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The Overcoat

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The Overcoat
Meanings and Indeterminacy in Gogol's "The Overcoat" Author(s): Victor Brombert Reviewed work(s): Source: Proceedings of the American Philosophical Society, Vol. 135, No. 4 (Dec., 1991), pp. 569-575 Published by: American Philosophical Society Stable URL: http://www.jstor.org/stable/986817 . Accessed: 25/01/2012 04:09
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org.

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Indeterminacy Meanings and in Gogol's The Overcoat*
VICTOR BROMBERT Henry Putnam University Professorof Romanceand ComparativeLiterature Princeton University kaky Akakyevich is the central characterof Gogol's story TheOvercoat. Although Dostoyevsky gave common currency to the term "antihero" in Notes from Underground,it is Gogol's Akaky Akakyevich who is the genuine, unmitigated, and seemingly unredeemable antihero. For Dostoyevsky's anti-heroic paradoxalist, afflicted with hypertrophia of the consciousness, is well-read, cerebral, incurably bookish, and talkative. Akaky Akakyevich is hardly aware, and almost inarticulate. Gogol's artistic wager was to try to articulate this inarticulateness. The story, in its plot line, is simple. A most unremarkable copying clerk in a St. Petersburg ministry-bald, pockmarked, short-sighted, and the scapegoat of his colleagues who invent cruel ways of mocking himdiscovers one day that his pathetically threadbare coat no longer protects him

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