The painting consists of a very blue color scheme throughout. This is, in most cases, associated with coldness and sometimes death. The dark blue background also, as mentioned above, provided almost an extreme contrast. In addition to the background, her hair also dark. Had he chosen blonde hair, the contrast would dulled. Most importantly, the girl’s eyeliner very much brings out her eyes. It is strategically placed on her waterlines rather than lids to accentuate her eyeballs and provide incredibly sharp corners to her eyes. The coldness and “deathly” tone of the painting manifests an eerie and dangerous theme. The contrast and accentuation of the girl and her eyes inclines the audience to be intrigued by the girls fearlessness in a cold and deathly…
Using the aesthetic qualities in my 2D drawings, I have explored confronting images. This is done through the use of definitive and gestural lines that outline either the underweight, boney bodies or the round and curvacious bodies. I have cropped areas of the woman’s form and focused specifically on the torso and legs of the body, as seen in Potential Direction #4, #5, #1 and #8. This idea removes the identity of the woman because her face is not included and to some extent, not important to the overall concept. The sexualised images of the woman creates vulnerability because it suggests that she is an object and nothing more. I believe this contributes to the…
In this painting, Picasso forgot all known form and depictions of classic art. He used distortion of a women's form and geometric forms in an new way, which challenged the idealized representations of female beauty that was expected in paintings. It also shows the influence of African art on…
One example are the two different types of dresses that the painter wears. One gown's significance is of Frida's European background on her father's side while the other is her Mexican influence on her mother's side. Another important element are the hearts. This emphasizes the sensitivity of the emotional turmoil that continually lingered in Kahlo's life. The fact that she was bedridden twice in her life, for two detrimental incidents, and the divorce from her husband come alive in this piece through the element of the two hearts. They signify great pain, not only emotional but also physical. A final element in this work would be the gender association. Frida on the right, with the Mexican dress is viewed as a more masculine figure. Kahlo gives this version of herself a mustache, a cleft chin, muscular arms, large hands, and she is sitting in a very manly fashion. The Kahlo on the left, in the European gown, has a more fashionable hairdo, is wearing some makeup, has a more feminine face, and is sitting like a proper…
The dense composition creates a claustrophobic feeling while the forms remain difficult to differentiate. The figures’ elongated limbs lack definition, while much emphasis is placed on their large feet, round buttocks, and African-inspired masked heads. Additionally, the iridescent quality of the forms enhances the painting's tropical feeling as if also reflecting the painter's inclusion of his African heritage and culture.…
In Leger, Reclining Woman 1922, Leger’s main focus was the obvious woman in the center foreground of the painting. She appears to be looking at you, the audience, as if she were trying to bring you into her space. Although she appears to be nude, Leger tries to make the main focus in the curves of the woman by exerting his color and balancing out the composition. The highly saturated yellow in the woman’s pants draws your attention to the middle of the painting were it displays the woman laying down holding a book. The distinctive lines and high to dark contrasted colors allows Leger to shows the woman’s body. From bright yellow, to shades of brown, and a dark emphasis in his lines, you can distinguish the separation of the pants and her upper body. The geometrical shapes in the woman’s body are outline by dark hues a rusty orange, ad brown. These tubular, body like shapes keeps our focus more on the woman herself, rather than the other geometrical forms in the background.…
This masterpiece was created by Jean Auguste Dominique Ingres in 1814 and is perfect example of Neoclassicism which was the revolt of the Rococo style of art. The artwork is placed in the Louvre Museum in Paris. This painting captures the image of an odalisque, which we refer to as a concubine. The painting depicts beautiful hues of blue, and a dark background and shadows which creates a seductive scenery while enhancing the curves and shapes of the model. With the contrast of light and dark colors, Ingres was able to achieve the illusion of depth. Ingres favored long sinuous lines which is show through the way he painted her elongated back. The volumes of the nude, bathed in an even light, are toned down in a space without depth (Louvre). I also like the details of his work, from the detailed headpiece, jewelry, feather duster and even the designs strategically placed on the curtains. Ingres was highly criticized for his art work and his paintings were unpopular due to others not understanding his…
Her face is perfect and unaged, maybe in her 20s no later than her early 30s. Even though the sculpture has aged, her face remains young. Her abdomen is flat, not a single roll lies upon her. Her arms and calf have a slight bulge, as if she has been working out. Her body is motionless, but there’s a since of flesh feeling and realism to her. Cash puts an emphasis on her naked body as if she was an exotic dancer, not one that was in a ballet. She stands in a position of gratitude, like he wanted her body to be shown. The way her chin is slightly up and chest facing forward symbolizes dominance in which she feels safe and secure. Also her face shows a sign of contempt as if she is at peace with the world around her and is not afraid to show off her body. Her body is pushed forward, as to a sign of…
Some objects in the painting are a pregnant woman, a burning candle, a skull, and a cross lying on the table under some books. The way the woman’s head is rested on her hand and she is staring into the candle light, shows that she is in deep thought. I believe that the woman is reflecting upon her life. She looks to be pregnant, which represents life. The unity of…
fat and a clearly indicated pubic triangle. Her big body is contained within a quadrangular space. The legs look half cut-off, but the hands and fingers, are indicated by incisions and she’s wears a strap across her body and a necklace. I would like to write more specifically about this artwork and find out why they used to sculpture the female body like this.…
The painting describes a nude woman in the yellow background room and she was probably pulling up her stocks. The painting name is “Nude, Yellow Background”.…
Picasso used several principle and element of art while painting “Guernica”. Some of the elements include value, line, shape, color and, space. The value in the painting creates the form. The line in the piece divides the images. The images in the painting are made using shape. The color is limited using only black, white and, gray. Space is incorporated because everything in the painting is cramped and in one room. Some of the principals in “Guernica” are emphasis, balance, movement and, contrast. The emphasis is on the damage war causes to not just people but animals as well. The balance in the piece is asymmetrical. There is also implied movement throughout the entire piece as well as, contrast between the light and darks.…
Tall, deep black eyes, a larger woman, dark, abundant, glossy hair, rich complexion, and the red letter A embodied upon her chest.…
Her whole upper body is cover in nails referencing to all her pains and deceptions, but there a couple of spots, refence previously, where the nails are lager. One of this spots is the abdomen or where the uterus with a developed baby would be, the bigger scale of the nails at this point reference to her three fail pregnancies. The nails in her heart reference her damage feelings in love, cheated by her husband multiple times. Lastly, her face the main focal point. Letting her tears fall down her face she seems to look straight at us with an expression resignation and deep sadness in her…
The thighs and hips are large as if the artist is separating the regions of the body with deeply carved lines, as the texture of the limestone is smooth looking except for the head. The use of the lines are varied, they are horizontal, vertical and diagonal, which create sections of light and dark highlighting the important parts such as the breast and buttocks. As for the body, it is generalized as geometrical shapes without a face, the spaced used projects out implying open space as it fills the three-dimensional space, probably intended to be carried. The weight of the sculpture is set in the midsection with the area being the widest, and the sexual nature of her body seems to be valued above the rest of her body.…