How Far was Mussolini’s Control of Italy in the Years 1925-43 Dependent on the Use of Terror Extra Time – didn’t finish It is applicable through a number of factors that Mussolini utilised terror and depended on these measures in order to gain control over Italy. He organised a secret police called the OVRA‚ whereby dissidents were spied upon and severely beaten up as well as often being imprisoned without trial. This created much fear for citizens and opponents‚ leading them to be faithful to Fascism
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Garibaldi were also hugely important in unifying Italy not only did this man inspire many but he also acquired Sicily and Naples for Italy and furthered the unification process by giving them freely to piedmont. Between these three men most of the Italian peninsula was united‚ and so they play a more major part in the eventual unification as without out them Italy would have had no one to lead them into unification and the revolutions would not have been as successful. It was the efforts of these
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Although‚ work of art can often be classified by different time‚ and by the style is used‚ which always have a big difference with the colors‚ theme and hallucinations. Like The “Madonna of the Long Neck” was painted in 1543‚ by one of the famous Italian painter Parmigianino. This complex and intellectual Christian art with oil in Canvas‚ is located in Uffizi‚ Florence‚ which is a good example of mannerist characteristics of distorted proportion and complex composition. Mannerism is known for its
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Unit One: The Italian Renaissance Review Sheet 1. People to know: -Savonarola-gained power in Florence in 1494. Exercised strict rule until overthrown in 1498 -Julius II-The Warrior Pope. Led armies against the French and Venetians -Tudors (why powerful?)- Edward IV Richard IIHenry VII. Used Star Chamber against nobles and Henry VII rebuilt monarchy -Ferdinand of Aragon and Isabella of Castile (Inquisition why?)-Marriage created union of Spain. Completed Reconquista and Inquisition
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references * Nonna believes the more you suffer on earth‚ the better the reward is in heaven. * Nonna is particular about Josie having Italian boyfriends because she doesn’t mix with the Australians. * Nonna claims that the Australians don’t know much about Italian culture. * “There are always jobs I have to learn because all good italian girls know how to do them and one day look after my Chauvinistic husband”. Plot summary * Josie had a fight with nonna‚ she met her father
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painter by Francis‚ the King of France. Under the nagging influence of his wife Lucrezia‚ to whom he speaks in this poem‚ he left the French court for Italy but promised to return; he took with him some money that Francis had given him to purchase Italian artworks for the court‚ and also the money advanced to him for his own commissioned paintings. However‚ he spent all of the money on a house for himself and his wife in Italy and never returned to France. This poem finds Andrea in the house he has
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The Italian Renaissance artist‚ Titian‚ was arguably the best painter of the Venetian school. Titian was born in 1488 in Pieve de Cadore‚ Venice‚ Italy and died there on August 27‚ 1576. He mostly composed religious and mythological pictures‚ setting standards for physical beauty and lust (C.S. Forester‚ 695). For example‚ in Titian’s work‚ "Venus and Adonis"‚ he constructed an image of a nude woman viewed from the back reaching for a male in one of his mythological pieces (W.R. Rearick‚ 25). His
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Giuseppe Garibaldi has been referred to by many historians as ’the foremost military figure and popular hero of the age of Italian unification’. Indeed‚ unlike Mazzini known as the "thinker" of the movement towards a united Italian state‚ Garibaldi can be seen as the "sword" of the ’Risorgimento’‚ whose efforts resulted in many practical contributions to the cause for Italian independence. Firstly‚ after his return to Italy in 1848‚ Garibaldi made his opening contribution to the cause by inspiring
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movements” in Italy’s collection of art (Schiavo 107)‚ neorealism began in 1945 and continued through 1952‚ with Italian film directors creating an assortment of material culture that depicted a shift in the nation’s identity (Ruberto 3). Through the utilization of language‚ nonprofessional actors‚ and stories about the working class‚ neorealist films reflect the transformation of Italian culture in the aftermath of sociopolitical turmoil. Comparably‚ between 1937 and 1946‚ the American film industry
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Innovation‚ Vol. 12‚ No. 4‚ 1999 583 Working Values and the Italian Family MASSIMO BELLOTTO and ALBERTO ZATTI A B S T R A C T History teaches us that it is through the family that new generations are equipped with ethics and values regarding work. The advent of bourgeois society‚ with its characteristic openness towards other social classes‚ appears to have relegated the promotion of working values by families to the background. This study sets out to test the hypothesis according to which the
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