It is common in contemporary performance that the cellist will use eight notes slurred, thus creating a legato feel. Pablo Casals, discoverer of the Bach Unaccompanied Suites for Cello, and author of the book “light and shadow”, brought the Suites back into common repertoire by proving that they were more than just “mechanical studies” (Casals, 1971) “These suites had been deemed academic rubbish, mechanical studies without musical warmth – can you imagine that? How could they be considered cold – these works, that positively radiate poetry, warmth and feeling of sound? They are the quintessence of Bach’s work as a composer – and Bach is the quintessence of all music” (Casals, 1971) The Bach Unaccompanied Suites for Cello have had enduring popularity because of the simplicity in the score, and the association of known cellists that have performed and recorded the suites. The enduring popularity has come from the performers themselves, as they have the ability to interpret and express their own
It is common in contemporary performance that the cellist will use eight notes slurred, thus creating a legato feel. Pablo Casals, discoverer of the Bach Unaccompanied Suites for Cello, and author of the book “light and shadow”, brought the Suites back into common repertoire by proving that they were more than just “mechanical studies” (Casals, 1971) “These suites had been deemed academic rubbish, mechanical studies without musical warmth – can you imagine that? How could they be considered cold – these works, that positively radiate poetry, warmth and feeling of sound? They are the quintessence of Bach’s work as a composer – and Bach is the quintessence of all music” (Casals, 1971) The Bach Unaccompanied Suites for Cello have had enduring popularity because of the simplicity in the score, and the association of known cellists that have performed and recorded the suites. The enduring popularity has come from the performers themselves, as they have the ability to interpret and express their own