Film Analysis: “MY BIG FAT GREEK WEDDING” Introduction to Sociology “My Big Fat Greek Wedding”‚ is a wonderful movie all about the Greek sub-culture in Chicago. This movie explores‚ and demonstrates many sociological points. This movie is exceptional because‚ this movie also shows the values of Greek immigrants living in America. Furthermore‚ the American Greeks in this movie promotes three traditional values - marry a Greek boy or girl‚ have Greek babies‚ and feed everyone. This is a value that
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music gets quiet because he is moving without making sound. Music “brightens” up the movie’s plot by playing faster if it is suspenseful and playing slower if it is not suspenseful. Music holds the act together. It is the basic structure of all films. Even in books when it desribes the music it holds the scenes together. If you don’t have music you don’t have a play‚ act‚ scene‚ movie‚ or concert. Music is what makes a movie a movie. When Buddy the Elf runs away the music gets faster because
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Filipino films? Why not? Most of us would prefer watching American movies than Filipino ones. When we are in the cinemas‚ I noticed that there are more people paying to watch American movies instead of supporting locally made ones. For most‚ they better understand movies spoken in English than in Filipino. In addition‚ for most people‚ the quality of American movies is better than Filipino movies. However‚ there are some people that think otherwise but sadly majority of Filipinos think this
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Have you watched the film Crash directed by Paul Haggis? It is a marvelous film which consists of sensational and emotional realistic scenes‚ and was played by professional actors. Moreover‚ it is directed by a well-known writer whose works have won several Academy awards‚ and Crash is one of them. In this film‚ Haggis tends to represent major issues that occurred in a city of diversity by exposing different kinds of social and multicultural differences. The title of this film Crash‚ which also means
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Fahrenheit 9/11 Maria Mohammad Film 108 Prof. Brooks/ TA: Josh Olejarz Fall 2012 Works Cited Kahana‚ Jonathan. Intelligence work: the politics of American documentary. New York: Columbia University Press‚ 2008. Print. Spence‚ Louise‚ and Vinicius Navarro. Crafting truth: documentary form and meaning. New Brunswick‚ N.J.: Rutgers University Press‚ 2011. Print. Maria Mohammad Film 108 TA: Josh Olejarz Montage
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more stable than in the past (McCormick 2012: 68). Despite the fact that the quality of Britons’ lives has improved since the Second World War‚ Britain has among the highest poverty rates in the European Union (McCormick 2012: 69). The debates over how to define poverty and the high numbers of people who are still poor in the midst of wealth make it a problematic issue (McCormick 2012: 69). According to the government’s definition (people who are living in households with less than 60 per cent of
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gripping watch until I read the reviews that demolished the way I read and interpreted films. One of these demoralizing reviews includes a one liner from a ‘Top Critic’ of The New Yoker stating: “Very limited‚ actually.” Perhaps I had miscalculated a few things myself. I found myself in the same designer shoes as the main character that was ready to jump off the ledge of his state of the art apartment building. How he got to that point would simply be the story‚ now wouldn’t it?! The 2011 Mystery and
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In this scenario‚ a large film making conglomerate wishes to examine a number of potential film making projects. Each project is to be ranked according to its feasibility‚ measured by the ability to adhere to a number of corporate objectives. There are seven proposed movies to be judged and the conglomerate will produce four to six each year. First is to examine each of those projects to the corporate objectives‚ compare and contrasting project selection criteria and justify why a project meets
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Cars is a 2006 American computer-animated comedy-adventure sports film produced by Pixar Animation Studios‚ and directed and co-written by John Lasseter. The seventh film released by Walt Disney Pictures‚ it is Pixar’s final‚ independently-produced motion picture before its purchase by Disney. Set in a world populated entirely by anthropomorphic cars and other vehicles‚ it features voices by Owen Wilson‚ Larry the Cable Guy‚ Paul Newman (in his final non-documentary feature)‚ Bonnie Hunt‚ Tony Shalhoub
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Cameron Mitchell 9/28/11 Villains in Film 2nd Draft Why So Serious? In recent years‚ technology in the cinema industry has become amazingly effective in creating alternate realities for us to go see for seven dollars on a Tuesday night. For a movie villain to be successful and spark emotions from its viewers they must look the part‚ be insanely brilliant‚ and push the protagonist to the edge. The first and most obvious characteristic that makes an amazing movie villain is their appearance
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