Throughout act 3 scene 3 Iago’s manipulation through the power of language gradually destroys Othello’s sanity and takes control over his full mental and emotional state. He does this by using his skills an orator to create an illusion that Desdemona is ‘directly in love’ with Cassio, thus attacking his emotional vulnerability. Iago advances his attack on Othello due to his opportunistic behaviour and gradually destroys his dignity, putting him into an uncontrollable rage.…
Ideas of discrimination and racism have also been reflected within the play through the characterisation of Othello. Described as having “thick lips” and a darker skin tone, the protagonist experiences a sense of isolation from society due to his evident difference in physical appearance.. By demonstrating ideas of separation in the play, the reader is poised to read it as a text that incorporates strong ideas of discrimination, both evident during Shakespeare’s time and our current society. This discriminating prejudice leads to the deterioration of Othello’s confidence, where he states ‘for I am black’and ‘unworthy of love’. Ideas of discrimination and racism becomes particularly apparent when Iago constantly addresses Othello as ‘The Moor’…
Shakespeare positions us to view the marginalisation and dehumanisation of Othello, from various perspectives, initially through physical features, the notion of racial contempt is conveyed via Rodrigo’s, “Thick Lips”, Iago’s “Old Black Ram”, and Brabantio’s “fall in love with what she fear’d to look on”. This vilification, based on physical appearance reinforces traditional Elizabethan views, and to an extent, views held by groups in society today. Though, Othello’s physical appearance was just one factor. Othello was named “devil” by Iago, from a spiritual perspective, stereotyping those of African descent who were associated with witchcraft, this metaphor reinforces stereotypical racism, causing the reader to question, what has initiated such hatred from Iago to Othello, this allows the reader to a connect on an emotional level with Othello, as it generates empathy. Furthermore the readers perspective of Othello is conflicted due to other members of Venetian society, “your son…
In the beginning of the Act 3 scene 3, Iago plants the seed of jealousy and suspicion in Othello’s mind. Iago does this through his dialogue. Iago uses short but definite sentences to plant the doubt in Othello’s mind. “Ha! I like not that!”-Line 35. Iago pretends to be reluctant about telling Othello the information he supposedly knows. This causes Othello’s demeanor to change, as he becomes aggressive. This shows Iago’s power over Othello, as Iago easily influences and changes Othello’s mind. Through Othello’s Dialogue, Iago is seen to have power over Othello, as Othello uses violent imagery when he speaks. “Death and Damnation! O!” -Line 397. This shows that Iago has successfully convinced Othello of Desdemona and Cassio’s love.…
Othello is presented as an outsider to the events that take place throughout the play, this causes the drama and increased irony within the play. He is unaware of the conversations and relationships that are taking place between other characters such as Desdemona and Cassio. Being oblivious towards the truth and having an insecure nature he jumped to conclusion without attempting to sort out complications. His insecurities lead him to only trust the one and only “honest” Iago, without knowing he is trusting the wrong person he was manipulated. Due to the fact that Othello only believed in his “honest” Iago he was unable to make decisions that weren’t biased from the rumors which Iago convinced was true.…
When Othello breaks up the quarrel in Act II Scene three, Iago is again able to successfully misrepresent himself – ‘Have you forgot all sense of place and duty?’. This time, he pretends that he is there merely to settle the quarrel, when he is the engineer behind the whole affair. Later, Iago tells Cassio that he should plea to Desdemona for his position back – ‘Our general’s wife is now the general...confess yourself freely to her’. Cassio believes Iago ‘advises him well’ to do so when in fact this is all part of Iago’s plan to persuade Othello that Desdemona and Cassio…
For the fact that it plays a major role in the outcome of the play. William Shakespeare's Othello is a tragic play about deception, manipulation, and revenge. The main character, Othello, is a powerful black military man who wins the love of a white woman named Desdemona. Their devotion to each other seems ideal, and it appears that Desdemona would do anything for Othello, even if it meant withstanding ridicule. The love between Othello and Desdemona, however, will be horrifyingly hindered, for the immoral Iago has plans to destroy their affection, but especially to destroy Othello himself. Iago's primary goal was to get revenge on Othello for not promoting him to lieutenant. Iago is clever. Iago is evil. In the eyes of others he is ironically perceived as honest and trustworthy, but inside he is a sinister villain. Iago is able to manipulate the minds of people into performing actions that are advantageous to him. "Honest Iago" is like a disguised wolf in the flock of sheep that guilefully pounces on each victim. Iago does not merely seek retribution against Othello in one single step, but rather, he cautiously and cleverly manipulates several people to trap the Moor. Iago uses people as if they were pawns; and he positions each one carefully, making moves that will finally corner Othello. He uses people such as Roderigo, Cassio, and even his own wife…
Ladies and Gentlemen of the Jury, I've come here today to present you with a man who wants to justify the murder of his wife. I will show you how unjustified his act and his thoughts were in this not so spontaneous crime. Othello is on trial for murder and I would like to remind you that he has admitted full and absolute blame for this and you should not heed that lightly. Under the circumstances his mental state will come into account, but do not be bewildered by his claims of psychosis as any man could have had these thoughts befallen upon him and not taken action.…
Othello's perception of identity varies greatly from that of Iago in that he saw people differently and also had a complete opposite identity to Iago. Othello's character is a combination of greatness and weakness. This can almost appear to be an oxymoron but through careful speculation of the text it can be proven. Othello himself says that he is "An honorable murderer" (Act V.2, 299). Othello was great, to a certain extent. He was great in the fact that he was a great warrior, earning the title of General in the Venetian defense forces. However, this feat was greater than the initial sounds of it due to the fact that Othello was originally a slave from Africa, but he had now long ago adapted to the Venetian society. While on topic, Othello's public perception was that of an outsider due to his social insecurities. There was the quality of the "Moor"…
“Deceit and falsehood, whatever conveniences they may for a time promise or produce, are in the sum of life obstacles to happiness. Those who profit by the cheat distrust the deceiver, and the act by which kindness is sought puts an end to confidence”(Johnson218).Iago’s motives for his actions may be jealousy, greed, paranoia , and even the simple fact of seeing if he can get away with it. Iago has built a reputation that yields its own gravity. If Shakespeare’s setting took place in America, Iago would be the American dream. He’s married, he is a sound soldier, has an affinity for people, and is always there to help someone in need. Iago is the typical role model. What society fails to realize is that Iago does noble acts when visible but it remains unknown as to what his true intentions are. Iago’s relationship with Othello is one that gives with the right hand and takes with the left. In the right hand, putting race aside, Iago looks up to Othello as a father: he desires his attention, always wants to be involved in his life, and is someone whose footsteps he’d like to follow. Then we have Iago’s left hand, which takes race into account, cannot stand Othello to the point that his very own existence is to become the poison that fills his lungs and the host of the illusion that clouds his mind. The relationship between them is almost incredulous. Iago literally wants to be everything for Othello, the good and the bad. For this reason I believe it vindicates Iago’s methods towards Cassio.…
From the opening scene of the play, Othello, Iago is driven by envy and the overwhelming need for revenge as a result of being overlooked for a promotion. He deliberately begins to weave his manipulation over Othello for the sole purpose of revenge: “after some time, to abuse Othello’s ear, that he [being Cassio] is too familiar with his wife”. Through the effective utilisation of the technique of a hyperbole and sensory imagery, the responder recognises the severity of the lies that Iago will “pour” into Othello’s ear. As a result of this, the responder is able to comprehend how Iago will go about his exploitation of Othello’s fragile peace of mind with regards to Desdemona’s fidelity. Iago’s horrendous deeds of lying and deliberate deceit ultimately lead to Othello’s and Desdemona’s marriage being filled with conflict which leads to their untimely death. Therefore, relationships are altered as a result of conflict as demonstrated with Desdemona and Othello.…
Iago's control of people's attitudes ultimately led to the downfall of honorable reputations. In the beginning, Iago states that he hates Othello because of his recent promotion of Michael Cassio to the post of lieutenant. In response, Iago plans to ruin Cassio's reputation during one night at Cyprus:…
Emilia and Desdemona are both confined within a patriarchal power structure, and although their responses to this dynamic are different, they both ultimately die because of it. Emilia and Desdemona reside within a patriarchal society. Emilia and Desdemona both react differently toward their husbands’ actions. Both Desdemona and Emilia die as a direct result of their husbands’ authority over them.…
The most interesting aspect of the play Othello is how the other characters act around him. They never seem to address him by his name and when they are speaking of him, they refer to him as the Moor. It seems as though they placed a huge importance on his race and religion since the two are so closely connected. According to Emily C. Bartels in her article Making more of the Moor:Aaron, Othello, and Renaissance Refashionings of Race, “the term ‘Moor’ was used interchangeably with such similarly ambiguous terms as ‘African,’ ‘Ethiopian,’ ‘Negro,’ and even ‘Indian’ to designate a figure from parts or the whole of Africa (or beyond) who was either black, Moslem, neither or both,” (Bartels 434).…
In Othello, Shakespeare tells the story of the soldier Othello, a noble and respected man, whose insecurities enable him to fall prey to the overwhelming power of jealousy. Through manipulation and lies, Othello changes from a kind and faithful husband into a man completely taken over by jealousy, resulting in his downfall. This shift in Othello’s character is done by the antagonist, Iago. Iago’s cruelty to not only Othello, but all others around him, reveals his villainous personality. Iago acts through selfish reasons alone, and stops at no lengths in order to get to what he wants. Through the character Iago, Shakespeare, in his play Othello, explores the concept of the evil nature of man and argues that one who is motivated purely by greed and the desire for power will ultimately face the consequences of his or her actions.…