There’s nothing quite like the hustle and bustle of a weekday morning in New York. It allowed him to create his establishing shot of the “work march” which set the tone for the story. I believe the film is in black and white because that’s how the world is to Murray. You’re either a miserable working man or you’re a free man who does not buckle under the machine or society’s standards. We see this is true when Murray’s brother confronts him. His brother asks him, “If I’m so smart, why ain't I poor?” In Murray’s mind, the only wealthy people are sell outs, such as his brother. His brother is your common businessman who isn’t the happiest, but he knows it pays the bills. He says, “Murray, you want to be a hero. However, I chose to live with it. I’m lucky. I have a talent for surrender and I’m at peace. You don’t have the gift. I am the best possible Arnold
There’s nothing quite like the hustle and bustle of a weekday morning in New York. It allowed him to create his establishing shot of the “work march” which set the tone for the story. I believe the film is in black and white because that’s how the world is to Murray. You’re either a miserable working man or you’re a free man who does not buckle under the machine or society’s standards. We see this is true when Murray’s brother confronts him. His brother asks him, “If I’m so smart, why ain't I poor?” In Murray’s mind, the only wealthy people are sell outs, such as his brother. His brother is your common businessman who isn’t the happiest, but he knows it pays the bills. He says, “Murray, you want to be a hero. However, I chose to live with it. I’m lucky. I have a talent for surrender and I’m at peace. You don’t have the gift. I am the best possible Arnold