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leader, establish a division of labor, and set about systematically exploring the island. But even at this early stage, we see the danger that the boys’ innate instincts pose to their civilization: the boys cruelly taunt Piggy, and Jack displays a ferocious desire to be elected the group’s leader.

Throughout Lord of the Flies, Golding makes heavy use of symbols to present the themes and dramatic conflicts of the novel. In this chapter, for instance, Golding introduces the bespectacled Piggy as a representative of the scientific and intellectual aspects of civilization. Piggy thinks critically about the conch shell and determines a productive use for it—summoning the other boys to the beach. The conch shell itself is one of the most important symbols in the novel. The conch shell represents law, order, and political legitimacy, as it summons the boys from their scattered positions on the island and grants its holder the right to speak in front of the group. Later in the novel, Golding sharply contrasts the conch shell with another natural object—the sinister pig’s head known as the Lord of the Flies, which comes to symbolize primordial chaos and terror. sation provides the background of their situation: In the midst of a nuclear war, a group of boys was being evacuated to an unnamed destination. Their plane crashed and was dragged out to sea, leaving the boys stranded on an unfamiliar island. Because of the atom bomb's devastation, it's likely that no one knows the boys' whereabouts.

Ralph is delighted to be on a pristine tropical island without adults, but Piggy is less pleased. The two boys make their way out of the jungle and onto the beach. Ralph is not much interested in Piggy and does not request an introduction in turn when Piggy asks Ralph's name. Piggy confides his hope that the boys on this island won't call him Piggy as they did back home.

On the beach, Ralph investigates a large platform of pink granite overlooking a long pool that had formed