In the story the Average Waves In Unprotected Waters you see the setting contributes an enormous part to the story. You see this in many ways for example you see how Bets is struggling with Arnold. Also the story takes place around the 1930’s which is a huge role on the outcome of the story. Another example is where Bet lives which doesn't make it easier for her or Arnold.…
She struggles against the ripping force of the ocean current. Her arms are quickly tiring from swimming against it. She relaxes, letting her muscles fall limp. Within seconds, she is pushed out to sea. The people on the beach are so small, little tiny ants against a white sand backdrop. The tall condo skyscrapers are now tiny Lego buildings. The kids hollering and music blasting on the beach is faded like a distant memory. She will die out here, she’s sure of it. Her daughter won’t have a mother’s hand to hold when learning to walk. Her husband will be left a widower, forever broken by the loss of his love. She closes her eyes and accepts her fate as she drifts further out to sea. She floats for a long while, the salinity in the water steadily…
"I left in a French steamer: The French Steam Ship and she called in every blamed port they have out there, for, as far as I could see, the sole purpose of landing soldiers and custom-house officers. I watched the coast. Watching a coast as it slips by the ship is like thinking about an enigma. Analogy comparing the coast slipping by the ship to a mystery. There it is before you -- smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering, Personification: Giving humanlike features to the coast. 'Come and find out.' This one was almost featureless, as if still in the making, with an aspect of monotonous grimness. Suggesting that the coast invites us to uncover its secrets. The edge of…
Throughout the film, the ship has an explosion and causes the people to fall into the water. Due to the explosion on the ship, most of the people did not know how to swim and a quantity of them drowned. As the film continues, a shark attack takes place. It causes the audience fear and raises the level of excitement towards the public. Rainsford, being the only survivor, leaves the audience wondering. Questioning how Rainsford is the only one who made it out alive out of all of the people. The author also shows a lot of different perspectives of expressing emotions throughout the film. The love interest between the characters begin…
The Great Wave off Kanagawa prints feature a great breaking wave about to engulf three small fishing vessels. The dominant wave consumes more than half of the space and frames Mount Fuji in the distance. Three tiny boats and an even smaller peak of Mount Fuji seem to serve only to highlight the force of the water. The dramatically curved, upwards line of the wave acts as hooks or claws which almost personify the wave into a predator grasping at its target; the fishermen in delicate fishing boats seem to have no chance against the water.…
When authors use symbolism effectively, readers can begin to understand a work of literature on both the surface level and in an illustrative context, attributing significance to ideas, actions, or even characters themselves beyond what is initially described. In her novella The Awakening, Kate Chopin employs symbolism through a variety of images to reveal particular details about the protagonist, Edna Pontellier. One such symbol is the sea, an essential figurative element. Ivy Schweitzer’s scholarly essay, entitled Maternal Discourse and the Romance of Self-Possession in Kate Chopin’s The Awakening, asserts that the sea is a motherly figure lacking in Edna’s life. Though in her critical analysis of The Awakening Schweitzer asserts that the sea is a “maternal space” (Schweitzer 184), I will argue that the sea represents a metaphorical romantic partner for Edna, and that it really is the symbol of an idealized lover that was an impossible reality in Edna…
The narrator shows this development by changing the way he describes the sea. Early in the story, the sea “seemed like a horse leaping over a high fence,” and the men thought that nature was intentionally against them. But later on in the story, the men realize that nature is indifferent. It “paces to and fro,” and is no longer a factor to the survival of the men. The men almost seem to think nature is beautiful by saying, “the shine of the light, lifting from the sea in the south, changed to full gold.” The sea does not change itself but the way the men view the sea changes. The gulls, clouds, and tides illustrate that nature does not behave any differently when men need it to survive. No matter the situation, the tide rises and the tide falls. Crane shows that nature is equally hurtful and helpful to man’s situations. For every tough break that the men face like the rough seas and the wind suddenly calming down, they catch an equal amount of breaks such as a favorable wind or calm night. The fact that the men almost seem to get assistance from nature proves that nature is not always hurtful. The correspondent’s final rescue is the best example in the story. The correspondent was saved by a freak wave, which may also be responsible for killing of the oiler, and he must accept the fact that even though nature put him into harm’s way it also saved his life in the end. But the…
In this quote Bradbury really tries to personify nature into a more technological feature, giving it not only more humanistic quality but modernizing them to fit a radio in this futuristic era. By describing an electronic ocean of sound, Ray Bradbury uses the ocean as a leitmotif and defines the ocean as a ruthless, unstable, and uncontrollable power, controlled to a regulated rhythm. Readers then proceed to read Bradbury's entrance of silent command into the scene. These enter into her unsleeping mind while Mildred is unconscious. This translates into her subconscious altering her true thoughts and altering her opinions and state of mind. This idea further represents itself with music. Music symbolizes a way to express and release emotions. By controlling both Mildreds logical and emotional state of mind, readers observe technology's silent takeover upon the natural world. Bradbury refers to this device in the novel as a seashell. By labeling this device as a seashell, Bradbury uses irony to juxtapose the societies ideals. The seashell should be a natural object, yet this society relates it to technology…
As the two main protagonists Bridie and Sheila describe their first sightings of each other as they desperately float at sea, Bridie describes her multiple attempts of saving Sheilas life as she “nods off”, Bridie hits her with her shoe-horn, as Sheila describes “whack, whack, whack” and “tap, tap, tap”. Through the use of repetitive hyperbolized onomatopoeia and the heroic symbolism of the shoe-horn, Misto has cleverly juxtaposed these characters to show such heroism as Bridie realistically saves Sheila by such an emblematic item being the shoe horn. Also to create realism throughout the moments of this scene the use of distant sounds of lapping waves play in which this assists in creating a sense of immediacy and puts forward the notion of heroism that needed to be displayed to overcome such horrendous condition in which these girls went through. Overall Misto manipulates the responder to evoke the heroic images, as he enables the audience to empathise with the characters on such a heroic journey.…
The ocean acts as a symbol of a child’s best friend, encouraging the child to the fearless and chase adventure. However, the father views the ocean differently, as he sees the ocean being dangerous. As stated in the text “I have since become a salt-water man, but sometimes in summer there are days when the restlessness of the tides and the fearful cold of the sea water and the incessant wind which blows across the afternoon and into the evening make me wish for placidity of a lake in the woods” (pg 1). This quote shows that the father is fearful of the sea, and seeks the comfort of the lake because how the waves of the ocean represent no control. Summer symbolizes the father’s favorite time of the year, Summertime, oh summertime, pattern of the indelible, the fade proof lake, the woods unshatterable, the pasture with the sweet fern and the juniper forever and ever, summer without end; this was the background, and the life along the shore was the design, the cottages with their innocent and tranquil design...”(pg3). This shows the father using imagery to describe his childhood trips to the lake to bond with his father period. The positive descriptions of beauty of their annual trips show s the happy memories he associates with the season. He becomes lost in these memoires and is convinced that times does not exist. “That the…
Inner conflict is explored throughout Time and Tide as Winton recalls, through memories, the decay of his personal image of the ocean by the very people he grew up around, and even by himself. The piece begins with Winton using visual imagery to recall his view of the ocean as a positive concept, “peered down into the turquoise blur to see wild mobs of silver trevally ride”, and also makes the reader feel as if they are recalling the same memory as him. As the text progresses, more negative adjectives are introduced as Winton realises how carelessly people treat the ocean, such as “gross”, “choking” and “dead”. The juxtaposition of humans doing horrible things but describing them as enjoying themselves doing it, “men in beanies and seaboats cheerfully tore blubber” and “thousands of blowfish on the wharf where children had stamped them playfully to their death”, makes Winton’s point that human beings treat the sea with “a kind of thoughtless contempt”. He also uses personal pronouns, “We took and took and took”, to show that he also feels partly responsible for the damage being wrought upon his own childhood playground. Through Winton’s use of powerful visual imagery and juxtaposition, we are…
The storm itself is very symbolic in this story. The storm is parallel to their tryst and also to the internal battle in Calixta. The storm sets the scene for their love affair and is full of intensity…
“The weather turned fearful; someone who has not seen the sea as turbulent as we saw it cannot picture it; no one can imagine those mountains of water that surround you and suddenly engulf the whole ship, or the wind that makes the rigging whistle and is so powerful at times that the sails ahave to be hauled in…”…
The elements of life and death are portrayed throughout the novel Claire of the Sea Light through different characters that somehow have a connection to one another. The author Edwidge Danticat reveals in an interview “Love leads to violence” and “Dreams lead to corruption.” The love that each character has is always lost in violence and others destroy the dreams they have. The novel reveals the relationship between loss and death and how it connects to the characters and nature. It illustrates how loss can be devastating and how it can bring new life.…
Murakami explores the theme of fear and how it can impact someone's life. His use of figurative language helps a reader see what it’s like to be overwhelmed with fear and have it take control of you without warning. In the text, the narrator states how seeing the wave getting closer and closer to shore caused him to run away and also be terrified at the same time. The narrator was able to save himself, as all that adrenaline was coursing through him because of fear, although he saved himself he couldn't save K because he was afraid that the wave would have taken both of them. Evidence from the text, “ I found myself running the other way - running full speed toward the dyke, alone.”…