Twelfth Night is a comedic play written by Shakespeare centered around two twins, Viola and Sebastian. Viola who disguises herself as a eunuch named Cesario falls in love with Duke Orsino, who is in love with the Countess Olivia. When Cesario meets with Olivia, Olivia begins to fall in love with him thinking that she is a boy. Meanwhile, Malvolio, the steward of Olivia’s house, is tricked by other characters into thinking that Olivia has fallen in love with him. The characters often declare their love for one another through monologues. Throughout the story, Shakespeare effectively uses dramatic speeches to demonstrate love as being uncertain through the characters; Viola, Orsino, and Malvolio.…
In Shakespeare's uniquely constructed comedy, Twelfth Night, there are several paradoxes within the characters. Misinterpretations as well as false presentation of reality are both common occurrences within the characters. Nearly the entire cast of characters use or fall victim to some form of deceit. Both Andrew and Viola present themselves as people they are not, and Orsino and Malvolio are fooled themselves about who they are and where they want and can be. Also, on a historical note, both Olivia and Feste the clown step (by default or self-attainment) out of the socially imposed stereotypes of their biologically born person. The reasons for Shakespeare's contradictions of characters are unknown; however, it can be hypothesized, knowing the man and his style that he was poking fun at elements of the society, in which he resided, as well as the ridiculousness of higher class citizens and the ritual absurdity of the lives they lived.…
Shakespeare's Twelfth Night examines patterns of love and courtship through a twisting of gender roles. The play centers on the lead female role and protagonist, Viola, who disguises herself as a made-up young man, Cesario. In Trevor Nunn’s film version of Twelfth Night, Viola is portrayed by a female actress. On the other hand, in the Globe Theatre’s more modern production of Twelfth Night, the entire cast is played by male actors. As you can see there isn’t a black and white, wrong or right, approach to the portrayal of this renowned production. One must consider the vast differences on the societal views of sexuality and gender roles of today’s culture versus the 1600’s when this play was written. As James C. Bulman notes, “By 1999, the idea that gender is performative rather than innate had circulated widely” (75). In Shakespearean days it wasn’t uncommon for men or young boys to play all roles required in a play, even those which involved love affairs. However, today the majority of people would be uncomfortable and almost unsettled to see young men kiss on stage or vice versa. When reading the play I automatically created my own mental movie, as most readers and audience members do, which involved all female roles being played by female actresses and all male roles being played by men. Although I have not seen the Globe’s production of Twelfth Night, I believe that I would personally favor Nunn’s…
In the Renaissance-era romantic comedy, "Twelfth Night", William Shakespeare presents to us an entertaining play riddled with humorous plots and, in some instances, comical and witty exchanges between the characters in the play. In a novel peppered with subtle notions of deceit and illusion, it is fascinating how some of the most revealing truths about the characters actually lie beneath the innocent banters. Under the influence of illusion and deception, the figures in the play are often lost in their own reverie, failing to realise the bare naked truths behind the events that have played out. An insightful judge of characters, Feste is both impudent and witty at the same time, neither mincing his words nor masking his emotions. It is perhaps due to his pragmatic nature that he is able to be so perceptive and astute in his judgment of the characters. His remark of Orsino's mind as one which is very opal only serves to prove the above-mentioned claim. Over the following paragraphs, I will endeavor to uncover the truth behind Feste's statement.…
Born on approximately April 23, 1564 in Stratford-upon-Avon, England, William Shakespeare is considered by many to have been the greatest writer the English language has ever known. His literary legacy included 37 plays, 154 sonnets, and five major poems. Among his many plays is the notable, Twelfth Night, a romantic comedy, placed in a festive atmosphere in which three couples are brought together happily. The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke's service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the play continues, Cesario falls in love with the Duke, and Olivia falls in love with Cesario, who is really Viola disguised. Maria, Olivia's servant woman, desires to seek revenge on Malvolio, Olivia's steward. "To the delight of Sir Toby, Olivia's uncle, and his friend Sir Andrew, Maria comes up with a plot to drop love letters supposedly written by Olivia in Malvolio's path. When she does, they observe him, along with Fabian, another servant, as Malvolio falls for the bait. Believing that Olivia loves him, he makes a fool of himself" (Napierkowski 3). The plot deepens as Cesario proceeds to woo Olivia for the Duke. It is only the second time that Cesario appears at Olivia's home when Olivia openly declares her love for Cesario. Throughout this time, Sir Andrew has been nursing a hope to win Olivia's love. When he plans to give up hope of her love, Sir Toby suggests that Sir Andrew fight with Cesario to impress Olivia. Cesario, however, refuses to fight. At the same time, Viola's brother, Sebastian, who is also shipwrecked, makes his way to safe lodging in Illyria with Antonio the sea captain. After the fight between Cesario and Sir Andrew begins, Antonio intervenes to save Cesario, whom he takes for Sebastian. But the Duke's officers…
The play starts off with the shipwreck and explains how two twins, Viola and Sebastian get separated. Viola gets swept up on land and doesn’t know where she is. She is told by a captain that she is in Illyria. Viola asks herself, “What should I do in Illyria?” Her brother is in Elysium and she thinks he might be dead. The captain tells her about the Duke Orsino and how he loves a woman named Olivia, and he is very sad because Olivia is not interested. Olivia is mourning over her dead father and brother. Viola wants to serve the duke, but in order to do that she has to dress up like a man to get the job. She pretends to be a man named Cesario. She gets the job and her and Orsino become good friends, and the Duke tells Cesario how he loves Olivia. But, Viola (who is playing Cesario) has a crush on the…
In Twelfth Night, most of the important relationships are based on the deception of Viola. Viola's chooses to disguise herself as a man in Illyria, thus driving the action of the play. "Conceal me what I am, and be my aid / For such disguise as haply shall become / The form of my intent" (Shakespeare (2) 50); with this decision Viola causes, not only the confusion in the play, but the final outcome as well. Viola's gender switch also illustrates the fact that relationships between women and men are ultimately unequal. The only relationship that existed between a man and a woman that appeared to be equal was the relationship between Olivia and Cesario / Viola. The fact that the only relationship that incorporated equality between a male and a female turns out to be a relationship between two women…
Romantic love, one’s unconditional love, consists of a great portion of the play as it forms a part of the love triangle and is a key element when all issues concerning identity are resolved. First experienced by Viola, she, disguised as a eunuch, starts to fall in love with the Duke Orsino. When sent by the Duke to seek Olivia’s love, Viola makes it clear to the audience saying, “Whoe’er I woo, myself would be his wife” (I, iv, 42) . Later on, she becomes aware of the existence of a love triangle. Viola’s situation, already complex, worsens and she states, “My state is desperate for my master’s love” (II, ii, 36). When questioned about her love interest by the Duke, Viola answers someone “Of your complexion” (II, iv, 26) and “About your years, my lord” (II, iv, 28), subtly hinting her love. Troubled by her position in the love triangle, Viola decides to ask the Duke himself, who refuses to accept that Olivia does not share his love, what to do. She seeks helpful answers when she says,…
Twelfth Night is a reference to the twelfth night after Christmas Day, called the Eve of the Feast of Epiphany. It was originally a Catholic holiday but, prior to Shakespeare 's play, had become a day of revelry. Servants often dressed up as their masters. The masquerading that is a frequent part of an Epiphany celebration is of course captured in Viola 's plan to disguise herself as a man. Almost all the in the play are either taken in by another characters disguise or a deception regarding their own identity. The confusions that unravel in amongst it give the audience an urge to want to read on. I think Shakespeare presented these to show that things really are not always what they seem to be, plus to show the consequences of deception. Hence, nearly every character at some points conceals reality behind some type of deception, leading to various consequences. Furthermore, the deception and confusion presented throughout this story makes each character develop an identity with either showing cleverness or madness, while it also makes each character realize the principles towards obtaining love and…
In Act 1 Scene 1-3, Shakespeare “Twelfth Night” explores many thematic ideas such as disguise, love and rejection. In Scene 1, Shakespeare explores the idea of disguise and hiding through Viola’s manly disguise as well as Olivia’s withdrawals from the world through her veil. Due to Viola migrating to the land of Illyria, Viola decides that, in that case, she will disguise herself as a young man and seek service with Duke Orsino instead. On the other hand, Olivia withdraws herself from the world by wearing a veil, “She will veiled walk”, hiding her face after her brother died. Scene one also explores the idea of loss of loved ones through the connect Viola and Olivia share to do with losing their brothers. This foreshadows a connection between the two as they both share a very unusual trait in having “a brother’s dead love”. The final idea that Shake spear explores in Scene one is the unrequited love experience through Olivia who…
“Nothing that is so is so,” states the fool Feste while looking at Viola’s twin brother Sebastian, a double for Cesario (IV.i.9). This singular quotes embodies the idea that gender identity is fictional in Twelfth Night by William Shakespeare, and that homoerotic desires are natural to the human body and mentality. Throughout this play, many characters are introduced to having homoerotic desires: Orsino for Viola dressed as Cesario, Sebastian for Antonio, and Olivia for Viola dressed as Cesario. Most provocative is the homoerotic desire between Maria and Olivia. Olivia, the lady of her house, is the employer of lady-in-waiting Maria, who serves Olivia with her best intentions in mind. Olivia feels a dutiful comfort with Maria, proven through…
Yet, in Orsino’s case, the reader feels sympathy for the poor guy, as though he is being tricked into doubting and second-guessing his instincts by Viola. While the ones around her suffer from being kept in the dark, Viola is certainly not immune to the effects of her deception. Along with keeping her safe, Viola’s disguise also hinders her from bringing her affection for Orsino into light. This inability to portray her true emotions only thickens the broth of the plot stew that Shakespeare has been concocting since “If music be the food of love, play on” (1.1.1.). After being plagued by darkness and deception for most of the play, the revelation of Viola’s true identity douses the fire of misconstruction and single-handedly overthrows the terrible tyranny of misconception that so violently ruled these humble people for far too many acts. Once her true identity is out in the open for everyone to gaze upon, Orsino wastes no time in having her hand in marriage. Although he knows her true gender, Cesario says to Viola “Boy, thou hast said to me a thousand times / Thou never should’st love woman like to me” (5.1.260–261). This resolution would seemingly leave Olivia in the dumps, yet the joyous light cast by Viola’s ability to muster up the strength to shine calls…
In A Midsummer Night’s Dream, Lysander and Demetrius change their feelings of love and promises for both Helena and Hermia. Shakespeare shows us how love is unpredictable and inconsistent with the changes of feelings and broken promises between the young lovers.…
At the end of the story, Olivia got too much of what she deserved. She got the man she wanted, although she wanted Cesario, Sebastian was like Cesario and resembled almost identical behaviour and emotion. “Nay, come, I prithee; would thou'ldst be ruled by me!” (4.1.61). Even though her heart truly loved Cesario, she instantly falls in love with Sebastian when she finds out he is Viola’s twin. And she demanded him to marry her and be happy. This shows her abuse of power and her unworthiness of her title and rank in society. Orsino also gets too much. He falls in love with Olivia, finds out Cesario is a women and marries her. That can show many people that he is not deserving of Viola or being at a high status like that. “Give me thy hand. And let me see thee in thy woman's weeds.” (5.1.276-277). This is means that Orsino is wanting to see Viola in her lady clothing and to see if she is “worthy” of him. Orsino should have been harsher on Viola, she deceived everyone around her. She should have at least been punished the slightest bit, but no, she ends up getting married to the duke.…
In William Shakespeare’s “Twelfth Night” act II, ii 17-41, Viola makes her first soliloquy after realizing that Olivia has fallen in love with her. Shakespeare uses this literary tool - in which a character talks to himself or herself or reveals his or her thoughts without addressing a listener – to create dramatic irony in the play. The audience here learns information about the said character that is unknown by the other characters in the piece. The information can strengthen our understanding of a character or foreshadow and set up the course of the plot to come. Upon speaking with Olivia on account of Count Orsino, Viola realizes after being chased down by Malvolio that Olivia has talking a liking to her as Cesario. Viola, in love with Orsino herself, notes the helplessness of her situation under her disguise. Hindered from expressing her feelings for the Duke “And I (poor monster) fond as much on him…” (II, ii, 34), and loved by another woman “Poor lady, she were better love a dream,” (II.ii.24), neither whom know her true identity, we begin to see a part of Viola’s character that supports the purpose of the soliloquy. Viola expresses her hope that time will untangle the predicament since she is not willing to try to figure out how to solve it. She chooses not to reveal herself to either Olivia or Orsino - but rather continues despite the expanding complexity of the plot and the relationships between the characters – which could have a much greater impact later than sooner in the play. This escape from the situation paints Viola as an inconsiderate character blind of the consequences of her actions. Despite her failure to take on a responsible role in the face of her problem, it could be argued that she needs to think for some time over the matter before acting. However, without acknowledging the sorrow and harm that she could cause, she believes that time will work out a solution for her…