"Chicana" Essays and Research Papers

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    Throughout history‚ the relation of individuals to society and vice versa has been a puzzling conundrum. Humans generally tend to understand their own experiences and lives though an individualistic outlook in which society is simply a collection of individuals. However‚ C. Wright Mills and Allan Johnson disagree and relate the significance of a “sociological imagination” in relating ones experiences to a greater social context. According to Mills‚ the sociological imagination is “a quality of mind”

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    Woman on the Edge of Time

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    Connie‚ the heroine of the book Woman on the Edge of Time by Marge Piercy‚ is put in a mental institution‚ once for abusing her child‚ and again for attacking a pimp‚ trying to save her niece. She appears completely sane though‚ until she starts seeing visions of people living in the future who claim to have contacted her because she is "receptive" to them. The question is‚ is Connie sane and her trip to the future is reality‚ or is she insane and just hallucinating? Although the book offers no

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    argument‚ the narrator constructs regarding the issue. Gloria Anzaldua’s “How to Tame a Wild Tongue” expresses the need for the language of Chicano Spanish‚ Chicano culture to be recognized as valid. The narrator relates to her childhood experience‚ a Chicana that has struggled expressing her feelings. “If you want to be American‚ speak ‘American’‚ if you don’t like it‚ go back to Mexico where you belong”. Her Anglo teacher admonished her for speaking Spanish when it was all a misunderstanding. It was

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    these events came about the creation of the Chicano movement‚ the term Chicana/o makes reference to the self identified‚ political identity‚ of someone living in the U.S. and has Mexican descent. This social movement not only instilled political activism and change‚ it transformed traditions‚ survival‚ and impacted the musical life of the Mexican people of Los Angeles. East LA‚ to be specific‚ is where a large majority of Chicana/o musical bands have began their earliest of memories‚ amongst them is

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    Gloria Anzaldua

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    (where words were English but with Spanish sounds). Anzaldua expressed it as a result of pressure on Spanish speakers to adapt to English. Another issue that Anzaldua points out was the Chicanas or Latinas having low estimation of their native language. Women felt uncomfortable speaking to their Latinas or Chicanas because throughout their whole lives they were absorb into the different native tongues from generations‚ what school taught them‚ or what the media demonstrated. But Anzaldua doesn’t want

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    Failing to Love

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    sexual identity of a Mexican-American woman living in the United States. The story is about a Chicana woman and how she seeks revenge on a white lover who has rejected her by becoming the sexual tutor of his teenage son. Cisneros give life to the protagonist Clemencia and paints her as a character in a modern day to demonstrate the pervasive negative impact on Mexican-American women‚ especially on Chicanas residing within the United States. Clemencia‚ the protagonist of the story‚ thinks “Drew‚ remember

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    Gloria Anzaldua

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    Gloria Anzaldua There have been many important topics and discussions that we have talked about in this class covering many throughout the year. We’ve come across many writers‚ thinkers‚ and poets that have brilliant thoughts and ideas. However‚ Gloria Anzaldua has the best views and beliefs relating to discourse‚ labeling‚ consciousness of self‚ identity‚ and cross-cultural fertilization. Anzaldua addresses these issues best in her passage “Towards a New Consciousness” along with her book

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    Chicano Movement

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    American Civil Rights Movement. Houston: Arte Publico Press‚ 1997. Sanchez‚ George. Becoming Mexican American: Ethnicity‚ Culture‚ and Identity in Chicano Los Angeles‚ 1900-1945. New York: Oxford Univ. Press‚ 1993. Vargas‚ George. Contemporary Chicana Art: Color & Culture for a New America. 1st ed. Austin: University of Texas Press‚ 2010. Journal Articles/ Literacy Magazines Chavez‚ Roberto. “Why paint.” AZTLÁN. Vol. 36‚ N. 1. Spring‚ 2011. 213-220. “Chicano music: from country

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    Mujers Adelante Themes

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    The film “Mujeres Adelante” focuses primarily on the role of Mexican-American women‚ throughout major historical events (from the beginning of the Spanish conquest to the end of the 20th century). Women have been major contributors to maintaining a functional society. Throughout the film some themes that arose were in regards to the United States oppressing Mexicans‚ and the lack of portrayal of women as intelligent activist. The first topic acknowledged the United States as the oppressor of the

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    In Gloria Anzaldua’s book Borderlands La Frontera‚ The New Mestiza‚ she shares her experience in a post-colonial world as a Chicana‚ a lesbian and a woman who grew up in a cross-cultured area trying to understand her identity but also to make us rethink about what a border is and what are the consequences which come with it. Anzaldua creates a “mestiza consciousness” as a dynamic capable of breaking down dualistic ascendant archetypes. This concept is related to “hybridity”‚ a mixed race‚ which will

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