Preview

The Rape of the Lock as a Mock-Heroic Poem

Good Essays
Open Document
Open Document
955 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
The Rape of the Lock as a Mock-Heroic Poem
According to Childs and Fowler, (2006:144) in heroic epic, things that are not ordinary and things that are trivial can exist together and be a part of each other. But in mock-epic the author puts less emphasis on concern in broad discourse, the slowly developing balance of epic narration bonds with the awareness of individual satire. As far as mock-epic is concerned, within the plot the representatives of the ritualistic become given to bouts of ill temper, poise and self-respect transforms into vanity and the state of being esteemed is disguised yet visible and known. Mock-epic makes a parody of whole social classes hence their negative experience of certain lack of maturity, which derives from the feeling of false self-fulfilment which strongly connects with social groups narrowly restricted and provincial in perceiving the world. The people portrayed in a such work of art do not seem to be magnified because of confronting denial of their desires. Particular events involving those characters are characterized by comfort and capability of a game and the divinity, as opposed to ancient principles, cooperates with humans, sometimes being even placed lower than them. “Mock-epic is a developed form not so much of sarcasm as of euphemism: it has a paradoxical willingness to ‘extract from contemporary life its epic dimension, showing us… how grand and poetic we are in are cravats and highly polished boots’ (Baudelaire).” (Childs and Fowler 2006: 144).
The Rape of the Lock is an example of an evolved form of a mock-heroic epic. As Broich says (1990: 113), in comparison to works of Boilaeu, Garth, or Crowne it has developed its own distinctive style in the aspect of combining the two major elementary genres. Pope’s success in merging the epic and the social comedy led to achieve certain originality that cannot be mistaken with works of any other author.
As for the social comedy influences, Pope’s poem differs from the previous of its genre in a couple of fundamental



References: Childs, Peter and Fowler, Roger. 2006. The Routledge Dictionary of Literary Terms, p. 144 (entry: mock-epic). New York: Routledge. Broich, Ulrich. 1990. The Eighteenth-Century Mock-Heroic Poem, p. 113-121. Cambridge: Cambridge University Press.

You May Also Find These Documents Helpful

  • Good Essays

    Jared Dick final exam #1

    • 816 Words
    • 4 Pages

    In Tartuffe (1664), as in his other plays, Moliere employs classic comic devices of plot and character. Here, a foolish, stubborn father blocking the course of young love: an impudent servant commenting on her superiors’ actions; a happy ending involving a marriage facilitated by implausible means. He often uses such devices, however, to comment on his own immediate social scene, imagining how universal patterns play themselves out in a specific historical context.…

    • 816 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    • In the space provided below, paraphrase two of following quotes from Rape of the Lock into your own words. Try to get as close to the actual meaning of the quote without using the same words. You can use more words in your paraphrase than in the original quote. Your paraphrase is now your thesis.…

    • 401 Words
    • 2 Pages
    Satisfactory Essays
  • Powerful Essays

    HW MONDAY night, 3/19. INTRODUCTION: Read + take 1-page of Test-Review Notes on lined paper (or type them) for pages 641-646; copy definitions/lists as found on pages: EPIC POEM, EPIC HERO, CONCEPTS/top/p.643.…

    • 769 Words
    • 4 Pages
    Powerful Essays
  • Good Essays

    Epic similes are literary comparisons meant to distract the reader from the story. In The Odyssey, the author Homer uses epic similes to detract the reader from the brutality present in battle. These similes demonstrate the festal and barbaric qualities that men adopt when they are in battle and often compare warriors to majestic animals, like lions, attacking prey.…

    • 607 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    cyrano essay

    • 318 Words
    • 1 Page

    In this piece of literature Cyrano De Bergerac by Edmond Rostand exibits the plethora of ways dramatic irony has occured throughout the novel. Whenever the irony is demonstrated in the parts of a play, it applies a playful and entertaing toneto the play. We can see this occur many times in the play.…

    • 318 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    It liberates itself from clutches the conventional tedium of protest while embracing the carnivalestic joyful objection to the dominant system and subjection to openness and non-conformity serves to achieve regeneration preventing the enclosure within the system of patriarchal and imperial binarism. Rhys’s narrative thus, provides a new realm of possibilities that solemnize the mingling of miscellaneous voices, the multiplicity of different languages and the plurality of alternative realities while invalidating the tenability and solidity of infallible Truth/Reality, conclusive meaning and unified identity. To mock the sacred and challenge the normative, Rhys resorts to the use of the carnivalesque grotesque which is mightily tooted in the institution of the carnival and imbued with its spirit. Animated by laughter and degradation, the carnivalesque-grotesque Bertha/Antoinette celebrates her sexual deviance and cultural…

    • 592 Words
    • 3 Pages
    Good Essays
  • Good Essays

    8. How does the poem apply to contemporary life? What passages could serve as satirical commentaries on people’s behavior today?…

    • 530 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Male superiority and the subordination of women are sustained with the conformity of both men and women. The male domination seems to be a social norm accepted and followed by al people in the society. Men are showing their stereotyped perception on women, like Leonato jokes about his daughter as ‘Her mother hath many times told me so’ and Benedick ‘as being a professed tyrant to their sex’ implies their confirmed perception of women to justify their superiority in the society. Women are viewed as a possession and property of men that Benedick brings out the idea of purchase to ‘buy her that you inquire after her’. Women are linked with the image of cuckold when Benedick regards that ‘I will have a recheat winded in my forehead’ and ‘pluck off the bull’s horn and set them on forehead’. The idea of cuckold focuses on woman’s disloyalty that brings out the mentality of men that women are wicked as ‘beauty is a witch’ and women do not deserve as much as men do. With their stereotyped image, the male superiority is confirmed by men. On the other hand, the readiness of women shows that they conform to the male domination and willing to submit to men. Hero…

    • 1413 Words
    • 6 Pages
    Good Essays
  • Good Essays

    More simply, when the question of tragedy in art in not at issue, we never hesitate to attribute to the well-placed and the exalted the very same mental processes as the lowly. And finally, if the exaltation of tragic action were truly a property of the high-bred character alone, it is inconceivable that the mass Of mankind should cherish tragedy above all other forms, let alone be capable of understanding it.…

    • 1553 Words
    • 7 Pages
    Good Essays
  • Good Essays

    Milton vs Pope

    • 628 Words
    • 3 Pages

    “What dire offence from amorous causes springs, / What mighty contests rise from trivial things,” (Pope, ll. 1-2). These first lines of The Rape of the Lock immediately try to make light of the entire situation. The reader has yet to learn what the “dire offence” is, but already likens it to the Adam and Eve’s “trivial” mistake, eating from the tree of knowledge, which forced them out of Paradise. It will take a further reading of the poem to learn that the crime is simply the cutting of a lock of hair, and not a monumental fall from God’s graces.…

    • 628 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Cyclops is a picture of fear. The aim of this essay is to identify whether "The Epic of…

    • 1765 Words
    • 8 Pages
    Powerful Essays
  • Better Essays

    Roland Barthes & Myths

    • 1203 Words
    • 5 Pages

    Since we cannot draw up the list of the dialectal forms of bourgeois myth, we can always sketch its rhetorical forms. These figures are transparent inasmuch as they do not affect the plasticity of the signifier; but they are already sufficiently conceptualized to adapt to an historical representation of the world. It is through their rhetoric that bourgeois myths outline the general prospect of this pseudo-physis which defines the dream of the contemporary bourgeois world. Here are its princible figures;…

    • 1203 Words
    • 5 Pages
    Better Essays
  • Good Essays

    The Rape of the Lock

    • 855 Words
    • 4 Pages

    Many authors use mock-epic conventions when writing poetry. Mock-epic convention, by definition, is a type of satire that treats petty human occurrences as if they were extraordinary or heroic. Mock-epics often will be parodies of serious classical epics, but in a more humorous way. Alexander Pope’s mock-epic poem, The Rape of the Lock, is one of the best known examples of the use of characteristics of epic conventions and the use of gods and goddess from Greek mythology. Pope’s poem, The Rape of the Lock, written in 1712 to 1717 is a heroi-classical poem, which takes place in London , and validates societies failure to laugh at things in life that do not matter, such as, a lock of hair. This poem was written and revised several time, each time more specific parallels to the classical epics.…

    • 855 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The famous Spanish novel, Miguel de Cervantes’s Don Quixote is a parody for epic. It mimics traditional epic in a funny way so as to destroy the conventional expectation behind this serious genre. Therefore, its plot structure can be compared with Chrétien de Troyes’ Erec and Enide ,a classic romance epic in Late Middle Ages.…

    • 697 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The tragic hero is a man of majestic position. He is an extraordinary man with exceptional qualities and magnitude about him. His own destruction is for a greater cause or belief. As Aristotle states "a man cannot become a hero until he can see the root of his own downfall”. Their downfall happens through many events; sometimes due to excessive arrogance and because of this he is doomed from the beginning. He bears no responsibility for possessing his flaw or for his actions. He has discovered fate by his own actions, and not by things happening to him. Tragic heroes are usually kings or leaders which in turn affects the fate and the welfare of a whole nation or number of people. Peasants do not inspire pity and fear as great men do. The sudden fall from greatness to nothing provides a sense of contrast. Probably the most important characteristic of a Shakespearean tragic hero is that one must posses a tragic flaw, because without the flaw, there would never be a downfall. While the tragic flaw is the key element in a tragedy, the tragic hero’s social status is also of high importance. The tragic hero mirrors everyone's, positive traits and faults. For each tragic hero the suffering has gone on too long and the only way to receive redemption, and to end the suffering, is death. It is in their death scene that the tragic figure is transformed into the tragic hero. His characteristics range between two extremes – he is eminently good and benign yet whose misfortune is brought about not by blemish or immorality, but by some error or fault. Shakespeare’s tragic heroes tend to be consciously doing wrong and driven by wild passions.…

    • 2578 Words
    • 11 Pages
    Good Essays