"Near the threshold he stopped, horror-stricken at the sight of a thing. He was being looked at by a dead man who was seated with his back against a columnlike tree. The corpse was dressed in a uniform that had once been blue, but was now faded to a melancholy shade of green. The eyes, staring at the youth, had changed to the dull hue to be seen on the side of a dead fish. The mouth was open. Its red had changed to an appalling yellow. Over the gray skin of the face ran little ants. One was trundling some sort of bundle along the upper lip.”…
Beginning in the fourth sentence of the excerpt, the author narrates all the life found in the forest, but describes them darkly, thus the contrast of death or fear. One of the many examples found in this section is the description of the poisonous frogs. Besides the clear image of death as the poisonous animal is described…
One thing all humans must experience through out life is the uncanny sense of death lingering just around the corner, in dark alleyways, and on the faces of strangers. We all have our own way of coping with the notion that there is an expiration date on our lives, may it be through grievance and fear, or with boldness and aspiration for what is to become of us afterwards. “An Occurrence at Owl Creek Bridge” by Ambrose Bierce uses the situational archetype of facing death, as well as the anti-villain and scapegoat character archetypes, to illustrate mans’ perspective on the passing of life and coming to death in times of danger and misfortune.…
Throughout ‘The Secret Life of Frogs’ themes that are expressed include childhood innocence and the negative influence of war on children. The theme of the innocence of children is clearly conveyed through the use of the parenthesis, ‘(we thought a brothel was a French hotel that served hot broth to diggers)’. This technique is used to enclose a thought that the children had in their childhood, and helps to further emphasize the idea that they misunderstood the adult concept of brothels. The parenthesis also helps to change the tone of the poem as it cuts the seriousness of the stanza through their misinterpretation of the word brothel. This highlights the idea that…
The novel As I Lay Dying by William Faulkner, had many interesting paragraphs that catches the readers eye. However, the above paragraph between Vardaman and Darl debating the matters of death and existence stops the reader and demands attention. The above paragraph is a narrative paragraph. Vardaman’s association of his mother’s death with the fish’s death at first seems to be a childish, illogical connection. This association, along with Darl’s linking of the question of existence to a matter of “was” versus “is,” allows these two uneducated characters to tackle the highly complex matters of death and existence. The bizarre nature of this exchange illustrates the Bundrens’ inability to deal with Addie’s death in a more rational way. For Darl, language has a peculiar control over Addie’s existence: he believes that she cannot be an “is,” or a thing that continues to exist, because she is a “was,” or a thing that no longer exists. For Vardaman, objects that are similar to each other become interchangeable: he assigns the role of his mother to the fish, for example, because the fish is dead, like Addie. These somewhat logical responses to Addie’s death demonstrate…
The second part of the poem ‘Nightfall’ continues the story of the child forty years from ‘Barn owl’, where she had lost her innocence by shooting an owl and this had resulted in a heavy hearted guilt which was caused by her unknowing and stubborn actions. The poem represents death closing in on the father, and the limitations of time on their relationship that was never experienced before in her younger years. The father, who in the first poem is depicted as an “old no-sayer”, is now held in high esteem, he is admired and respected as an “old king”. The extended metaphor “Since there is no more to taste ripeness is plainly all. Father we pick our last fruits of the temporal.” Appeals to our senses and is now an aural metaphor, it illustrates the father’s life becoming fulfilled or ripe, it has come near to its end and the father and child will now spend or pick the last moments of the father’s life together. Over time her appreciation of her father has changed, this is shown through “Who can be what you were?” and “Old King, your marvellous journey’s done.” She has realised the valuable life her father has led and the great loss that will be felt after he is gone. The child, now a grown woman learns another lesson about death, it can be quiet and peaceful, and “Your night and day…
In this letter by George Bernard Shaw, the author conveys vivid detail that is emphasized about the death of his mother. Within this text, the author’s attitude towards his mother and her cremation is utilized by the use of diction, detail, and imagery that serves to express the authors feeling of sentimentality and rebirth from the enchanted tone he attributed his mother with.…
In the essay, she illustrates the struggle between life and death. Her purpose in writing this passage is to depict how pathetic life is in the face of death, and to garner respect for the awesome power that death has over life. Throughout the essay, death is described from many different angles. The purpose of this is to remind us of the power that death has over life. She shows us the death is certain and unavoidable. She does not convey this message with logic, but with instead with emotions, feelings, and implicit ideas. She makes us feel the death of the moth to impart us a more complete understanding of the eternal power of death.…
Wilbur's excellent use of diction can be seen throughout all three stanzas. Beginning with a more casual array of words, he quickly progresses to a more dark and gloomy selection. The dismal words throughout the poem, including "dim" (5), "low" (6), "staring" (8), and "gutters" (9), help to represent the speaker's grave emotion towards the toad. Wilbur describes the actual injury of the toad to be quiet simple and not so harsh. He uses the phrase "chewed and clipped" (2) instead of using ruthless words like slashed or hacked, once again giving the poem a soft and peaceful feeling of death. Wilbur depicts the toad's age in a tranquil manner, as well. The toad, with his "folds and wizenings" (8), which can be associated with wrinkles and creases of an elderly countenance, and his "hobbling hop" (2), which depicts perhaps an elderly walk, comes to terms with his injury and old age and decides to accept his death. Certain words seem to take on a soothing meaning and help convey the sympathy the speaker is feeling: "sanctuaried" (3) comes from the word sanctuary, a holy or sacred place; "heartshaped leaves" (5) are prettier and more consoling than jagged and pointed edges of leaves. Serenity continues into the toad's afterlife as he drifts into toad heaven, "lost Amphibia's emperies" (14). The toad is moving…
In Thanatopsis, the author shows the theme about death by comparing it to nature’s beauty. Most people see death as horrible, but Bryant shows an in-depth meaning to it. The poem starts off by personifying nature as a beautiful female, “…and a smile and eloquence of beauty” (Lines 4-5), who will always be there for you to make you feel better, “Into his darker musings, with a mild and healing sympathy.”(Lines 6-8) The poem takes a shift and talks about how death feels like “Of the stern agony, and shroud, and pall and breathless darkness, and the narrow house,” (Lines 11-12) and the idea of being in pain in a dark coffin. The poem continues going back and forth on nature’s beauty and death, and soon connects it back to the theme. “Thy growth, to be resolved to earth again, (Line 23)” shows that after death is another phase of life itself, and we will return to be one with nature. Our dead decomposing bodies will be mixed in with nature, “Shall send his roots abroad, and pierce thy mould. (Line 30)” Bryant compares nature to a coffin, “Are but the solemn decorations all of the great tomb of man.” (Line 44-45), to show the coffins of dead people created nature’s beauty, the valleys, hills, rivers. Bryant leaves a…
Caesura is one of the most crucial elements in classic English poetry. It can either change the pace or the atmosphere of the work. Emily Dickinson uses caesura in her poem “Dying” to demonstrate death as a slow and unspiritual event. Both the 1955 edition and the original edition share the same style of caesura from the start to the end. In the original version, Dickinson uses a vast number of hyphens between sentences. For example, the first two sentences of the poem, “I heard a Fly buzz-when/ I died-”, depicts how the author uses hyphens between every phrase to portray short breaths of a dying individual. The author uses short breathed pace of the poem to describe the narrator’s slow process of death and nonspiritual side of death. In addition, the author implies how death does not contain any kind of sudden or spiritual endings. In the 1955 edition, Johnson places caesuras in almost identical places to preserve the original work’s perception of death. As a result, the 1955 edition successfully displays images of a dying narrator and the short paced poet structure. With the same style of caesura, the 1955 edition brings out the original version’s idea about death being a slow yet nonspiritual everyday occurrence.…
When talks about “death”, almost people are fear of that. Because they think “death” is the end of their life. But William Cullen Bryant has another side to look at “death”. “Thanatopsis”, that means “a view of death”, it’s also the name of a poem by Bryant. This poem is one of the classics about death as it offers a peaceful view of death, comfort for the living, and no matter what a person's religious beliefs, the poem are still applicable.…
In this paper I have been asked to compare and contrast literary works involving the topic of my choosing. For this paper I chose the topic of death. Death can be told in many different ways, and looked at the same. This paper is going to decide how you feel about death, is it a lonely long road that ends in sorrow, or a happy journey that ends at the heart of the soul? You decide as we take different literary works to determine which way you may feel.…
“The Widow’s Lament in Springtime” by William Carlos Williams is a lovely poem that goes straight to the heart of anyone that has lost a loved one. Death is a physical energy that can drain and change an individual’s entire outlook on life as well as any joy that has been experienced. Some people are so affected that they see no relief in sight and want nothing more than that relief. What is amazingly captured by the author of this poem is the woman’s separation from her husband. She feels devastated and not sure she can go on without him. She lament’s sorrowfully even as her surroundings are coming to life. The poet uses the element of alliteration. This is evident in the words flames, flamed and fire; and later in the poem feel, fall and flowers. Assonance is also very visible as is reflected later in the poem with words like they, today and away. Symbolism and pathos add to the poem making it a very poignant story.…
There is a multitude of poems written with the theme of death, be it in a positive light or negative. Some poets write poems that depict Death as a spine-chilling inevitable end, others hold respect for this natural occurrence. In Emily Dickinson’s poem “Because I could not stop for Death”, diction and personification is utilized to demonstrate the speaker’s cordial friendship with Death.…