This distinction most likely reflects a regional Angkorean influence and also seems to convey a greater sense of traditional masculinity. From this evidence, one could infer that this piece depicts an Angkorean god-king of the popular Vishnu cult. Thus, the confidence, control, and masculinity conveyed in Vishnu’s pose and anatomical structure were likely designed to create an image of the king as a source of earthly and religious authority. The heightened sense of power conveyed by these features helps to explain why the lower classes of the Angkorean social hierarchy (i.e. peasant laborers and slaves) were willing to accept the unequal distribution of wealth and power. Through his embodiment of the divine, the king compelled respect and adoration and ultimately placed himself at the center of all Angkorean life (Osborne 2013:
This distinction most likely reflects a regional Angkorean influence and also seems to convey a greater sense of traditional masculinity. From this evidence, one could infer that this piece depicts an Angkorean god-king of the popular Vishnu cult. Thus, the confidence, control, and masculinity conveyed in Vishnu’s pose and anatomical structure were likely designed to create an image of the king as a source of earthly and religious authority. The heightened sense of power conveyed by these features helps to explain why the lower classes of the Angkorean social hierarchy (i.e. peasant laborers and slaves) were willing to accept the unequal distribution of wealth and power. Through his embodiment of the divine, the king compelled respect and adoration and ultimately placed himself at the center of all Angkorean life (Osborne 2013: