With the brother-in-law, he is pushed to one extreme of human behavior. When P, the brother-in-law’s ex girlfriend talked about his art, “After Gwangju, your art was to engage, almost as though you are atoning for surviving the May massacre” (74). This act of violence that he survives, leads him to social commentary art. He tried to comment on the injustices that are happening in Korea. He becomes obsessed with what he survived and tries to bring to light other events like the one he endured. He cannot deal with this violence, but unlike Yeong-hye, he does not turn passively from
With the brother-in-law, he is pushed to one extreme of human behavior. When P, the brother-in-law’s ex girlfriend talked about his art, “After Gwangju, your art was to engage, almost as though you are atoning for surviving the May massacre” (74). This act of violence that he survives, leads him to social commentary art. He tried to comment on the injustices that are happening in Korea. He becomes obsessed with what he survived and tries to bring to light other events like the one he endured. He cannot deal with this violence, but unlike Yeong-hye, he does not turn passively from