I will be analyzing a 10 minute clip off the film called Juno that was released in 2007 directed by Jason Reitman. This analysis will cover mise-en-scene‚ colouring‚ costume and performance. The film begins with a long-shot of Juno standing outside of a house with a chair in front of her introducing the surroundings to the viewers. It then showed us a wide angle shot focusing Juno and a chair. The beginning part makes the audience confused to why a chair was outside and why she was focus with the
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Character Analysis Can one character make an entire script move with reason? In the script “Pulp Fiction” by Quentin Tarantino Vincent Vega is that voice of reason that makes the entire script move. In the script “Pulp Fiction” by Tarantino Vincent Vega is portrayed and used as the voice of reason‚ and always uses logic to get to his final assumptions. In the first scene we come across Vincent he is talking to Jules about his trip to Europe. Vincent uses something that most
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disbelief an absolute breeze for anyone that views Wizard of Oz. Uniquely‚ for a production of the time period‚ Wizard of Oz begins in black and white and‚ through an exquisitely executed tornado scene‚ throws its viewers right into the middle of Munchkin Land with Dorothy. However‚ the black and white scenes can still hold their own in
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The timing is reflected in the scene where the professor’s assistant and Will are alone and the assistant tells Will how lucky he is to have someone believe in him as much as the professor does. As if on cue‚ the professor walks in just as his assistant finishes talking and gets up to leave. The cinematography in the movie is good. The viewer is immediately given some insight into Will’s social status. The viewer is shown that he obviously lives in one of the poorer sections of Boston; you see that
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One of my favorite aspects regarding Tarantino style is how he chooses to exclude characters or their faces from shots. This can be seen in several times in Pulp Fiction as well as Kill Bill vol 1. In Pulp Fiction we don’t actually see Marcellus’s (Ving Rhames) face till late in the movie all we see is the back of his head with a single Band-Aid on it. Ultimately the effect of this shot is building up Marcellus and giving him an intimidating aura. Tarantino does a similar style of shot when introducing
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Cecilie Skogheim FS 101 Term Paper VERTIGO Vertigo (Alfred Hitchcock‚ 1958) is an American film noir psychological thriller. Hitchcock made Vertigo during a very creative period (1958-1960) of his life. In that time period he released three historic films‚ Vertigo (1958)‚ North by Northwest (1959)‚ and Psycho (1960). Each film took a radically characteristic approach to the genre suspense thriller‚ and Hitchcock made a massive change to the thriller genre. His films were not black and white anymore
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[DOCUMENT TITLE] Karinne Saraiva da Silva – N01147112 Introduction Mise-en-Scene Shot The element distance of diachronic shots is well explored throughout the famous music Let It Go showing the contrast between the scared Elsa and herself after the transformation. At the beginning‚ Elsa is terrified after running away from Arandelle‚ the extreme long shot of the mountain leaves the character invisible‚ then the camera starts to approximate‚ but the shot only changes to a long shot only 12 seconds
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Quentin Tarantino has established himself as the quintessential neo-noir film maker since the passing of Stanley Kubrick. Kubrick’s specialty was creating surrealist imagery through limited dialogue and scenes filmed in “real time”. Tarantino has transposed the film making ideologies of Kubrick by adding complex dialogue and grotesque violence. Both men captured the film making styles of their era’s with postmodern neo-noir visuals as well as dialogue that spoke to the culture of their audience.
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Due date: 16 August 2013 Topic: Write a critical analysis of the significance of the non-linear narrative of Pulp Fiction. English 3004: Post Modernism Pulp Fiction This essay will discuss the many original and revolutionary themes as well as cinematic techniques employed by Quentin Tarantino in his film Pulp Fiction‚ with particular emphasis on the use of non-linear narrative and its significance. I will further elucidate the
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(Tim Roth) are intertwined in Quentin Tarantino’s three fables of crime and redemption (Pulp Fiction). Pulp Fiction is a movie of immorality and wit. The hitmen’s boss‚ Marsellus Wallace‚ is a king of crime‚ however continuously gets played by those doing business with him‚ leaving Vincent and Jules to clean up the mess. Which in turn causes these unrelated lives to weave together. During the film‚ Pulp Fiction‚ many situations may be deemed unrealistic‚ though through Quentin Tarantino’s
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