William Shakespeare is very intentional about character choices and their personalities. Each character plays an important role in setting the tragedy in motion. For this essay, I have chosen to analyze Tybalt, the Friar, and Benvolio’s personalities and explain how they contributed to the tragedies.…
Prospero is the most central character in Shakespeare’s ‘The Tempest’. The play revolves around his personal task to regain his dukedom, which his brother Antonio usurped from him. Throughout the play it is shown how Prospero develops and changes as a character and seems a different person to the character we first meet in Act One Scene Two. How Prospero’s character develops happens in a variety of ways, one of the most potent ways appearing to be the treatment of the other characters within the play.…
In Twelfth Night, Malvolio duped himself into believing that Olivia is in love with himself. When received a love letter meant as a prank, he makes the letter suit himself. In this antic, they lock Malvolio away claiming he is possessed and sends a priest, who is really the clown. Even though Malvolio would not be able to see who is talking to him, the clown puts on a robe to camouflage as a priest. “ I’ll put it on, and I will dissemble myself in’t,” he claims knowing that it will help convince himself what he is acting to be (55). In the film, Jerry gets stuck in the life of a woman. When he is proposed to, he agrees originally, caught up in his own lie. He even gets excited and easily gets along with the other girls in the band, fooling himself of his true…
A spirited exchange of vulgar jokes between the Capulet servants begins Act, Scene 1 after the prologue and immediately links sex with conflict. In their bawdy quarrel, the servants' references to ‘tool’ and ‘naked weapon,’ together with repeated images of striking and thrusting, illustrate how images of love and sex are intertwined with violence and death — and will continue to be throughout the play. The sudden switch from the comedic interplay between the servants to a potentially life-threatening situation demonstrates the rapidly changing pace that drives the action of the rest of the play. For instance, Benvolio, whose name means ‘goodwill,’ tries to act as a peacemaker by dividing the servants, but the quick-tempered Tybalt forces him to draw his sword, and the atmosphere changes from harmony to hatred within a few lines.…
In Shakespeare's uniquely constructed comedy, Twelfth Night, there are several paradoxes within the characters. Misinterpretations as well as false presentation of reality are both common occurrences within the characters. Nearly the entire cast of characters use or fall victim to some form of deceit. Both Andrew and Viola present themselves as people they are not, and Orsino and Malvolio are fooled themselves about who they are and where they want and can be. Also, on a historical note, both Olivia and Feste the clown step (by default or self-attainment) out of the socially imposed stereotypes of their biologically born person. The reasons for Shakespeare's contradictions of characters are unknown; however, it can be hypothesized, knowing the man and his style that he was poking fun at elements of the society, in which he resided, as well as the ridiculousness of higher class citizens and the ritual absurdity of the lives they lived.…
Like Shakespeare's other romantic comedies, TwelfthNight moves from personal frustration and social disorder to individual fulfilmentand social harmony by means of what Leo Salingar has shown to be the traditional comic combination of beneficent fortune and human intrigue.' This basic pattern, of course, takes a radically different form in each play. In comparison with many of the comedies, Twelfth Nightbegins with remarkablylittle conflict. The opening scenes introduce no villain bent on dissension and destruction, nor do they reveal disruptive antagonism between parents and children or between love and law. In contrast to the passion and anger of the first scene of A Midsummer Night'sDream,the restless melancholy or that pervades the beginning of TheMerchant Venice, the brutality and tyranny of LikeIt, the dominant note of Orsino's court and that precipitate the action in As You of Olivia's household is static self-containment. To be sure, both Orsino and Olivia…
A man falls into a violent epileptic shock from sheer anger and jealousy. Othello is an aspiring man, who under delusional rage, allows revenge to blind him and so he betrays the trust of friendship and marriage. Actions alone can merit the characterization of evil simply because some deeds are too purely vicious and malignant, however William Shakespeare’s Othello creates a character of far greater intricacy than sole action- intricacy demonstrated by the development of language and expansion on plot and character.…
Shakespeare’s tragic play Othello has the ability throughout time to relate to the intrinsic nature of the human condition. Exposing the vulnerability of humanity, Shakespeare confronts the universal concerns such as racism and discrimination, which have a sense of timelessness still present from the Elizabethan age to the modern day. Potentially leading an eternal life, the play Othello is able to be interpreted by each individual differently through the complex language and understanding which ensures its validity in different contexts in society. These diverse interpretations include my own which has further formed an insight on the concern of human emotion such as jealousy and love, when logical reasoning is overpowered by these sporadic emotional inclinations. The collapse of Othello from a stable and rational hero, to a man driven insane by passion is a prime example of this, also framing the power of society on an individual choices and development as a character.…
In the Renaissance-era romantic comedy, "Twelfth Night", William Shakespeare presents to us an entertaining play riddled with humorous plots and, in some instances, comical and witty exchanges between the characters in the play. In a novel peppered with subtle notions of deceit and illusion, it is fascinating how some of the most revealing truths about the characters actually lie beneath the innocent banters. Under the influence of illusion and deception, the figures in the play are often lost in their own reverie, failing to realise the bare naked truths behind the events that have played out. An insightful judge of characters, Feste is both impudent and witty at the same time, neither mincing his words nor masking his emotions. It is perhaps due to his pragmatic nature that he is able to be so perceptive and astute in his judgment of the characters. His remark of Orsino's mind as one which is very opal only serves to prove the above-mentioned claim. Over the following paragraphs, I will endeavor to uncover the truth behind Feste's statement.…
Twelfth Night and The Servant of Two Masters both relate to this course’s theme of the carnivalesque. Both plays share the commonality of having a clown, or a fool; in Twelfth Night it is Feste or the Fool, and in The Servant of Two Masters it is Truffaldino. Both characters play the fool in contrasting ways to express similar yet different forms of the carnivalesque. During carnival, laughter is prominent; people are laughing together, they are laughing at each other, and they are being laughed at. The laughter of carnival is both malicious and happy and everyone is included in it. Feste and Truffaldino show the different aspects of carnival laughter through their portrayals of the fool. Feste plays the role of the artificial fool and because of this people laugh with him at his wit and humor. As an artificial fool, Feste is a bit removed from the action of the play. He is in contact with almost every character but he is not what drives the main plot. By being detached, Feste is able to observe what is going on more and laugh with the audience. Feste further proves he is an artificial fool with his trick against Malvolio. The trick was though out carefully and done out of revenge so that people would laugh at Malvolio and with Feste. Truffaldino plays the role of the natural fool. Because he is a natural fool, people laugh at him, not with him. When he tricks his two masters, the tricks are not well thought out and are done only to cover up previous tricks. His messes and blunders cause the audience to laugh at him but he is too wrapped up in the action of the play to even notice. By playing the artificial fool, Feste is able to display the dimension of carnival laughter where he laughs with others. Turffaldino displays the dimension of carnival laughter where he is laughed at by playing the natural fool.…
Malvolio is a very egotistical character; he is immune to enjoyment and affection. He plays a significant part in the story of Twelfth Night, as he is foolish but self-righteous at the same time. Shakespeare made Malvolio the character in the story that the reader would immediately lable as the baddy this is because Malvolio is a puritan and puritans were against the theatre. The theatre was what made Shakespeare therefore he sent subliminal messages throughout Twelfth Night to stay against the puritan cause. This was extremely clever. Malvolio links more and more into the story as it progresses; this is because he becomes similar to a 4th point in the love triangle. He is a pretentious, pompous, condescending fool in his actions and his thoughts. He thinks he is higher up the social ladder and house hierarchy when he is merely a steward who takes dislikes a little too far.…
Mercutio is one of the most unique characters in Baz Luhrmann's movie "Romeo & Juliet". His language is always powerful and imaginative. He represents many different things in the play and holds an important role. Mercutio is Romeo's friend. He is neither Montague, nor Capulet. Therefore, he has not been born into a feud and really has no side. However, his bond with Romeo does make him associated with the Montagues. In this essay I will describe the complex character of Mercutio and how he influences the story.…
William Shakespeare’s play Romeo and Juliet is full of different characters, and each plays a different role to make for a complete work. Mercutio is an essential force in the play by serving as a colorful character and comic relief against the more serious and emotional characters such as Romeo and Juliet. He demonstrates himself as a colorful character through his figurative language. Additionally, he portrays himself as a comic relief when he adds humor to intense situations, and when he mocks the Nurse and Romeo. The combination of Mercutio’s clever tongue and flamboyant actions with other character earn him the label of a comic relief and brilliant supporting character, which is needed to keep the play entertaining.…
Mercutio’s irrational actions partly contributed to his death consequently affecting the outcome of Romeo and Juliet. Mercutio’s stubborn and self-centred personality is evident when arguing with Tybalt through his use of emotive language to anger and criticize him. “Men’s eyes are made to look…I will not budge for no man’s pleasure.” This use of emotive language displays Mercutio’s delusions of the morality and grandeur upheld by the characters around him. As a result, if Mercutio had not been self-centred and arrogant, perhaps Romeo and Juliet’s demise could have been prevented. Also even though the notion of destiny was held in high esteem in the Elizabethan era, Mercutio, a lawd and egotistical character, had no regard for these ideas. This is reflected through his colourful imagery and figurative language “her chariot is an empty hazelnut” in response to Romeo’s fear if “some consequence hanging in the stars.…
In “Romeo and Juliet,” by William Shakespeare, the character Benvolio is a kinsman of the family Montague, a cousin of one of the other main characters, Romeo. Not only are Benvolio and Romeo cousins, but they are also very close friends. Evidenced by many of his interactions with Romeo, Benvolio has many notable character attributes. Benvolio is extremely respectful and noticeably loyal. Benvolio is a good character to study because he is constant through the play, which is helpful to understand and analyze him on an almost personal level. Additionally, Shakespeare’s portrayal of Benvolio is easy for the audience to connect with and appreciate Benvolio and the supportive role he plays.…