AP EURO ART MOVEMENTS Overview: Page # • Italian Renaissance (1400s-mid1500s)………….1-2 • Northern Renaissance (1500s-late1600s)…………3 • Mannerism (Mid-Late 1500s)………………………..3-4 • Baroque (1600-1750)…………………………………...4-5 • Rococo (1700s)…………………………………………….5-6 • Neoclassicism (1750-1850)………………………..........6 • Romanticism (1800-1850)…………………………........7 • Realism (1850-1900)…………………………………....7-8 • Impressionism
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15 January – About 6 million are unemployed in Germany. 25 February – Adolf Hitler obtains German citizenship by naturalization‚ opening the opportunity for him to run in the 1932 election for Reichspräsident. 10 April – Paul von Hindenburg is elected president of Germany. 30 May – Chancellor Heinrich Brüning resigns. President Hindenburg asks Franz von Papen to form a new government. 14 June – Bans against the SS and SA are overturned. 17 July – Altona Bloody Sunday: In Altona‚ armed communists
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interior detail. Expressive Lines- Line that are energetic and catches the movement and gestures of an active figure. Contour Line • Contour line is the outside line‚ or the line that distinguishes the outer edge of the object within the art work. Giotto The Mourning of
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Ferruccio Lamborghini was a self made millionaire‚ he made a fortune by building tractors from army surplus left by the Allied Forces back in 1945. He started this business from a small garage but soon was able to move to larger buildings because demand for his very powerful tractors rose. He also started manufacturing oil burners and air-conditioning systems after his tractor plant started making lots of money‚ it turned out his second business also made big money so Ferruccio Lamborghini became
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Humanism is a philosophy that was born during the Renaissance‚ beginning in Florence in the last decades of the 14th century. The theory introduced new ways of thinking that allowed people to question and interpret the Bible anyway they wish. Prior to Humanism‚ people lived their lives under the impression that it was all to serve god. It wasn’t until people began taking an interest in the work of Greek philosophers that true appreciation of human life became apparent. Humanism inspired people to
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Ch. 1 Notes Summary Definition of art according to formalists – An object that had a visual form sufficiently compelling or inspiring or beautiful to provoke an intensely felt‚ sensory-based response or aesthetic experience. Key note: feeling * The Artist has a certain intent when creating art. * Can be used to make a statement; but often just to evoke a feeling * Kandinsky’s Improvisation 28 * Artist could present 3-D figures that offer a feeling of special coherency that
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BAROQUE NATURALISM IN SPAIN: VELAZQUEZ The greatest master of Spanish painting and one of the greatest painters of the Baroque was Diego Velazquez. Inspired by the simple‚ realistic paintings of Caravaggio‚ his approach to art would fly in the face of the flamboyant trends in his day and go even further in the direction of “naturalism.” Surprisingly‚ when he was twenty-four‚ the honest realist was appointed the court painter to the king. More surprisingly‚ Velazquez succeeded in his new role without
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INTRODUCTION Art is everything. It’s impossible to look anywhere in this world and not see an artist’s creation or some aspect of art. It allows everybody to express themselves in any way necessary. Art doesn’t discriminate or stereotype or hate‚ it provides an outlet for all emotions under the sun. Without art‚ the world would be without color‚ design‚ literature‚ music‚ poetry‚ dance‚ everything. In 1495‚ Leonardo Da Vinci began painting the Last Supper on the wall of the
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Art Class Gothic Art Professor: Adriana García García Enrique González Pinal Classroom: 311 ID: 1582569 Was a style of medieval art that developed in Northern France out of Romanesque art in 12th century‚ led by the concurrent development of Gothic architecture. It spread to all of Western Europe‚ never quite effacing more classical styles in Italy. In the late 14th century‚ the sophisticated court style of International Gothic developed‚ which continued to evolve
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Richard Cándida Smith Department of History University of Michigan Ann Arbor‚ MI 48109 The Other Side of Meaning: George Kubler on the Object as Historical Source forthcoming in Intellectual History Newsletter‚ vol. 23‚ 2001 The objects that men and women have made provide the most enduring trace of human activity extending back tens of thousands of years in every part of the globe. In a handful of locations‚ as in Europe or East Asia‚ traditions of collecting and connoisseurship
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