The alliteration of the letter ‘m’ and ‘w’ in the first two sentences of the monologue creates a unique sound which focusses the audience’s attention on Satan’s opening lines as he complains of his mind feeling confused and in a whirl. It can be argued this draws the audience’s attention on his interiority through presenting him in a controversial, sympathetic, light through attributing anthropomorphism to his character. The opposing example is the overpowering, singular, command of God in Genesis that offers an account starting and ending with the word of God as a fixed reminder that he is the creator of all things as the opening of Genesis states, “In the beginning God created the heaven and the earth”. In Genesis, there is no language available which allows us to enter the thoughts of God we view God through the exterior lens as a higher being we possibly cannot relate to as humans. In the York play God is not given the opportunity of opening the passage, but instead his lack of presence as shifting into the background, means temptation and disobedience are the themes which dominate this play through Satan’s overbearing
The alliteration of the letter ‘m’ and ‘w’ in the first two sentences of the monologue creates a unique sound which focusses the audience’s attention on Satan’s opening lines as he complains of his mind feeling confused and in a whirl. It can be argued this draws the audience’s attention on his interiority through presenting him in a controversial, sympathetic, light through attributing anthropomorphism to his character. The opposing example is the overpowering, singular, command of God in Genesis that offers an account starting and ending with the word of God as a fixed reminder that he is the creator of all things as the opening of Genesis states, “In the beginning God created the heaven and the earth”. In Genesis, there is no language available which allows us to enter the thoughts of God we view God through the exterior lens as a higher being we possibly cannot relate to as humans. In the York play God is not given the opportunity of opening the passage, but instead his lack of presence as shifting into the background, means temptation and disobedience are the themes which dominate this play through Satan’s overbearing