Employing a simile in describing Julia’s evasion of the Party as akin to how “a rabbit dodges a dog”‚ coupled with her characterisation as “only a rebel from the waist downwards”‚ Orwell asserts that apathy and tacit acts of rebellion should be feared because they fail to prevent the perpetuation of governmental abuse of power. Moreover‚ having been born post-revolution‚ Julia
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We All Fall Down We All Fall Down by Robert Cormier uses language‚ structure of plot and characterisation to create a suspenseful novel. Language features such as confronting expletives and report style writing which are crucial for the suspenseful tone. Structural plotting using a Part one and Part two technique and narrative twists have a significant effect on the suspense. The use of characterisation with the assistance of the Avenger and Harry Flowers play the role of adding suspense to the
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themes that link it closely with society. Twelfth Night explores the idea of love through his characterisation of Viola and Duke Orsino. Andy Fickman’s film modernised Shakespeare’s Twelfth Night through the change of some parts of the play and updating them. Shakespeare’s Twelfth Night is the original text of She’s the Man. Twelfth Night explores the key idea of hidden identity through the characterisation of Duke Orsino from Twelfth Night. Accordingly In Twelfth Night‚ in relation to Duke Orsino
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premise. An examples is the plot parallel and differences between Kate’s transforamtion inWIllian Shakespeare’s The Taming of the Shrew and Gil Junger’s 10 things I hate about you are drawn through the use of characterisation and the strong tones generated by the use of characterisation and the strong tones generated by Shakespeare’s language as wel as the visual imagery in 10 things I hate about you. The settings‚ however are very different. The play takes place in Italy back in Shakespeare’s
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Intro: Death and the maiden‚ is a play written by Ariel Dorfman that is set in Chile under the dictatorship of Augusto Pinochet. I have composed a poster for the play to highlight the key themes and characterisation conveyed in the play. Dorfman has included multiple techniques to expand the character development‚ add more depth into the play and to position the audience to think what they would do in that circumstance. I have added images to the poster that relate to the techniques involved. Dorfman’s
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“Inside Out” best represents how teenagers are changing identities by using plot‚ characterisation‚ setting‚ camera work and sound track. The characters roles and where the film is set has a great deal of meaning. The soundtrack and camera shots help explain what’s going on. In conclusion‚ the film “Inside Out” has a lot of significant meaning behind it. As a father himself‚ Pete Docter‚ created the film “Inside Out” to portray how his daughter was changing her identity. Once Docter started noticing
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1818 Gothic Novel‚ Frankenstein‚ the characterisation and destruction of Frankenstein’s humanity serves to highlight the dangers associated with ambitious exploitation of experimental science. Furthermore‚ the contrast between the creature and Frankenstein is the used to explore man’s moral limitations in the creator capacity. Similarly‚ in Ridley Scott’s 1982 noir film‚ Blade Runner: The Director’s Cut‚ parallels with Shelley’s novel are seen in his characterisation and
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What Techniques Does Tennyson Use To Tell The Story Of Mariana? Tennyson uses place and setting‚ time‚ characterisation‚ imagery and form to tell the story in his poem Mariana‚ based on the character of Mariana from Shakespeare’s play Measure for Measure. The poem is about the character Mariana‚ who after losing her dowry in a shipwreck‚ her lover Angelo leaves her. In the poem‚ we see Mariana slowly coming to terms with the fact that Angelo will never be coming back to her. Tennyson uses place
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progression has always shrouded society. Both Mary Shelley’s Frankenstein (1818) and Ridley Scott’s Blade Runner (1982) were produced during eras of technological exploration. Through depicting technology breeching moral boundaries through context‚ characterisation and intertextuality‚ both Scott and Shelley highlight the dangers of progression with the absence of ethical emotion – a timeless social issues which binds these two texts. Written during the industrial revolution and the emerging era of existentialism
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essay will examine how the man Othello changes significantly throughout the play and how credible his change is to the audience. At the beginning of the play‚ Othello is regarded as a noble and kind general‚ through Shakespeare’s effective characterisation. Othello’s military skill and respect is established as the Duke greets him by saying ’ Valiant Othello‚ we must straight employ you/Against the general enemy Ottoman.’ The repeated references to him as ’valiant’ highlights his position and status
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