Preview

Unterschiede Zwischen Buch Und Film: Törless

Satisfactory Essays
Open Document
Open Document
293 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Unterschiede Zwischen Buch Und Film: Törless
Thomas Anderson German 3520 Prof. Oosterhoff 5-9-10 Aufsatz 6 Unterschiede Zwischen Buch und Film: Törless Der Film “Der junge Törless“ ist, in vielfach, sehr ähnlich zum das Buch {text:bookmark} „Die Verwirrungen des Zöglings Törleß“.Der meiste Filmedialog kommt gerade von dem Buch, und der insgesamt Stimmung ist auch dort. Aber der Film lässt alle Themen aus, die Homosexualität behandeln, und als Ergebnis, die Filmenachricht verdünnt. Es ist viel schwerer zu verstehen, was Torless genau für ein „Verwirrung“ hat. Zusätzlich, der Film kann nicht die Gedanken, und innere Konflikte von Torless zeigen, die die Mehrheit des Buches ist. Der Film zeigt Torless als selbstsicher als im Buch. Zum Beispiel, nach dem Ende, wenn Torless die Schule verlässt: Im Film rennt er weg und ist sich selbst nach einigen Tagen zurückgekommen. Aber im Buch ist er eingebracht. "Todmude und hungrig hatteman ihn in der nachsten Stadt aufgegriffen."Es steht so im Buch weil er verängstigt ist dass seine Beziehung mit Basini entdeckt wird. Im Film gibt es keine solche Handlung, und kein gutte Grund fur seinen Verhalten. Weil der Film in 1966 gemacht wurde, ich glaube dass eine Sache, das im Film, und nicht dem Buch ist, ist die Faschist Andeutung. Torless im Film muss eine Wahl machen: die Prügel zu Basini ein Auge zudrücken, oder ihm zu helfen, gegen alle seine Kamerade. Schließlich entscheidet er, von der Lage (das hat solche die Aktivität möglich gemacht) wegzugehen. Das Buch, in 1906 geschriebenen, ist mehr uber den inneren Konflikt von, ob er die Strafe mag und warum? Während der Film besser als den meisten Filme ist, wahr zu das Buch blieben, es versagt noch, die innere Verwirrungen des Torless zu behandeln, und am ende hat ein verschiedenes Gefühl.

You May Also Find These Documents Helpful

  • Satisfactory Essays

    Such history has seen a thousand times, stealing money to the Mafia, murders, thieves, mixed again and again in different ways, the only difference here is that they are two lesbians.The most striking aspect of the film is that it is a bloody film, which deals with the mafia and money, but ends up being a lesbian relationship that in the end they are the real winners because they make with what they want. The Celluloid Closet is a documentary that examines the history of the presence and treatment of gay characters in major Hollywood films. This film documentary interviews several men and women connected with the Hollywood industry to discuss various segments of different films, and their own experiences with the treatment of gay-themed personas…

    • 203 Words
    • 1 Page
    Satisfactory Essays
  • Better Essays

    Debate rages over the definition of what constitutes a Film Noir. The consensus seems to center on the time period in which noir films were created which is early 1940’s through late 1950’s. It was an era of film making that used low budget sets, light and dark elements of lighting, altered space (sparse), and sharp photographic focus shot at odd angles. Scripts were often based on pulp novels from the 1930’s. The protagonist, generally were of questionable moral character and were in some desperate emotional frame of mind usually due to their own bad choices. Throughout the movie the lead character seems trapped in a web of intrigue and bad luck from which they are unable to extricate themselves. Noir films were created to cause a sense of anxiety or discomfort. They are meant to disturb, to show the darker side of humanity. These films sprang from a shift in the social values of a changing American culture due to World War I and II and prohibition. Their impetus also lay in the constraints placed on the film industry by new censorship laws which began in the 1930’s prohibiting taboo subjects. These factors as well as limited budgets during WW II led to this phenomenon known as Film Noir or Black Film.…

    • 1302 Words
    • 6 Pages
    Better Essays
  • Satisfactory Essays

    The Pact

    • 1832 Words
    • 8 Pages

    2. Describe Ella Jenkins Mack. What kind of influence could her work ethic have had on George’s life?…

    • 1832 Words
    • 8 Pages
    Satisfactory Essays
  • Best Essays

    Kracauer, Siegfried. “Basic Concepts.” Film Theory and Criticism. Braudy, Leo and Cohen, Marshall. New York: Oxford, 2009. 147-158.…

    • 2775 Words
    • 12 Pages
    Best Essays
  • Satisfactory Essays

    recently saw the incredible film ‘Concussion”. The true story begins when forensic pathologist Dr. Bennet Omalu discovers brain deterioration that is comparable to Alzheimer's disease on former NFL football players while conducting an autopsy. Dr. Omalu names the disorder Chronic Traumatic Encephalopathy and with some help gets his findings published in a medical journal. After presenting his research, he finds himself under fire from the National Football League. As other athletes face the same diagnosis, the doctor embarks on a mission to raise public awareness about the dangers of football-related head trauma.…

    • 122 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    Fiction films are often stigmatised by historians, as they distort the truth, causing problems when trying to use them as a source. Their wildly varying content matter, inaccuracies, and bias make them hard to use. Film does not simply suggest a worldview; it states, and we experience, its existence as truth, which is the fundamental power and danger it poses to the observer. One cannot deny, however, film’s phenomenal impact in the twentieth century, drastically changing the way we see the world and how we absorb information. In this way, film is best considered as one stage in the ongoing history of communications. As a historical medium, therefore, fiction film can be very valuable, as despite fictitious content, it still has the potential…

    • 304 Words
    • 2 Pages
    Good Essays
  • Good Essays

    (Sampson 2015: online) In her essay, Visual Pleasure and Narrative Cinema (1975: 63), Mulvey reveals how films are structured in a way that facilitate the viewer to objectify female characters and to identify with an “ideal ego” (Freud 1991: 397) of the male protagonist. Mulvey identifies this phallocentric structure of cinema as a byproduct of a patriarchal society. Essentially stating that a male-orientated society will undoubtedly create male-orientated art. (1975: 57) Within this patriarchal realm, it is argued that cinema thus far has been constructed for the pleasure of a male audience, and as Mulvey states, “pleasure in looking has been split between active/male (subject) and passive/female (object).” (1975:…

    • 596 Words
    • 3 Pages
    Good Essays
  • Better Essays

    A strategic performance management framework is essential for the success of Landslide Limousine. The performance management plan must align with the business strategy to ensure the business is successful. The organizational philosophy and job analysis will help the company define skills needed by employees. It is important to determine methods the company will use to measure employee’s skills, address skill gaps, and an approach for effective feedback. Atwood & Allen Consulting…

    • 1060 Words
    • 5 Pages
    Better Essays
  • Powerful Essays

    Bibliography: Benshoff, Harry. Monsters in the Closet: Homosexuality and the Horror Film (Manchester: Manchester University Press, 1997)…

    • 2432 Words
    • 10 Pages
    Powerful Essays
  • Powerful Essays

    So in this view, there was a number of the new enterprising film firms in which just sprang up at the turn of the century featuring non-fiction titles, most specifically the travelogues. In the period prior to world travel has been actually widespread and every tourist had a camera. Therefore, the scenes of distant lands as well as the life were then having considerable foreign appeal for film patrons. As in most of whom until time were working class and definitely could not afford travel for such a reason. Citing some instances, for these two filmmakers Edwin S. Porter (1870–1941) and D. W. Griffith (1875–1948) had done perfecting the editing techniques for such a reason of advancing a story. That so happened, non-fiction films had been quickly obscured in attractiveness by narrative films in which had been exploited in editing as well as other cinematic techniques. Among those were framing and the movement of the camera in order to engage audiences expressively. In effect to that, non-fiction film had an assumption to a contributory position. (Kawin 2011)…

    • 2078 Words
    • 9 Pages
    Powerful Essays
  • Good Essays

    Postmorbid Condition.

    • 598 Words
    • 3 Pages

    In the summation of the article, a powerful and interesting description of this era of film-making is made. “What is called the “postmodern condition” might be more accurately thought of as the “postmorbid condition…And given that we cannot contain or stop this careless proliferation, violence and death both on the street and in…

    • 598 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The White Ribbon Analysis

    • 448 Words
    • 2 Pages

    Not easy to assume what you just saw when you leave the cinema. Two hours in a masterly history, as rarely have seen on a screen. Everything is suspended in the movie Haneke. And before as a screen almost becomes invisible cruelty we see a daily life that without seeming is the germ of horror. Four words a few years later charge a definitely tragic sense: the white tape be released violently and fly into the air of the times the abrupt hair of a blond innocence converted to…

    • 448 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    Alien Me!?

    • 1973 Words
    • 8 Pages

    Your Study Guide offers a discussion of “Thinking and Writing about Film” (Supplementary Unit 2, pp. 127-133) which is part of the assignment for the start-up, and again for the week when this paper should be completed. The accompanying broadcast (shown only in the first week during the summer term, but with repeated broadcasts in the longer spring…

    • 1973 Words
    • 8 Pages
    Satisfactory Essays
  • Better Essays

    War Film Genre

    • 1654 Words
    • 7 Pages

    Kaes, Anton. Shell Shock Cinema: Weimar Culture and the Wounds of War. Princeton: New Jersey, 2009.…

    • 1654 Words
    • 7 Pages
    Better Essays
  • Good Essays

    In the Nazi era, Germany was at the cutting edge of movie production, being compared to Hollywood. In the 1930’s films became a powerful vehicle for conveying a message to the masses which allowed for the Nazi party to reach a much bigger audience. Furthermore, Goebbels and Hitler were fascinated by film itself and hence contributed their time and effort in order to achieve a…

    • 442 Words
    • 2 Pages
    Good Essays