For hundreds of years people from all over the world have seen the works of William Shakespeare performed by thousands of actors. Twelfth Night or What you Will is but one of the many comedies written by William Shakespeare that have been produced in many formats, from theater, television and even several feature films. So many different productions of the same works have opened the door to directors adding their own twist to the original script to make it their own. One play can be performed countless different ways, from very conservative or to unconventional depending on the director’s interpretation and intentions. So all writings are open for creative interpretation thus being for this paper I am going to focus on the directorial staging of this play and how the staging and direction brought the focus of the subplot of Antonio and Sebastian into a homoerotic relationship opposed to other renditions of Twelfth Night that were homosocial. Directors have creatively reconstructed these plays pulling from the era, the popular ideology of the community and political correctness at the times the different styles and interpretations so that Shakespeare can be adapted to the current times.…
Shakespeare’s play Hamlet (1601) explores Hamlet’s growing insecurities and uncertainties, which stem from his attempt to find certainty and order within his changing transitioning society. Hamlet’s strong moral code and genuine grief at the beginning of the play contrasts with his descent into madness and deceit, as the corruption of the court begin to deteriorate his integrity and eventually lead to his tragic downfall. Throughout the play Shakespeare explores universal notions of authenticity contrasted with duplicity, the struggle between action and inaction and challenging the archetypal tragedian. Through an exploration of these themes, Shakespeare attempts to use the characters in his play to reflect his view on humanity and the shifting, conflicting paradigms between Medieval and Renaissance thinking.…
In Shakespeare's uniquely constructed comedy, Twelfth Night, there are several paradoxes within the characters. Misinterpretations as well as false presentation of reality are both common occurrences within the characters. Nearly the entire cast of characters use or fall victim to some form of deceit. Both Andrew and Viola present themselves as people they are not, and Orsino and Malvolio are fooled themselves about who they are and where they want and can be. Also, on a historical note, both Olivia and Feste the clown step (by default or self-attainment) out of the socially imposed stereotypes of their biologically born person. The reasons for Shakespeare's contradictions of characters are unknown; however, it can be hypothesized, knowing the man and his style that he was poking fun at elements of the society, in which he resided, as well as the ridiculousness of higher class citizens and the ritual absurdity of the lives they lived.…
Like Shakespeare's other romantic comedies, TwelfthNight moves from personal frustration and social disorder to individual fulfilmentand social harmony by means of what Leo Salingar has shown to be the traditional comic combination of beneficent fortune and human intrigue.' This basic pattern, of course, takes a radically different form in each play. In comparison with many of the comedies, Twelfth Nightbegins with remarkablylittle conflict. The opening scenes introduce no villain bent on dissension and destruction, nor do they reveal disruptive antagonism between parents and children or between love and law. In contrast to the passion and anger of the first scene of A Midsummer Night'sDream,the restless melancholy or that pervades the beginning of TheMerchant Venice, the brutality and tyranny of LikeIt, the dominant note of Orsino's court and that precipitate the action in As You of Olivia's household is static self-containment. To be sure, both Orsino and Olivia…
The marriage of Orsino and Viola also resolved another issue within the play- Orsino's unrequited love for Olivia. We were first made clear of this love in Act 1 Scene 2 when the captain explained that 'he did seek the love of fair Olivia'. As well as this, in Act 2 Scene 4 we hear from Orsino himself that his love for Olivia is 'more noble than the world' portraying the idea that his love is true, and not just due to her status or wealth, however Olivia claims 'I think not of him' due to the fact that she is in love with Cesario. Despite this love that Orsino has for Olivia, he quickly directs that love to Viola in Act 5…
While many will agree that Shakespeare’s Twelfth Night is critically acclaimed to be one of the most entertaining and well-liked pieces that he has written, there tends to be a discrepancy over how the characters in the play are portrayed when it comes to the importance of gender roles. After reading James C Bulman’s article over the Globe’s more recent performance of Twelfth Night and Shakespeare’s original written version, I realized that there are many ways that this famous piece has been portrayed and each has its own pros and cons.…
Deception and disguise are two key themes in Shakespeare's 'Twelfth Night'. As in most comedies, Twelfth Night celebrates different forms of disguise and deception in order to make the play more entertaining. It also develops a strong connection between the main plot (with Viola, Orsino, Olivia, and the others) and the sub-plot (involving Sir Andrew, Sir Toby, Malvolio, and Maria). Disguise and deception appear in many different ways throughout the story.…
Viola’s pursuit at catching Orsino’s eye was easily done once her disguise abled her to get close to him. Without her disguise, she would be viewed as just another woman trying to compete for Orsino’s love, which he proclaims is only for Olivia. In act 2, scene iv, Orsino opens up to Cesario, his trusted confidant. He talks to Cesario and tells him all about how he views love. He explains to Cesario that, “For, boy, however we do praise ourselves, Our fancies are more giddy and unfirm, More longing, wavering, sooner lost and worn, Than women’s are,” (II, iv 30-34). This helps Viola, as she’s able to understand that men, especially Orsino, have wavering affections towards women, so she should not worry about his love for Olivia. Without her ability to get Orsino to confide in her, she wouldn’t really know what to do or how to act towards him. Gaining this information, she’s able to act on it in a way that completely alters the play.…
In the Renaissance-era romantic comedy, "Twelfth Night", William Shakespeare presents to us an entertaining play riddled with humorous plots and, in some instances, comical and witty exchanges between the characters in the play. In a novel peppered with subtle notions of deceit and illusion, it is fascinating how some of the most revealing truths about the characters actually lie beneath the innocent banters. Under the influence of illusion and deception, the figures in the play are often lost in their own reverie, failing to realise the bare naked truths behind the events that have played out. An insightful judge of characters, Feste is both impudent and witty at the same time, neither mincing his words nor masking his emotions. It is perhaps due to his pragmatic nature that he is able to be so perceptive and astute in his judgment of the characters. His remark of Orsino's mind as one which is very opal only serves to prove the above-mentioned claim. Over the following paragraphs, I will endeavor to uncover the truth behind Feste's statement.…
It has been stated that comic characters always display a lack of self-knowledge, however within Twelfth Night to some extent this can be disagreed with. The subject of self-knowledge is presented as a theme throughout the comedic play as it adds to the image of love being folly. Orsino and Malvolio are examples of comedic characters within the play which display a lack of self-knowledge whereas Viola and Feste are characters which oppose this view.…
William Shakespeare’s works have everlasting significance due to the fact that his plays explore key ideas still relevant in our own time. Shakespeare’s play Twelfth night was written in 1602, as a comedy. It contains ideas and themes that link it closely with society. Twelfth Night explores the idea of love through his characterisation of Viola and Duke Orsino. Andy Fickman’s film modernised Shakespeare’s Twelfth Night through the change of some parts of the play and updating them.…
In Twelfth Night, Shakespeare constantly alludes to the contrast between darkness and light by the use of secrets, mistaken identities and the contrast between sanity and insanity. With this motif Shakespeare shows us that if we act on first impressions without the true knowledge of the entity of the situation or character, then the misinformed motives will surely be in vain; and our efforts futile.…
William Shakespeare’s multidimensional comedy Twelfth Night dismantles and obliterates socially constructed limitations regarding biological and assumed gender and identity, thus emphasising that nothing is certain, rather, a matter of perspective. The reader to an emphatic extent becomes an integral part of the way language forms and shapes the reality of the play. Therefore, language instructs initial perceptions and the foundational reality of the reader but not final perceptions and ultimate reality. Language constructs a character’s initial identity and reality, however, the reader’s reconstruction of a reality reflective of their own perspective is imperative to determine the final perception. The consistent blurring of the gendered identities of characters in Twelfth Night require the reader to meticulously interrogate their own ideas regarding the construction of biological and assumed gender and identity. Audiences are invited to further delve into the intricacies of the text to create their own meaning. Identity is the product of distinctive characteristics that are both biological and assumed, thus, it is the interplay between contextual notions of assumed gender and how this parallels with biological sex. Twelfth Night challenges the notion that gender is merely being in the state of male or female through androgynous characters such as Viola. If one completely disregards what they previously thought about biological and assumed gender upon beginning the text, it can enrich the depth of their interaction with the play. The ambiguous language in Twelfth Night is subjective and not limited to a singular meaning or context.…
Viola, as known as Cesario, was in the middle of it all, she loved Duke Orsino and Olivia loved Cesario. Viola dressed up as a man to be able to get a job after the shipwreck and to get over her brother, Sebastian. She began to work for Duke Orsino and quickly fell in love with him within three days. Duke is selfish and self centered, but still Viola does everything for him “I'll do my best/ To woo your lady: Aside. Yet a barful strife!/ Whoe'er I woo, myself would be his wife.” (1.4.44-46) Viola would always follow Duke Orsino’s orders and express his unconditional love for Olivia, which caused Viola’s feelings to rise and for her behavior to change. However all Duke sees is Cesario is a friend and a man. “ I am no fee’d post, lady; keep your purse;/ My master, not myself, lacks recompense/ Love make his heart of flint that you shall love;/ And let your fervor, like my master’s, be/ Placed in contempt!…
Duke Orsino and Olivia, both bound by strong emotions and acts of self-indulgence, have many traits, and emotions shared between each other. Orsino and Olivia are worth discussing together, because they have similar personalities, traits, and attributes. Both seem to be buffeted by strong emotions, but both ultimately seem to be self-indulgent individuals who enjoy melodrama and self-involvement more than anything. When we first meet them, Orsino is pining away for love of Olivia, while Olivia pines away for her dead brother. They show no interest in relating to the outside world, preferring to lock themselves up with their sorrows and complain around their homes.…