"Agamemnon and the crimson tapestries" Essays and Research Papers

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    unquestionably used was Jeremiah 4:30 and other Bible verses. The poem echoes this verse in its diction and its theme of self-destruction rooted in sin. Jeremiah 4:30 says‚” And when thou art spoiled‚ what wilt thou do? Though thou clothest thyself with crimson‚ though thou deckest thee with ornaments of gold‚ though thou rentest thy face with painting‚ in vain shalt thou make thyself fair; thy lovers will despise thee‚ they will seek thy life.” This verse is God’s cry to Judah who is covered in sin. A

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    of disaster. An example of his leadership is his position in the army‚ he is the highest ranking soldier because he is the best. Another example of his leadership is at the beginning of the epic‚ a plague is killing the Achaean soldiers and king Agamemnon wont give him answers; so he takes things into his own

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    so close knit makes being at war a dismal time for both of them. Achilles was a man of anger and with this anger he dishonored Agamemnon‚ the commander of the Achaean forces. This forced Achilles to withdraw from the battle. After Agamemnon took Chrysies the daughter of a priest of Apollo‚ Achilles saw a way of returning to his rein in the war. He followed Agamemnon instruction in protecting the prophet with the key to saving Greece from the plague that was forced upon them in order to free Chrysies

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    today. Back then‚ the most important aspect of life for a person is to be a hero and to be remembered.  One’s pride comes before everything else. In the present day‚ this concept would be thought of as illogical or foolish. Achilles‚ Hector‚ and Agamemnon are all great warrior and powerful kings of their time and demonstrate the theme of pride during their life. Pride however is the downfall of all these characters in Homer’s epic poem‚ the Iliad. Achilles’ pride will never let him lose. Hector’s

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    Tragedy and Drama In a range of dramatic works from Agamemnon to Hamlet‚ one sees the range of development of the tragic form‚ from the earliest Greek to the later Shakespearean tragedies. There are two basic concepts of tragedy: the concept introduced by Aristotle in his Poetics‚ and the concept developed by Frederick Nietzsche in his "The Birth of Tragedy." Many dramas can be reviewed to reveal the contrast between these two concepts of tragedy‚ and demonstrate the development of the tragic

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    Examples: – Agamemnon feels dishonored by having to give up Chryseis‚ and he takes Briseis from Achilles to restore his honor. Achilles‚ in turn‚ feels his honor has been compromised by the loss of Briseis. – Hector ignores Andromache’s pleas to stop fighting because he believes he must defend the honor of Troy and thereby defend his honor as a warrior. Create a three-column chart: Character Agamemnon Achilles Hector Example of Honor or Dishonor Explanation Andromache Agamemnon • Example:

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    predecessors or based off mythological events. Unfortunately‚ this had lead to many speculative accusations and criticisms‚ as is the case with Senecan tragedies versus their Greek counterparts. Senecan and Greek interpretations of the plays Oedipus‚ Agamemnon‚ and Medea bear similar themes‚ being the inescapability of fate and dikê‚ and the lack of clarity between right and wrong. Nevertheless‚ they differ culturally‚ politically‚ and philosophically due to the differences in society as well as the eras

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    It seems as though‚ as soon as the gods introduce and permit a certain illegal action‚ the actors dutifully carry out the crimes‚ which often include very personal domestic violence‚ in the name of the “greater good.” For Agamemnon‚ it is almost understandable – I could see how he‚ as a ruler‚ may need to prioritize the survival of his empire over his daughter and make the utilitarian choice for the “greater good.” But does he consider his wife‚ the mother of his child? He

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    Ideal Husband Oscar Wilde Themes The Rococo Tapestry Act I takes place against the backdrop of a Rococo tapestry‚ a representation of François Boucher’s "Triumph of Love" (1754). The "Triumph" allegorizes the victory of love over power: Venus points to Vulcan’s conquered heart‚ and the god gazes up at her like a love-sick boy. Though the most obvious reading might consider the tapestry as prefiguring the defeat of Mrs. Cheveley and reconciliation of the play’s lovers

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    both have their judgement clouded by love and because of this many mistakes were made‚ many lives were lost‚ and much sorrow was shed. On page 37 Agamemnon tells Achilles‚ how he will take away Achilles’ prize of honor and the girl that Achilles has chosen to take hostage and claim as his own from him‚ because Agamemnon had to return his. After Agamemnon makes his threats‚ Achilles is angered and distraught for he cares deeply about his wife Briseis‚ and because he cared so much he made the decision

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