After discovering Ántonia’s situation, he decides to visit her in the country side. He makes her a promise that he will visit her again, eventually. The next time Jim sees Antonia, twenty years have passed. Jim is now a successful lawyer in New York. Ántonia has married a man named Cuzak, a man of Boehmian decent. Cuzak and Antonia have many children. Jim’s visit to farm is a joyous. Ántonia and Jim revitalize a once strong friendship. Before he leaves, Jim tells Antonia he will keep in touch. Before returning to New York, he visits his childhood abode. He finds tranquility in the familiar setting and is able to look back on his life, and discovers just how much Antonia has meant to…
Rowena is Roberts handicapped older sister, she is a symbol of purity and innocence to Robert, and anchors him to kindness and compassion. Rowena is closely associated with the colour white, she is pictured with "white rabbits" and even at her funeral her "coffin [is] white'' in a blanket of snow. Roberts love for Rowena keeps him pure and focused and this is why he cares for…
When Praskovya tells Ivan about her pregnancy, Ivan retreats from his wife and absorbs himself in his official work. Later on in the book when the marriage becomes increasingly difficult, Ivan adopts a formal, contractual attitude toward his family. He shows a character where he does not have any personal relationship with his wife and children.…
In order to fully understand the novel, it is necessary to understand the historical context that permeates the novels most important themes and interpretations because William…
“Still I say that a man who stakes his whole life on a woman’s love and, when that one card gets beaten, turns sour and sinks to the point where he’s incapable of doing anything at all, then that person is no longer a man, not even a male of the species.” (Turgenev 27). Bazarov makes his view of love very clear in this scene and also seems to foreshadow his demise. He says that someone who gives up everything after failing in the game of love, is weak. This would be an obvious notion from Bazarov since a nihilist has no respect for anyone or anything. Ironically, Bazarov clearly explains exactly what ends up happening to him in the story. He is the card that is beaten by Anna Sergeevna when she does not tell him whether or not she shares the same feelings as him, when he expresses his love for her. He tries to hide his sadness and frustration by engaging in a romantic manner with Fenichka Nikolayevna, the servant who becomes Nikolai Petrovich Kirsanov’s wife at the end. When this fails as well, Bazarov knows he can no longer hide his feelings and need to love and appears to be a changed…
©2000-2007 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Premium Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources. ©1998-2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". © 1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". © 1994-2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher.…
©2000-2007 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Premium Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources. ©1998-2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". © 1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". © 1994-2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher.…
Love: Ana projects her love for her second husband, Vladimir. Ana’s love for her Vladimir is projected through her everlasting support for him until his death where she says ‘when you is dying and I is bathing your overhead, kissing your hands, carrying you on my shoulder, vashing your kaka, drying your peepee, you is very grateful’. Catherine is still in love with Martin and through the repetition of Catherine imagining Martins reappearance this symbolises her continuous love and missing of him.…
Thesis: “Snow White is full of rigid gender stereotypes; we deserve a fresh re-telling of this story which makes the protagonist a full being, an active agent with volition, and a complex person rather than a passive, child-like toy of witches and brave princes.”…
I heard the murmur of their voices as I crossed the hall; the newly wedded couple had just sat down for dinner together, they had arrived only an hour ago. I entered the room to see Rebecca, her dark ash-brown hair, flowing like silk as it trailed down behind her dainty, gentle shoulders. I just couldn’t help to think, what kind of woman she was. I set down the plates, not speaking a word to either Sir or the new Madam; I was not in a position to talk to either of them, as that was not my responsibility. Madame, was the most beautiful woman I had ever seen. She seemed so comfortable being herself. She was so lovely, so accomplished, so amusing. This was my first meeting with her, and already I was in awe of her. She had the perfect breeding to be Sir’s wife, she was incredibly beautiful and as time went I on, I realised she had the brains and confidence to outwit anyone. She was entirely different to the second Mrs De Winter.…
In “The Masque of the Red Death” by Edgar Allan Poe, the author uses symbolism to elucidate that death is an inevitable force that no one can escape. After the death of many from the plague spreading through the country, the Prince takes action: “he summoned to hs presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys” (1). Prince Prospero and his friends depart to the confines of one of his castellated abbeys in an effort to escape. The Prince ensures that neither means of ingress or egress will occur, but the ruddier light is still able to flow through the blood-colored panes in the seventh room. Thus displaying that no matter what one does in an attempt to stop their conspicuous death, it always has a way in. No one is brave enough to seize the masked figure as he…
Before the divorce of her parents, Dares father, Ivan was never home. Due to financial his financial struggles, Ivan spent days, weeks and sometimes months away from his family bouncing from one job to another, trying to make a living for him and his family. During that time Dares mother, Edie was taking care of Dare and her younger brother Blain. 9 years after their disappointing marriage, Ivan cheated on Edie, and they were separated. Thanks to Edie’s manipulative ways, “by default…Ivan took responsibility of his son blain; he was also restrained from interfering with her [Edie] and dare.”(Nathan 38)…
Chopin introduces the story with pleasant images and events; she enchants the reader with fairy tales. A woman who cannot have children is blessed with the most "beautiful and gentle, affectionate and sincere" (31) of all girls, whom she believes "had been sent to her by a beneficent Providence to be the child of her affection" (31). A real Cinderella story becomes true when a girl who holds the burden of not knowing where she came from is now the object of desire of the handsome and wealthy Armand Aubigny, a man who 's so in love that ignores the fact of her obscure origin. According to Armand, "what did it matter about a name when he could give her one of the oldest and proudest in Louisiana?" (31). Armand 's love is such that he orders the "corbeille" from Paris, and impatiently waits on it to marry the woman he desires. Chopin goes on with the fantasy in her successful attempt to soften the readers ' hearts. Desiree has a baby and makes Armand "the proudest father in the parish" (32), who changes from a cruel slave owner to a more patient boss. Chopin takes the readers to wonderland and opens up their hearts with this romance in the first half of the story. The writer ends the first phase of the tale with Desiree 's expression of her feelings at that point: "Oh mamma, I 'm so happy; it frightens me" (32). This comment is both a conclusion of the first phase of the story and a prediction of what 's to come next.…
If it was not obvious by now, Vladislava knew of Roland’s loyalty to her house and hoped that the conversation between the two of them, told him as much; but she would soon learn that things weren’t always that easy, and assurances were needed in most cases. But she would not blame…
Carter’s characterisation of the Count and “his wife” give us an insight into the gender roles that she is trying to portray. A general rule of fairy tales is that the males should be of higher class than the women, and they should also show a social dominance. However Carter seems to go against this theme from the very beginning of the Snow Child as she tells of how the Countess rides a “black mare” whilst her husband is on a “grey” one. This gives the reader their first glimpse of the authority that the Countess has.…