INTRODUCTION: Matchmoving is a cinematic technique that enables computer generated graphics to be placed into a live-action footage. The graphics should be placed into the real footage where they appear to move as if they were part of it with the correct position‚ scale‚ and orientation of the photographed scene. It can simply be describe as the process to match computer generated graphics into a real scene. There have been great developments in VFX especially the film industries due to evolving
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In the interesting film The Brass Teapot (2012)‚ directed by Ramaa Mosley and story by Tim Macy. Mosley uses various camera work techniques‚ aural techniques and mise-en- scene to convey the message of the film‚ that ‘greed can bring out the worst in people’ and ‘it’s not worth it in the end’. This is clearly shown throughout the film through the characters. The genre of this film is comedy and drama‚ though it is mostly consisted of dark humour. This particular movie is unique because we‚ the audience
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In the quirky yet sophisticated film‚ Annie Hall (1977) comedian Alvy Singer (woody Allen) takes audience members on a detailed story of his life. Speaking directly to the audience in front of a bare background‚ Singer reflects briefly on his childhood and his early adult years before settling in to tell the modern romance story of how he and Ms. Annie Hall met. Throughout this film‚ Allen uses various cinematic techniques to contribute to the tone of the story. Allen makes a unique effort to accompany
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Bladerunner‚ directed by Ridley Scott‚ focuses on one main issue: humanity. It is often said that the eyes are the windows to the soul‚ and it seems that Scott plays off of that in the closeup shots of the duplicate’s eyes as they are being tested. The main issue presented through the film is the controversy over whether or not the duplicates count as human. Scott’s use of lighting in the film is impeccable; predictive lighting‚ and the use of shadows really help add to the message of the film. On
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A camera‚ a director‚ an actor is all one needs to make a movie‚ that may be something the audience believes. There’s a science to this‚ camera angles‚ sound‚ and lighting/color that make up a movie. As a film director in Hollywood‚ Tim Burton must pay attention to these simple key factors that create his films. Tim Burton‚ a greatly respected film director‚ creates gothic‚ bittersweet films ranging from friendship to young love. As Burton inspired many‚ he himself was inspired by the author Edgar
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Both the novel and the film adaptation of Ernest J. Gaines ‚ A Lesson Before Dying illustrates the theme of coming of age ; however in the novel this theme is better discussed. Through the use of lighting ‚ soundtrack ‚and camera angles the director is able to portray the theme of coming of age. While ‚ in the novel Ernest J. Gaines uses dialogue and characterization to express this theme. As some scene’s are better developed than others the watcher and reader are able to receive specific feedback
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Tim burton used many cinematic techniques to create a fantastical and mesmerizing unique world that only he can create. The three cinematic techniques he uses to create his own unique style are music‚ lighting and shots. In the following essay i will describe in detail and give examples of the miraculous way Tim Burton creates a world of his own. One of the techniques Tim Burton uses to create his own world is music. Tim Burton uses music in his movies to set the mood or the tone for the scene
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For an adapted film to be successful‚ it has to convey the theme of the novel effectively using certain film techniques. Situated pre- and post- World War II era in North Carolina‚ The Notebook tells a tale of both a summer romance and young love. Two teenagers parted after a season full of love due to social class and wealth issues. They overcome these issues later in their lives proving to us that their love is eternal.Love is a strong force which can make one do astonishing things. Nick Cassavetes’
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Trinh T Minh-Ha’s‚ The Fourth Dimension‚ is a sensitive and enigmatic exercise of ‘speaking nearby’. Taking Japan as a reflection locus‚ Trinh builds a personal journey in time and space through the rhythms that emanate from rituals and daily life. The experience of watching the film is at first disturbing; you realize quickly that conventions and order that "normally" structures a film and lead the understanding of its content will not serve here. Accordingly‚ it requires the viewer to criticize
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Summary Relationship Scenes A number of scenes create a summary relationship between the story timeline and the screen duration. The film begins in East Berlin around November 1984 and though most of the plot takes place during this time reference‚ the story’s full timeline is almost a decade long. The following scenes complement the narrative because they allow the viewer to understand the historical changes in the setting (for example – the fall of the Berlin Wall) and the changes in the characters
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