Portrait of King Arthur The relevance of a portrait of King Arthur is that it symbolizes law and order of a country, like a flag.…
The Horse is represented in full profile as to show off it's perfect proportions; it is forcefully modeled so as to give its perfect anatomy and it moves with regulated step of the riding school so as to give demonstration of perfect rhythm. The fact that a beautiful setter is running by the side of the horse completes the picture of the Christian man as known to the Late Middle Ages the man who armed with faith and accompanied by religious zeal, symbolized by the faithful hound goes on his way along the narrow path of earthly life menaced by Death and the Devil.…
The Spanish are most known for bullfighting. Which is a matador who is sweeping his cape past a charging bull, which makes the bull mad. Then the matador starts to throw arrows at the bull until almost killing it. The crowd wants to see the blood go all around the ring of the wall. The Spanish believed that the Bulls would come back to life afterwards. So it would be a good show in the end. Many of the biggest bullfighting can be found in Spain.…
The first and most evident symbol mentioned by the author in the story is the secret lion. It’s not a real lion. The secret lion represents things that are important and the secret parts of those things are unexplained. The secret lion is a symbol of the process of growing up and understanding that changes come with losses. The narrator states that when he was twelve, “something happened that we didn’t have a name for, but it was there nonetheless like a lion, and roaring, roaring that way the biggest things do.”(Rios 401). Here in the story, we read about the two boys’ transformation from elementary school to middle school; the narrator’s first encounter with change and his inability to fathom what was happening around in his environment. For example, he discovered that he and Sergio had difficulties communicating with girls the same way they could in elementary school. The boys had reached a point where they found females sexually attractive. This made them feel nervous while they spoke to girls and resulted in them avoiding communication. The narrator states that “And we saw girls now, but they weren’t the same girls we use to know because we couldn’t talk to them anymore, not the same way we used to.” (Rios 401).…
In this painting, there are two Fridas; the left, European Frida is lying on a hospital trolley wrapped in a white sheet with her back to the viewer and the other, Mexican Frida is sitting, an upright and confident figure, a symbol of womanhood, long identified as her inner source of strength, as also shown in The Two Fridas. This is the familiar figure seen in many of Frida Kahlo’s works. She holds in her lap a large back brace, and seems to be wearing the same device under her dress. On the flagpole, the Mexican Frida is holding, there is a red tip that looks to be like a surgical instrument stained with blood, or a paintbrush dipped in red paint. Colour has been applied by Kahlo to divide the composition in half, heightening the duality. On the left, bright colours have been used behind her European self, and on the right, softer colours have been used behind her Mexican self. There is also an implied texture of the bottom of Mexican Frida’s dress. Kahlo has used symbols within this work, one is the two scars on her back, symbolising the pain and agony in a body which she might find herself in for the rest of her life. Space has also been applied by Kahlo as you can see distance in the background – showing a barren Mexican landscape. In this barren landscape there are two fissures which relates back to the two wounds in her back. In this portrait, one Frida is a victim of tragedy…
This piece was crafted right around the time of a Spanish invasion, so war is not a far-off assumption of what the painting represents. To start, the giant in the background is naked, giving off a barbaric feel. He also has his fists clenched, ready for battle or protection. It is assumed that the giant is protecting the people from whatever is to come. Whether it be war, or some other harmful force, is not known. Also, the giant figure is facing away from the panic in the foreground, confirming that the people are not running from him. The clenched fists could also be a symbol for power, as he is already oversized. However, whether he is standing behind a mountain or is buried up to his knees is not obvious. This means he is trapped, or is the last line of defense. One can tell by the scene that the travelers are instantaneously terrified by the beast's presence. Although, the beast doesn't notice or care about the people, thus turning his back on them. This does not necessarily mean that the people are running from him.…
This painting is full of mysterious observations that one could go on and on tr ying to analyze. But the main idea is that this was Velazquez 's last painting and he wanted it to mean something. He wanted us to know his thoughts on the influence of the King and Queen of Spain, and his hopes for the future.…
In the portrait, it shows a picture of Frida herself as well as Diego on her forehead just above her thick, dark eyebrows. This picture of Diego represents the fact that he was always on her mind. At some time of the day or another, he was in her thoughts. Under her sad eyes are teardrops that represent her sadness about the accident and Diego’s indiscretions. Although she would make light of these affairs, they hurt her deeply because of her…
The Interpreted, Pyrenees dog is mainly used for a guard to protect farm animals. As divulged above, this dog resembles the actual Pyrenees Mountains, which the name was aspired from. The prodigious dog has 2 layers, or coats (Great Pyrenees). The fur is long, course and straight, that is white with hints of grey (Great Pyrenees). This resembles the face of the mountain, it’s white rock with tones of gray in it, and the Spanish side is additionally course while the french side is straight and flat. “ Their ears are triangular and flop downward” (Great Pyrenees). The triangular shape of the ears, represent the triangle shape of the mountain. The canine’s tail is extensive and spread out (Great Pyrenees). This depiction relates to the length and width of the base of the mountains. Learning about the astonishing features of this dog, will hopefully encourage you to take a trip to the Wondrous Pyrenees…
Repetition of like flies, like flies roaring- associate roaring with lions ( unusual image of like flies roaring)→ negative image!…
The left Frida has on a Victorian-era style dress that is torn up around the heart area. These tears possibly symbolize the figurative tears that the toxic relationship with Diego caused. She knows that Diego can never truly love her for anything other than her race and it causes tears in her dress that she can’t repair. The left heart is also open and exposed which comes from the aftermath of her heartbreak by Diego. This heart has been purposefully damaged to make it weaker since the love of her life tore it to pieces. I also noticed that the left Frida is clamping down in an attempt to stop the blood leaking from the vein connecting both hearts. This may be symbolic of her failed attempt to stop loving her adulterous husband and eventual reunion with him which she longs for. The blood represents her overall longing for the same old love she used to receive from Diego no and while she tries to stop it, it still leaks through no matter how toxic and despicable it…
Tarantella has two metaphors which help set the imagery. The last stanza shows that the poem is set during war. This is shown by the two metaphors that are in the last stanza. The metaphor “Aragon a torrent at the door” shows that Aragon is “at the door” and ready for war. The other metaphor…
Based on the Homers Iliad poem the drawing represents how the troy's were destroyed by the Greeks after fighting many years of war. The square boxes were windows representing the people were inside the wooden horse by the artist. There are also soldiers walking around the horse it appears like soldiers who got of the horse were helping the other to get out at the same time securing them from danger.…
Severely injured, the bull charges with rage against the steel that destroys his organs. The matador is supposed to break the artery next to the heart, but that never happens. Instead he drills his lungs and the bull often vomits blood. Agonizing in a blood bath, the puntillero puts an end to his life.…
People are not forced into playing – they volunteer and the best are respected and rewarded…