Berger, A. A (2008). Seeing is Believing: An Introduction to Visual
Berger, A. A (2008). Seeing is Believing: An Introduction to Visual
GRA 202 - LAYOUT & TYPOGRAPHY MIDTERM STUDY NOTES LECTURE 1: THE GRAPHIC DESIGN PROCESS THE DESIGN PROCESS 1. Planning > 2. Design > 3. Development > 4. Feedback * There is no one way* - as such design usually solved a problem (ie. save money, environment, persuade) THE GCM GDP - what do you do when you are working? - what steps do you take? - is there room for improvement? - were you missing steps? OTHER GDP 1. Meet > Research > Conceptualize > Layout & Design > Present & Revise > Finalize 2. Breifing > Design > Artwork > Production 3. Define prob/goal > research > inspiration > sketch > digital implementation > feedback > more digi > colour & typefaces > final rev > delivery DESIGN BREIF Purpose: get everyone on the client side on same page & give the designer a point of reference Contains: corporate profile, backgrpound w/ position situation & communication, the message, target market, objectives, budjet, schedule MIND MAPS Components Include: floating topic, central topic, main topics Subtopics DESIGN AND CROWDSOURCING - the internet is changing the way we participate in design - crowd sourcing is when you ask a question of the crowd - Process: client posts job > designers respond w/ solution > client picks winning design - sometimes refered to as spec work - benefits client bc get to see end result for free > possible steal ideas and not pay designer for work LECTURE 2: ELEMENTS OF GRAPHIC DESIGN - POINT, LINE & PLANE ELEMENTS OF GRAPHIC DESIGN Line, Colour, Texture, Size, Shape, Value Space * Graphic Designers use type to communicate a message or line to create movement, or colour to create mood etc.* THE CHALLENGE - the way we identify & describe elements is varied - there is no one process for graphic design & there is no set of "stuff" or "rules" either - "Stuff = elements of design" & "Rules = principles of design" DEFINITION - Elements of graphic design: the components or content of the design, they can be tangible or work to…
Imagine the horror to find one day, due to your lack of conserving used cooking fats and…
Write so that it is as easy as possible to read and maintain. Adding white space in the form of blank lines, spaces, and indentation will significantly improve the readability of your document.…
Ray Parslow is one of those people. He works with drawn, painted, photographed, computer-generated images (pictures), but he also designs the letterforms that make up various typefaces found in movie credits and TV ads; in books, magazines, and menus; and even on computer screens. He also creates, chooses, and organizes these elements-typography, images, and the so-called “white space” around them-to communicate a message. Graphic design is a part of his daily life.…
The paper is laid out with effective use of headings, font styles, and white space.…
Both texts use different methods to attract the reader such as Text B uses different fonts to help interest the reader; therefore the reader will be encouraged to keep reading as the fonts help to keep the attention of the reader and to entertain the reader as the advertisement goes on. Text A on the other hand only uses the same font throughout the advertisement but uses a rhyming method to keep the reader entertained and motivated to carry on reading, this assists the advertisement to sell their product as it relates to all of the people reading the advertisement.…
Detailed description of design (be sure to include the arrangement of visual elements. Include colors or color scheme; "black and white" and “red white and blue are examples of color scheme. Include the interaction of text with imagery. Does the image appear to be spacious, cramped, busy, simple, etc.; describe in your own terms):…
4. Where is white space used? How does this contribute to the meaning of the work as a whole?…
Figure 9.7, p. 237. Use white space effectively to ensure readability. Use effective document design, including headings and/or bullets, to increase readability and to project a professional image.…
The tone used to convey the message is a very serious one, as made evident by the stern expression on the male modeling for the picture, as well as the lack of color. The image does not ask any questions, instead choosing to instill its message with facts and a command, relying on the viewer to both use their logic to think about how their actions could impact others, and to listen to the advice given by the ad which comes from a trusted source. Through this analysis, one can gather that the advertisers are using logos and ethos to appeal to the viewer. When all this is considered, the message given through the straight, black and white font has a deeper impact,…
Given our overall commitment to linking the text-interpretive and experimental traditions, rhetorical theory appears ideally suited to the task of generating specific predictions, amenable to experimental test, about the impact of stylistic variation in advertising visuals. With its semiotic foundation, the rhetorical tradition can provide a wealth of ideas for differentiating and integrating aspects of visual style (see, e.g., Durand 1987). Furthermore, the practical bent that has characterized rhetoric from its beginnings facilitates experimentation—rhetoricians have always sought the particular style most able to compel an audience response. Lastly, building on the link to the reader-response tradition developed by Scott (1994b), rhetorical analysis can also be applied to generate a rich account of the consumer meanings that visual style might be expected to potentiate.…
Bovée explains that the headlines are the most important part for two reasons: it plays as the come-on for readers to stop and read the ad. Bovée et al. also emphasized a noted 80 percent of readers only read the headline, so the message that the headline encloses must be important (364). Copywriters choose from an assortment of headline types to perform the particular function needed. Bovée et al. list the options of headlines which include news headlines, emotional headlines, benefit headlines, directive headlines, offbeat and curiosity headlines, hornblowing headlines, and slogan, label, or logo headlines (364-365). After creating an enticing headline, copywriters often couple it with a carefully selected graphic element. The powerful combinations usually complement each other, leaving readers with a strong…
The paper is laid out with effective use of headings, font styles, and white space.…
The challenge of the task was to introduce unknown but prosperous Plus Minus Zero to the English market. It was essential to allocate their products on the marketplace and direct them to the selected target audience. Throughout the advertising campaign 3 separate double page advertisements were to be published in carefully chosen print media.…
There’s a lot of program nowadays that are emerging because of many reasons. The number one reason is that it is easy to use. Another is that it is said to be efficient and lastly is that it is eye-catching. Eye-catching, in the sense that it easily attracts users not only because of its beauty but also they assure the effectiveness and productivity of the program that they will use.…