Mitch says to Blanche and the end of scene six “You need somebody and I need somebody too. Could it be me and you, Blanche?” Explore the ways in which Williams presents and uses the relationship of Blanche and Mitch in the play as a whole.…
The primary noticeable difference between Stanley and Blanche are the worlds that they both come from. Blanche believes in an illusionary world of which the upper and lower class people are separated, education is valued, races are separated and purity is preserved. In contrast, Stanley comes from a patriarchal society, which is morally corrupt, sinful and amoral. In the opening scene, the stage directions “her expression is one of shocked disbelief. Her appearance is incongruous to this setting” conveys her difference in class and how Blanche already does not fit into this new world foreshadowing the end of the play when Blanche is pushed out of the new world. The dialogue “ they mustn’t have- understood- what number I wanted” highlights Blanche’s confusion as she arrives at Elysian Fields, which suggests that Blanche is entering into a world that she does not belong in. The use of the derogatory terms “negro”, “brown” and “one white and one coloured” all suggest that unlike in Blanche’s illusionary world, Stanley’s world, New Orleans does not separate races instead they intermingle. Throughout the play there are many references to animalistic qualities. Blanche is represented, as a “moth” of which is fragile and attracted to light, which leads to danger and death. Stanley is compared to a lion, a predator of power and strong…
Streetcar named desire was a play set in the 20th century, 1951 written by Teneesse Williams. This extrct from scene 10 is significant section of the play as it depicts the most important part of the play with the implied rape on Blanche by Stanley. Williams uses dramatic techniques and symbols which illustrate Stanley's violent and aggressive behavoiurs, displaying him in negative light and as a villian and through the use of violence and animal imagery. Also allowing us to see Stanley as an angonist to the actions he persued on Blanche. Teneesse Williams also uses the settings and motifs such as insanity to protray Blanche as a victim.…
-In the end, Stanley's down-to-earth character proves harmfully crude and brutish. His chief amusements are gambling, bowling, sex, and drinking, and he lacks ideals and imagination. His disturbing, degenerate nature, first hinted at when he beats his wife, is fully evident after he rapes his sister-in-law. Stanley shows no remorse for his brutal actions. The play ends with an image of Stanley as the ideal family man, comforting his wife as she holds their newborn child. The wrongfulness of this representation, given what we have learned about him in the play, ironically calls into question society's decision to ostracize Blanche.…
Williams’ characterization of Blanche as a character of many layers and different emotions is particularly evident in this scene as he presents her in different lights through different mediums. In this scene, Blanche is presented as afraid. This effect is achieved through Blanche’s actions, which are revealed to us by stage directions. “She looks fearfully after him” this explicitly unveils to the audience Blanche’s reaction to Mitch’s arrival as well as his attitude. The adverb “fearfully” adequately captures Blanche’s true feelings; passing across the idea of fear to the audience. In addition to this effect, the phrase “after him”, directs Blanche’s emotion to a particular person and the audience understands that Blanche’s reaction is due to Mitch’s presence. However, it isn’t just in one instance that we see this fearful response; the passage is littered with actions that give evidence of anxiety, reiterating the point that she does not feel secure. Actions such as her “frightened gasp” show her instability and insecurity, the word “frightened” shows her fear, while “gasp” present her surprise. The audiences is then able to…
Blanche DuBois is one of the central characters in Tennessee Williams’: “A Streetcar Named Desire”. She is the sister of Stella Kowalski, she is in her thirties and works as a school English teacher. Blanche can be described as many things; a “slut”, because of her relations with soldiers and numerous men in a hotel, a “predator”, because of her affair with a young school boy. However, a “victim” because of her gender would not be one that many would first think of or even agree with.…
Stanley's harsh, realistic world is often seen throughout the play this shows how different Blanches is. An example of this is Stanley's main interests: gambling, drinking, fighting, sex and bowling. All of these are very realistic things to do, very down to earth. Also throughout the play he shows no remorse for what he's done,…
Tennessee Williams’s Blanche is the epitome of the bygone era of a southern belle; she embodies the classical social inequalities. As her social and cultural stances deeply diminish she develops a fear of fleeting beauty and old age. Williams conveys this idea of vanity, fear of death and old age throughout the play. In scene 5 the use of the Young man is in essence part of Williams’s exposition, he uses the Young Man to foreshadow Blanche’s fatal flaw and expose the importance of age in A Streetcar Named Desire. Elia Kazan’s adaptation of Williams’s play reflects this quintessential theme as he adopts Williams’s dialogue in Scene 5 accurately. Kazan’s film adaptation of Scene 5 is more or less true to Williams’s play as he encompasses the main themes evoked that of beauty, vanity and old age through the precise dialogue and the sequence of events. Nevertheless the similarities found in the adaptation of A Streetcar Named Desire remain superficial, Kazan’s interpretation of Williams’s stage directions in regard to the Young man are poles apart. Although the original and its film adaptation aim to foreshadow Blanche’s denouement and portray the fear of vanishing beauty…
From the early stages of the play it is clear that Blanche and Stanley are polar opposites in terms of their personality, upbringing, and social outlooks. Stanley interprets Blanche to be a threat to his wife and home, although she sees herself as the protectionist and sees Stanley as an “ape” who has dragged her dear sister down into squalid living conditions. At the time the play was written, the notion of a Southern Bells had faded, and the Old American South had lost allot of its old grandeur through the war and was not only reeling from it but also having to deal with a wave of civil rights campaigners. The world has moved on around it, including mass European immigration that catalysed a new era for America. The immigration levels peaked in 1907 when well over a million people entered the country. The characters of Blanche and Stanley not only are significant in terms of the plot but also display a microcosm between the clash of the old and new America.…
Dubois shows a mixed array of actions that confuses the audience into whether she is to be sympathized or not. At the beginning of the play, the author Tennessee Williams shows us the arrogant and demanding side of Blanche, provoking the audience to dislike her, but as the play goes on, Williams gradually reveals more about Blanche’s troublesome past, making the audience sympathize her more. Blanche arrives at the Kowalski household— Elysian Fields, dressed fancily. “She is daintily dressed in a white suit with a fluffy bodice, necklace and ear-rings of pearl, white gloves and hat, looking as if she were arriving at a summer tea or cocktail party in the garden district.”…
By examining Stella's ineptitude to recognize Stanley’s true character, Blanche’s solace in her own fantasy, and contrasting them with Stanley’s hard set realistic view of life, Tennessee William reveals the only way to shield themselves from the horrors of reality is to live life in one’s own fantasy.…
Thesis: In the play A Streetcar Named Desire Tennessee Williams ultimately portrays the struggles of a woman in the 1920s. Through the demonstration of the main character, Blanche, we depict the struggles between alcoholism, the conflicts in social classes and the indifferences in sexuality.…
Williams’ Broadway play opens with Stanley “heaving up a blood-stained package to Stella” (Holland 1); “Stanley carries his bowling jacket and a red-stained package from a butcher’s … he heaves the package at her” (Williams 2(stage directions)). Holland claims that the blood-stained package alludes to the primitive hunter, with visible blood this suggests “passions close to the surface [and] provides the audience with a condensed impression of Stanley’s character” (Holland 1). In contrast movie audiences are first introduced to Stanley at the bowling, only mentioned in the script. Stanley is first shown at the center of a violent uproar, Williams cleverly sets this commotion in the context of the bowling alley “thus linking Stanley’s aggression to his highly competitive nature” (Holland 1). Sequentially in scene two of A Streetcar Named Desire, audiences see the first resentment between Stanley and Blanch over the loss of Belle Reve. In attempt to restore his compromised dignity he, according to stage directions “[becomes] somewhat sheepish” (Williams 38(stage directions), when resorting to tell Blanche about the baby he and Stella are having. In the 1951 film version Stanley is shown to be overly confident, “asserting his…
In summary, Blanche forecasts a dainty but highbrow disposition throughout the story. She reveals partial truths in regards to the family fortune, her employment status and her love life. These partial truths are exactly what make her character so intriguing, not to mention the closing of scene three’s discussion with Mitch and the discovery that they both have lost a loved one. This is the second time Blanche addresses her widow status, however, at this point, fails to provide the details of this tragedy, leaving the audience with an unresolved yearning to discover what is going on with…
She falls in love with a minor who she wants to marry. She then drives her love to end his life because of her constant comment towards the switch in romance her fiance had. Driving one of the last people to love and trust her to kill themselves, started to tear away at her morals, her sense of reality, and her thoughts.With this she attaches herself to Mitch but then pushes him away because of her remembrance to the past. She didn't want to get to close and have it happen again. She slowly drives him away and he sees this and stanley helps him notice it. He pushes her away and takes with her her last bit of trust and love. She completely loses her sense of self, leaving her vulnerable to Stanley and reality. Stanley see this and captures off of it, reality hits her fast and she can’t tell what is real and not, which allows Stanley to capture this moment. After raping her, she feel of the cliff and plunged into the waters of delirium. She has fully submerged herself in insanity, not being able to tell what is reality or fake. This could have been solved with her sister. But Stanley was able to persuade her to call the ward. Leaving Blanche by herself with her own mind. Leading to her downfall and her utter…