Plays and dances had elements common to films- scripts‚ sets‚ lighting‚ costumes‚ production‚ direction‚ actors‚ audiences‚ storyboards‚ and scores. They preceded film by thousands of years. Much terminology later used in film theory and criticism applied‚ such as mise en scène. Moving visual images and sounds were not recorded for replaying as in film. The camera obscura was pioneered by Alhazen in his Book of Optics (1021)‚[2][3][4] and was later perfected near the year 1600 by Giambattista
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We all watch films‚ and documentaries. Generally‚ we learn some things from them‚ but can we be sure what we learned is true‚ and objective? If the films compare and analyze the context (religion‚ language‚ etc.) well‚ we call these kinds of films as ‘ethnographic’ films. A simple question can be appeared in our minds: which films are the ethnographic films? We will try to find an answer to this question with discussing the intentions‚ the wholeness and the ethics of ethnographic film-making.
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Project 1 “Psycho” After the silent films‚ war movies‚ and popular music came the new American cinema during the 1960’s. Old traditions were ignored as new modern and popular styles were adapted. People were subject to civil rights issues‚ sexual liberation‚ assassinations‚ and war that were all televised. Things were changing and movie directors had to take advantage of the new opportunities and be creative‚ creating horror films. One of the first films to set the pace for the new generation
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Photography Creative cultures 2 17/4/1 http://mattharris-fda.weebly.com Is Film Dead? Matthew Harris Is film photography a dying art? This is the question that inspires and drives my film photography work. Film photography is about subverting modern technologies and techniques to get deeper inside the vocabulary of photography. Digital photography is a blossoming art form that grows more and more popular every day. Can film photography have a place in the artistic world? Is it possible to establish
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Film Techniques Folio Defining what you need to know about film ______________________________________________________________ What do you know about film? ( How did they do that? ( Why did they put that in? ( What was the point of that? ( Why did that character do that? ( What’s this film really about? These are just some of the questions which might arouse you when you are viewing‚ or studying‚ a film. And‚ clearly‚ your
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Week 2 Film: The Wizard of Oz FORM: is the sum of all parts of the film‚ unified and given shape by patterns such as repetition and variation‚ story lines and character traits. - Film is not the product of a random collection of technical devices‚ but rather‚ it is a system THE CONCEPT OF FORM IN A FILM - Artworks involve us by engaging our senses‚ feelings and mind in a process. - The artwork cues the spectator to perform a specific activity. Example: A poem’s words may guide us to imagine
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blockbusters with multi-million dollar superstars. Beginning with short silent films‚ movies have evolved over the years in different stages including: the Golden Age‚ the political era‚ sequels‚ and what is now the age of special effects and high budget films. The industry today that creates movies costing unimaginable amounts of money began with the simplistic‚ silent film. Although many are forgotten today‚ these short films were a key part in developing motion pictures created over the ages. Beginning
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of the very first films. There is architecture in almost every film. Consciously or not‚ architecture takes its position as an effective element in films; architectural space influences what is shot. If it is possible to argue that cinema is under the influence of architecture‚ then it should also be stated that architecture discovered cinema. Cinema became a domain of inspiration for architecture especially in the late twentieth century. Now we may hear an architect saying a film has been influential
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multiracial has existed within the film for decades‚ starting back to the gangster movies in the 1920 and 1930’s. Beltran (2005) illustrates on page 3 that the intent of these films was to reinforced dominance of race‚ ethnicity‚ and class tied to housing and apparent safety. The race is a social assembly and can create real consequences and effects on certain groups within society and how we depict them. Depending upon the setting of the film and the films intent‚ the film can illustrate
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Racism in Film Throughout the history of film in the United States‚ the depiction of race has only changed slightly. Although‚ the display of various races in film is pertinent to the specific time period in which the film was made‚ films have‚ for the most part‚ always portrayed white superiority over other races. People of color have traditionally been presented in a negative way (if presented at all) that helps to maintain the status quo where whites are at the top of the social hierarchy. A
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