Scene 4: Good Cloak Scene 4 begins with light piano playing music in the background as a white van turns the corner of a seemingly quiet neighborhood. It turns out to be the van of the locksmith that has been working throughout the movie. He is seen returning a greeting wave from a woman who is walking alongside the side walk in a robe. The scene gives a sociological sense of a nice friendly and safe neighborhood and environment. Daniel‚ the locksmith‚ pulls up to his drive way while the Iranian
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Within Act 5‚ scene 5‚ in the play Macbeth‚ William Shakespeare effectively conveys the theme of life and death in the form of repetition‚ symbolism‚ alliteration‚ and metaphor. In this passage‚ Macbeth reflects on the essence of his mortality showing that‚ in his opinion‚ the struggle of human existence is foolish when it ultimately signifies nothing. In line 18‚ Macbeth expresses his continued existence in a monotonous form of repetition‚ as if one day is no different from the rest‚ “To-morrow
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Fred West describes Iago as motiveless person who is entirely unconcerned with the moral consequences of choice. His ability to switch between both truth and lies without a second thought proves that Iago is a psychopath and the society in ‘Othello’ is full of good which is why Iago’s evil stands out so vividly. West described Iago as “a character with no motives to do with either fact so logic” who “saw truth and lies as one thing” and had no problem using his own misconception to his advantage
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such as; greed and selfishness. Through the clever use of soliloquies‚ Shakespeare is able explain each character’s intentions or trace of thought. Shakespeare shocks the audience by revealing dark character traits that the readers never expects to witness. For example‚ at the beginning of the play Macbeth was portrayed as a loyal man‚ however due to recent events the audience starts seeing his cynical side. Throughout the soliloquy in act 3‚ the readers learn about Macbeth’s mental state after murdering
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Act 3 scene 2 Summary Act 3‚ scenes 2–4 Summary: Act 3‚ scene 2 In Capulet’s house‚ Juliet longs for night to fall so that Romeo will come to her “untalked of and unseen”. Suddenly the Nurse rushes in with news of the fight between Romeo and Tybalt. But the Nurse is so distraught; she stumbles over the words‚ making it sound as if Romeo is dead. Juliet assumes Romeo has killed himself‚ and she resigns to die herself. The Nurse then begins to moan about Tybalt’s death‚ and Juliet briefly fears
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no such thing‚" he climbs to the king’s chamber. Analysis The opening dialogue sets the scene: It is past midnight‚ the moon has set‚ and the "candles" of heaven — the stars — cannot be seen. Symbolically‚ the airy lightness that greeted Duncan’s arrival at the castle in Act I has completely vanished‚ to be replaced by brooding darkness. In this opening scene of Act II‚ as in the later Porter scene‚ the audience feels momentarily suspended from the action but in no way removed from the intensity
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Juliet’s mind shifts from restless‚ to sorrow‚ to utterly distraught through the variety of scenes in Act 3. As we enter the Capulet’s orchid in Scene 3‚ we hear Juliet grow restless as she waits for the night. In the beginning of Scene 2‚ Juliet grows restless. She voices an eloquent soliloquy on her apprehensiveness as the night approached‚ expressing‚ “…night before some festival… [when] an impatient child that hath new robes‚ and may not wear them” (III. ii. 29-31) She uses a metaphor expressing
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Arrogant Quotation: Act 2 scene 3 “How foolish do your fears seem now‚ Calpurnia! I am ashamed I did yield to them. Give me my robe‚ for I will go.” Commentary: Caesar shows arrogance by going to the senate after Calpurnia warned him. After Decius messes with his ego and tells him that he would let a girl hold him back it made Caesar show his arrogance after Decius plays with his ego since he doesn’t want to be intimidated. 2. Trait: Persistent
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to justify one ’s existence. Without justification‚ life becomes meaningless and one becomes numb to the world that surrounds. This numbness is what depresses humans of essential emotions and commonly leads to suicide. In Act V.‚ Scene V.‚ lines 20-31‚ Macbeth ’s final soliloquy is a tragic concession to the insignificance of his own existence. However‚ he surrenders only after a rigorous pursuit for happiness and stability. This powerful passage has a very important structural and stylistic aspect
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“ Iago is a villain who is thoroughly bad and cold‚ yet he may be admired for his intelligence‚ understanding of the human spirit and his ability to manipulate certain individuals to believe him .” Of all the characters in Shakespeare’s Othello‚ none is more complex and unknown than Iago. He displays a duplicitous character‚ honest and kind on the outside but truly a pure‚ evil and malignant person on the inside. Throughout the play he comes up with evil ideas to turn all his friends‚ who trust
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