"Marcus aurelius equestrian sculpture" Essays and Research Papers

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    In Pro Caelio‚ a speech delivered by Marcus Tullius Cicero‚ the orator-turned-lawyer strategically disparages Clodia Metelli’s character more than he defends Marcus Caelius Rufus. Furthermore‚ Cicero’s approach‚ which relies heavily on prejudices within Roman society and personal attacks‚ aims to undermine Clodia’s credibility as a witness and persuade the jury. This strategy of character assassination‚ coupled with Cicero’s use of rhetorical skills and grudge against the Clodii family‚ effectively

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    Neptune and Triton is a life-sized marble sculpture made by an Italian artist Gian Lorenzo Bernini which was commissioned by Cardinal Alessandro Peretti Montalto in 1622. [Figure 1] It depicts the figure of Neptune and his son Triton‚ captured mid-movement as they play out their roles in the narrative to which this scene belongs. Bernini uses his talent and artistic skills to create an illusion of action‚ an atmosphere of anticipation as we wait for the figures to come alive and break free from

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    Hellenistic Greek Sculpture (c.323-27 BCE) Venus de Milo (c.130-100 BCE) Louvre‚ Paris. For other forms of sculpture from the wider Aegean area‚ see the Art of Classical Antiquity (c.1000 BCE - 450 CE). Note: among the most famous items of Hellenistic Greek sculpture was the Colossus of Rhodes (292-280 BCE) - one of the Seven Wonders of the World‚ as compiled by the Greek poet Antipater of Sidon. The Hellenistic Styles The era of Hellenistic Art (323-27 BCE) occupied a time-span nearly as long

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    to their ability to reason. Reason – the “universal instrument” – is what allows Man to triumph over nature. While all men are capable of reason‚ few men possess the ability to use reason to define their roles in society and determine their fates. Marcus Brutus from the play Julius Caesar‚ by William Shakespeare‚ is one such man. Brutus uses his rationale and logical reasoning to surpass challenges and conflicts throughout the story. Brutus ultimately ends his own life‚ but not before taking the life

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    Essay William Shakespeare’s ’Julius Caesar’ is a play that features a variety of different characters who contribute to the final decision of whether or not to commit a great act of betrayal. The character that I will be focusing on in particular is Marcus Brutus who is faced the difficult decision to whether or not to have any involvement in the assassination of Julius Caesar‚ the greatest and most powerful of the Romans. Brutus is forced to decide if his love for Rome is greater than his love

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    John Elliott‚ Peter Linebaugh and Marcus Rediker‚ and Gregory O’Malley have all written works based on the conquering of America and the reasons Europe funded expeditions to this “New World”. John Elliot focuses on Spain in chapter 4 of “Empires of the Atlantic World” and their burning desire for resources. Peter Linebaugh and Marcus Rediker in “The Many-Headed Hydra” focus on the idea that the maritime state and other lower ranks were the biggest aids to Europe when conquering the Americas. Finally

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    Marcus Brutus and Mark Antony were two important men in William Shakespeare’s Julius Caesar. These two characters played a major role in Caesar’s life and had a great impact on Rome’s future. Marcus Brutus‚ a praetor‚ was an excellent public speaker and he could easily persuade the people of Rome to his thinking. Also‚ he loved Julius Caesar and he was extremely close with him. But‚ he loved Rome more than he loved Caesar. Because of his strong and loyal patriotism‚ Brutus decided that he had to

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    The Influences of Marcus M. Garvey and Booker T. Washington In the early years of the twentieth century‚ there was a major problem for African Americans. There was the question of how to respond to a white society that greatly supported white supremacy and refused to treat blacks as equals. In hopes to find a solution‚ many African American leaders devoted much time and energy to finding ways that would resolve this problem. Two of these leaders‚ in particular‚ were very prosperous at

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    Marcus Garvey is an extremely articulate man of great courage and vision. In The Negro’s Greatest Enemy Garvey pours his heart over the treatment of black people and how that he will bring forth his dream of “a new world of black men‚ not peons‚ serfs‚ dogs and slaves‚ but a nation of sturdy men making their impress upon civilization and causing a new light to dawn upon the human race.” And 5 days after his dream he established The Universal Negro Improvement Association and African Communities (Imperial)

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    Chiovaro December 3‚ 2012 Optional Paper Art History 109 Define the transformations that have taken place between the sculpture of the late archaic period and that of the early Classical period. Note how these imply a change in relationship of the viewer to the work of art. Throughout history‚ sculptures have developed significantly. The Western tradition of sculptures began in Ancient Greece along with Egypt and many other ancient civilizations around the world. Greece is widely seen as

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