A Steady Rain
A Steady Rain
It’s your typical cop movie, findable on the local channels. Two police officers claim to use their power for the good of the people, but find out how much easier it is to take matters into their own hands. Although we all can get this on our television for free, director Tazewell Thompson takes Keith Huff’s “A Steady Rain” and turns it into something worth paying for, or did he? The set is completely simple; as a matter of fact I must say it is very uncreative. There are two seats in the front and several are lined up in the back making two single rows. In the far back and sides of the stage, there are blinds with cracks in it as if people have been peeping through them. No art work, not even a coffee table, just chairs and blinds surrounded the stage. It took a while but it hit me, it is an interrogation room. Now, the only thing I predict coming is be a waste of hard earn money and angry people in the audience asking for a refund. But when the two actors came out and started to talk to the audience as if we were a part of the act, it startled me and caught my attention. I’m really in for the night of my life and if you were in my shoes, you’ll be to. This is definitely not your typical play; loyalty, friendship, and lives are at stake. Huff wants us to understand that it does not matter how long or how close you are with someone because in a split second they can betray you. This play did not provide a visual for less creative minds like myself. There was so much talking, storytelling, and current conversations, that I found myself lost through a couple of scenes such as the one where the random Vietnam boy shows up then gets eaten by some cannibalism. Good thing for Denny’s (Aaron Roman Weiner) aggressive voice which always brought my attention back to the play. What’s not to love about Denny? He is an alcoholic racist Italian who takes the law into his own hands leaving his kindergarten best friend, Joey (Kyle Fabel), to cover for him.
It’s your typical cop movie, findable on the local channels. Two police officers claim to use their power for the good of the people, but find out how much easier it is to take matters into their own hands. Although we all can get this on our television for free, director Tazewell Thompson takes Keith Huff’s “A Steady Rain” and turns it into something worth paying for, or did he? The set is completely simple; as a matter of fact I must say it is very uncreative. There are two seats in the front and several are lined up in the back making two single rows. In the far back and sides of the stage, there are blinds with cracks in it as if people have been peeping through them. No art work, not even a coffee table, just chairs and blinds surrounded the stage. It took a while but it hit me, it is an interrogation room. Now, the only thing I predict coming is be a waste of hard earn money and angry people in the audience asking for a refund. But when the two actors came out and started to talk to the audience as if we were a part of the act, it startled me and caught my attention. I’m really in for the night of my life and if you were in my shoes, you’ll be to. This is definitely not your typical play; loyalty, friendship, and lives are at stake. Huff wants us to understand that it does not matter how long or how close you are with someone because in a split second they can betray you. This play did not provide a visual for less creative minds like myself. There was so much talking, storytelling, and current conversations, that I found myself lost through a couple of scenes such as the one where the random Vietnam boy shows up then gets eaten by some cannibalism. Good thing for Denny’s (Aaron Roman Weiner) aggressive voice which always brought my attention back to the play. What’s not to love about Denny? He is an alcoholic racist Italian who takes the law into his own hands leaving his kindergarten best friend, Joey (Kyle Fabel), to cover for him.