Judith and Maidservant with the Head of Holofernes and Joseph the Carpenter Artemisia Gentileschi’s Judith and Maidservant with the Head of Holofernes (98) and Georges de La Tour’s Joseph the Carpenter (151) are great examples of Chiaroscuro. Chiaroscuro meaning the representation of balance between light and shades within artwork. This type of artwork is typical of the renaissance era. There are several aspects of chiaroscuro; modeling which is light falling across a curved or round surface. Highlights
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A Comparison Between “Artemisia Gentileschi and Caraveggisti Painting” by Henry Sayre and “Artemisia’s Hand” by Mary D. Garrard When looking at the development of Western art history‚ people tend to focus on the male artists’ contribution but neglect the significant influence of female artists on the art world through their active engagement in the production of art. Artemisia Gentileschi‚ both as one of the the most accomplished Caravaggio’s followers and one of the first female artists to achieve
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Artists have attempted to use their work to influence their viewers throughout the centuries. By looking at the art of the following three artists‚ Artemisia Gentileschi‚ Pablo Picasso and Shepard Fairey‚ I will show that although each had different motives and were from different eras‚ they each used their work to try and influence the people of their time. Artemisia Gentileschi was born in Rome in 1593‚ and was a daughter of a well know artist Orazio Gentileschi. When she was seventeen she
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significant people happen to be Vermeer and Caravaggio. Vermeer was a Dutch painter‚ born on October 31‚ 1632‚ in Delft‚ Netherlands. Not much is known about him as he was only made famous a long time after his death. What is known about him is that he lived a peaceful home life with his wife‚ Catharina
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The Baroque Era and Today: Anti-antics of Artemisia Gentileschi Analyzed There is no historic age admired more then the Renaissance. This epic period defined the meaning of art and its connection to humanism in the past and present. It was an explosion of ideas and knowledge. It was a rebirth of learning based on the rediscovery of ancient texts‚ and a rebirth of the European culture as a whole. When the Renaissance ended the Baroque period emerged‚ that conveyed different ideas. There was a sense
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Past HSC Trial Paper 2011. Section 2. Question 7 An artist will always create a work with the audience in mind An artist will always create a work with the audience in mind‚ this is a false statement as most great artists contradicted what was socially acceptable in their period. Artist such as Edouard Manet‚ Artemisia Gentileschi and Francis Bacon‚ all created much discrepancy with their works through the themes in which they portrayed‚ and the meanings they gave. Hence no‚ artists do not create
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Contemplative Vision: A Guide to Christian Art and Prayer Juliet Benner Page 39 “He was an astute follower of the Venetian school of artists and his works reflect their influence. He was considered to be a person of great personal piety and known to prepare himself by prayer and fasting whenever he set out to produce any sacred art.” Edouard Manet: Rebel in a Frock Coat Beth Archer Brombert “The weather turned fearful; someone who has not seen the sea as turbulent as we saw it cannot
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The Baroque Period was the age of reason when minds and imaginations opened up new worlds of scientific knowledge as well as artistic creativity. (Fleming‚ 75) The Baroque era was a period of opulence and magnificence that gave off a powerful awe inspiring style that was full of flamboyant concepts and overall dramatic quality. From Venice‚ as well as from Rome and the centers where international mannerism flourished‚ the roads to Baroque art fanned out in all directions. The style of Baroque art
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Dutch artist‚ Gerrit Dou‚ started painting “A Dentist by Candlelight” in 1660 and completed it in 1665. The medium of this art is oil on an oak panel. While the painting is small in size‚ the imagery is much larger. The painting itself measures just a little over fourteen inches by ten inches. The brush strokes are soft and airy‚ as if it was painted on silk. Most of the colors used are dark‚ except for the gold and yellow tones that are used to make the center of the image seem to glow. In fact
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local saint of Syracuse‚ who had been denounced as a Christian by her former suitor and had died in 304 from the tortures inflicted by local pagan authorities. Caravaggio may have worked in haste to produce a picture before the feast of Saint Lucy on 13 December. Originally‚ Saint Lucy’s head was severed from her body but later Caravaggio joined it and left just a slit in the front of her neck - perhaps recalling Saint Cecilia‚ whose still-intact body with a gash in the nape of the neck had been
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