Venus Statue Analysis

There is absolutely no doubt that society has changed drastically since the dawn of age. Whether it be how hunt for food, make weapons, or even construct the things around us, we are living in a very advanced society. While all these things may be true, we still borrow numerous ideas from these so called archaic societies. Statues used for decoration now were used for worship then yet still hold very similar structures. Long ago relief was one of not many techniques to create art and yet is still used commonly today. Even the architecture in our homes and public buildings is not so different than it was in places like ancient Rome. Although our advance in society is undeniable, things in our modern world are still majorly influenced by cultures that lived long ago.
When one hears the term sculpture in the round they might think of a circle or sphere. Sculpture in the round truly just means an object that can be viewed from all sides. In the margin is an example of modern day sculpture in the round that shares many attributes to Woman (Venus of Willendorf) found in Willendorf, Austria. ca. 25,000-20,000 (Sayre 5). Both statues have particularly voluptuous figures and are seemingly human. The only difference being the Venus statue is missing a head and clothing, whereas the Buddha statue is fully clothed. Although very different contexts, both figures seem to be objects of praise. The Venus figure’s praise comes more from a place of female standard of beauty, while the Buddha is from a more spiritual and religious context. To contrast, the Venus figurine is made of limestone and stands at only 4” (Sayre 5). While the Buddha figure isn’t exactly large, it is still much bigger than the Venus of Willdendorf. It is fair to say that even though there are quite a few differences between the two sculptures, their size, shape, and stature are undeniably