Cinema has always been a world of fantasy and grandeur. What a common man cannot do in the real world is done by the star in the reel world. The artistic eyes of the filmmaker always wants the frame to be outstanding or beyond normal. How do you get it? The film is shot in exotic locations. Indian cinema has always fantasized about shooting in foreign locales. It was in the late 1970’s Indian cinema industry went abroad to film. They mostly frequented U.S.A‚ Singapore or the United Kingdom. In
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What Is Anger? You have lots of emotions. At different times‚ you may be happy‚ sad‚ or jealous. Anger is just another way we feel. It’s perfectly OK to be angry at times — in fact‚ it’s important to get angry sometimes. But anger must be released in the right way. Otherwise you’ll be like a pot of boiling water with the lid left on. If the steam doesn’t escape‚ the water will finally boil over and blow its top! When that happens to you‚ it’s no fun for anyone. What Makes You Angry? Many things
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Maslow’s Hierarchy of Needs Calen T. Curtin OTC LEA Abstract This paper will explain Maslow’s triangle and its application to interpersonal communications. An explanation will be given how the interpersonal communications‚ based off of Maslow’s triangle‚ can be used as an interview and interrogation tool. Examples will be provided of a personal experience that directly relates to the vertical progression through Maslow’s triangle. When Maslow’s hierarchy of needs (Maslow’s
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of events which perfectly coincides with Abraham Maslow’s Hierarchy of Needs. She correctly establishes each of the aspects that make up the hierarchy as well as the decline if one is unable to attain each subsequent level. This paper will not only compare the psychological growth of Frankenstein with the sequence of the hierarchy but also prove the distinct order that one must follow in order to grow in development. Maslow’s Hierarchy of Needs is a structural progression of psychological and
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Maslow’s Hierarchy of Needs - Motivation Theory Search Ads by Google Motivation Motivation of Staff Abraham Maslow Theory Types Self Esteem Theory Maslow’s Hierarchy of Needs Father of Modern Management & Leadership by Employee Motivation Further Reference Motivation Theories Peak Experiences Maslow’s Hammer Humanistic Psychology Self-Actualization Hierarchy of Needs Transpersonal Psychology Theory Z Performance Excellence www.nist.gov/baldrige/ See what we’re doing to demonstrate
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WOMEN‚ SEXUALITY AND INDIAN CINEMA By Shoma A. Chatterji WORD-COUNT: 1900 Recent films like Tauba Tauba‚ Murder‚ Julie and Jism have focussed on something not explored before in mainstream cinema - the sexuality of the Indian woman. Though this has given the director and producer ample scope for exploring the anatomy of the woman in a hundred different ways to lure the box office‚ the one positive spin-off of these films is that they have uncovered the sexual desires of the Indian woman
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the largest motion picture theatre exhibitor in Canada. The Toronto-based partnership serves approximately 60 million customers under the following five brands: Cineplex Odeon‚ Galaxy‚ Famous Players (including Coliseum‚ Colossus‚ and SilverCity)‚ Cinema City‚ and Scotiabank Theatres. This portfolio utilizes multi-branding to target a wide scope of quality seeking segments without damaging its premium end brands. Critical Success Factors in the Movie Theatre Industry The core service of exhibition
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The U.S. Cinema Industry ESCP-EUROPE 2013-II GARCIA RUIZ‚ Gabriela ESSAY Final EXAM PART I: Choose one element that particularly struck you‚ briefly analyze it justifying your choice (10 pts.) 1. Citizen Kane: Rosebud I chose “Rosebud” because this word evolves the main sense of the whole movie. From the beginning with the scene of Kane dropping a crystal snowball before dying and whispering “Rosebud” to the end when the last scene shows us the image of a chair burning in which back
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Humanizing Terrorism in Indian Cinema A closer look at Mani Ratnam’s Roja and Dil Se Nationalism‚ as professor Sumita Chakravarty describes it‚ is the “integrity of the nation-state and the imagined belongingness of its citizens (Chakravarty‚ 2000).” This notion of nationalism and nationwide unity has been a recurrent theme in the films explored in the course South Asian Cinema. Many of the films have been interpreted as national
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The liberation of women in Japanese cinema The purpose of this work is to investigate the social position of women in Japanese cinema from its beginnings to the present. The main aspect is the link between the masculine dominance and the objectification of women‚ combined with Freudian theories of castration anxiety‚ as well as Lacanian ‘mirror stage’. These theories play a crucial role in this work as the representation of power‚ demonstrated through objectification‚ may affect the gender equilibrium
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