readily held precedent until the latter half of the …show more content…
Like Courbet before him, Degas had integrated characteristics associated with obscenity into his art. Art, which, prior to the Impressionist period, could have gotten Degas arrested, is now being sold for over “$27.9 million dollars” (Vogel) at auctions--according to Sarah Hyde, a curator at the Courtauld Institute of Art's gallery in London. Although Degas was popular during the late 19th century, his real importance was that he went on to influence a new generation of artists that pushed the boundaries of acceptability and truly influenced the nude female form in modern

You May Also Find These Documents Helpful

  • Better Essays

    The piece of Art, Smiling Girl, a Courtesan Holding an Obscene Image, painted by Gerrit van Honthorst in 1625 can be seen at the Saint Louis Art Museum. I was initially drawn to this image from across the gallery mostly due to the subject’s bright red dress with gold sleeves, it was one of the brightest colored images in the gallery. It is about three feet tall and two feet wide, it is an oil on canvas painting. As I approached the image, I was still intrigued as the image she is holding is of a naked man facing away, the subject in the painting seems to get enjoyment from this. To me this piece of art makes me curious, I want to know who this woman was and why she is holding that image. The artist seems to be communicating the importance of…

    • 1404 Words
    • 6 Pages
    Better Essays
  • Powerful Essays

    The works of contemporary artists such as Yasumasa Morimura, Julie Rrap and Anne Zahalka recontextualize the way gender is attributed with art via the post-modern frame. The main channel used to achieve this idea has involved the reversal of roles of gender, where the woman is depicted as the dominant character and the man must subjugate and adjust himself to suit her body position. The artworks targeted by these renowned artists are well known established pieces that are historically rich and evaluate the zeitgeist of their time; these traits are still evident within the metropolis of today. All three artists focus on the theme of gender and all seek to challenge the traditional view of the role of gender in visual art, yet their individual target audience centres on different facets of society, though what holds true is their voyeur. Yasumasa Morimura chooses to shock the viewer by replacing the female role with himself; this appropriation challenges our attitudes towards arts masterpieces and whether they are still valid in this…

    • 1540 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Joy Kasson’s essay “Naratives of the Female Body: The Greek Slave” discusses Hiram Powers’ sculpture The Greek Slave and how much information it contains on the cultural construction of gender during this time period. Her naked body shows fine details and the beauty of the female body. Over time as our culture has developed, the way people view women has also developed to fit how our culture has changed. In the photo I will be discussing, a photo of Kim Kardashian from Playboy Magazine, one is able to see the similarities of expressing the beauty of the female body while at the same showing a more contemporary view of women.…

    • 1028 Words
    • 5 Pages
    Good Essays
  • Good Essays

    In the 1980’s, female artist addressed the dominance of cultural perceptions regarding female agency, pleasure, and spectatorship. In order to make their voice heard in a white male dominant art industry, they created works of art from paintings to films that challenged the social stereotypes and ideologies about female identity. This essay will define these three perceptions and examine the artworks from artist such as Julie Dash, Kobena Mercer , and Jenny Saville. These artists paved a way for the feminist movement through the use of disturbing the normative constructions of femininity, racial identity, and the body.…

    • 776 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The naked body has become such an ordinary image in advertisements, movies, and art, and has been in the media for so long that it is no longer as startling to viewers as it once was. Linda Nochlin and Susan Bordo are two authors that use images and representations that embrace the naked body in their writing. Although their essays both revolve around images similar in this way, the images themselves as well as the two essays about them are quite different.…

    • 540 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    The essay is greatly grateful to the above mentioned historiography associated with discursive regulation of female sexuality in Found and contemporary moral paintings, Pre-Raphaelite typologies of women4, and the implications of the sensuality of Rossetti’s stunners. This essay seeks to understand how Rossetti’s broader work prescribed to and participated in the Victorian discursive regulation of sex; how desire operated within the paintings of his paintings, and how paintings work to frame and control female…

    • 1369 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    Neoclassical Art Analysis

    • 1010 Words
    • 5 Pages

    This masterpiece was created by Jean Auguste Dominique Ingres in 1814 and is perfect example of Neoclassicism which was the revolt of the Rococo style of art. The artwork is placed in the Louvre Museum in Paris. This painting captures the image of an odalisque, which we refer to as a concubine. The painting depicts beautiful hues of blue, and a dark background and shadows which creates a seductive scenery while enhancing the curves and shapes of the model. With the contrast of light and dark colors, Ingres was able to achieve the illusion of depth. Ingres favored long sinuous lines which is show through the way he painted her elongated back. The volumes of the nude, bathed in an even light, are toned down in a space without depth (Louvre). I also like the details of his work, from the detailed headpiece, jewelry, feather duster and even the designs strategically placed on the curtains. Ingres was highly criticized for his art work and his paintings were unpopular due to others not understanding his…

    • 1010 Words
    • 5 Pages
    Good Essays
  • Good Essays

    She explores contemporary visual predicament and the brutal history enforced on Black women’s bodies. This chapter especially focuses on the unclothed nude female body in art and its avoidance. Collins argues, what is missing from feminist scholarship is the discussion on the nude Black body in art. She explains the exploited, sexualized, and racialized visual history of the nineteenth century tension round the Black female body. In this chapter, Collins analyzes several Black female artists artwork locating the meaning of how they infuse history, concepts and artistic practice in representing the nude body.…

    • 1141 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Cindy Sherman

    • 481 Words
    • 2 Pages

    Cindy Sherman was one of the well known and most respected photographers in the late twentieth century. Rather than doing self portraits for her photographs, Sherman depicted herself in the roles of B- movie actresses. On one level, Sherman’s work appears to be subversively linked to ‘low’ art characterized by ‘b-grade’ film and photography, on another level, her work is regarded as the modernist ideal of the ‘high' art object. Sherman has raised challenging and important questions about the role and representation of women in society, the media and the nature of the creation of art. Sherman has been acclaimed as the subversive feminist that has boldly confronted issues concerning the female body. Even though some critics look at Cindy’s works as demining the women and exposing the women into low standards through her photographs, Cindy had a strong message for the viewers. In 1992 Sherman embarked on a series of photographs now referred to as "Sex Pictures." Sherman is not in any of these photographs for the first time in her career as an artist, yet she uses dolls and prosthetic body parts posed in highly sexual poses. She chose to often photograph up close and in color both female and male body parts which were purposely meant to shock the viewers. Sherman continued to work on these photographs for some time and continued to experiment with the use of dolls and other replacements for what had previously been herself. Critiques imply that the viewer is guilty for the negative readings of Sherman’s images. In a way Sherman’s constructed image of woman is innocent, and the way we interpret it is based on our social and cultural knowledge. Referring to the reaction of a gallery visitor who criticized Sherman for presenting women as sex objects, I would say that the visitor’s anger comes from a sense of his own involvement because the images speak not only to him but from him. Critiques depicted Sherman as a whore for producing such photographs but…

    • 481 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Women throughout history, from the 1500's till now have been looked at as objects. In the 1500's during the time of the Renaissance woman were often portrayed in art in the nude. Curves at that time showed women as being goddess like. The more curvy and voluptuous you were the more beautiful men saw you. Artists who painted the female body were often commissioned by rich men to paint these paintings to hang in their houses. Women in this age are still portrayed in art in the nude. Mostly in nude magazines. Some people would consider these magazines to be vulgar and raw however men still look at these magazines for enjoyment making them a form of art.…

    • 469 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Moma

    • 669 Words
    • 3 Pages

    Blue Nude, Le Luxe II, Bathers with a Turtle, and La Danse has similar characters, in which they all depict naked women. When I first saw such nudity close and personal, I was stunned because there were children all around looking at these works. However after close inspection of these pieces, I realized that it wasn’t so much the nudity that was enticing the viewer. It was more of the fact of Matisse’s beautiful usage of the medium known as oil.…

    • 669 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Nude Women In Ancient Art

    • 265 Words
    • 2 Pages

    As of reading chapter 5 and looking at the pictures that are in the chapter, I understand that women has been part of history since the beginning of the art. In some ancient societies, similar to those in Mesopotamia, the creative piece of a woman was to speak to the ordinary equalization of presence. The nude women was the symbol or reproduction and the unceasing cycle of life and nature's will yet she was never her own self. The image of their patron goddess would turn into an established symbol of adoration and excellence. Imitated in some sixty versions, the celebrated nude is shown holding her robe, having quite emerged from the bath or from the sea foam. As it refers in the textbook, the figure is not very old nor very young, neither it’s thin or very fat. He or she is very youthful, healthy, from all the accident of nature. It define the standard of beauty in western art for centuries.…

    • 265 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Sexuality was redefined in France through what Historians and Sociologist considered then “The Sexual Revolution.” In recent years, historians have begun to emphasize the gradual nature of the sexual revolution that took place in the West from the late 1950s to the early 1970s. Deeming it the “long sexual revolution,” they deemphasize the significance of any single event or moment in favor of a longer view that recognizes a slow and steady process of change. The Long Sexual Revolution is the change in sexual appearance, predominately, a women appearance through the course of many significant events, such as May 68, and with the influence of media. The Journal of the History of Sexuality is a multi-volume series…

    • 524 Words
    • 3 Pages
    Good Essays
  • Better Essays

    With today’s easily accessible technology, one could pull up numerous pictures of a nude woman, whether pornographic or fine art based, in a few seconds. Surprisingly, prior to this influx of technology, these images were not that scarce; in fact, photographers have used the nude body as a source of inspiration and content since the beginning of the medium. As stated by Graham Clarke in his book The Photograph, “[m]uch of the photography of the body in the early twentieth century is an extension of nineteenth-century preoccupations and attitudes” (Clarke). The 19th century encompassed the Victorian Era, and although it was shortly after the camera was invented, according to the Museum of Sex: “Victorians took millions of photographs; an untold…

    • 1991 Words
    • 8 Pages
    Better Essays
  • Better Essays

    The notion of modern eroticism arose from the imagery of Ancient Greece and Rome. Art was most commonly found in the homes of upper-class citizens and usually in the bedroom. This does not necessarily mean that the Romans associated eroticism with privacy. Pompeii provides most useful examples of both public and private art. The reason for this is that the volcano preserved vast amounts of useful evidence. It is most important to consider the social class of either patron or viewer, and the varying intentions of artists when analysing Roman art. Different classes had different attitudes towards erotic images; artists had various agendas. Art could be found not only in the bedrooms of villas or aristocratic dining rooms,…

    • 1616 Words
    • 7 Pages
    Better Essays