Film Mise-En-Scene Analysis: Let It Go
[DOCUMENT TITLE]
Karinne Saraiva da Silva – N01147112
Introduction
Mise-en-Scene
Shot
The element distance of diachronic shots is well explored throughout the famous music Let It Go showing the contrast between the scared Elsa and herself after the transformation. At the beginning, Elsa is terrified after running away from Arandelle, the extreme long shot of the mountain leaves the character invisible, then the camera starts to approximate, but the shot only changes to a long shot only 12 seconds after the music has begun, which emphasizes the character’s isolation, fear, and imprisonment.
The camera continues towards Elsa to a medium shot, when she starts to free herself, and the spectator has a better view of her expressions of distress. A close-up comes at the same time she lets her cap goes as a sign of liberty. From this point, the music turns happier, and the close-ups are more constants, giving space only for a quick long shot to show her recently discovered powers. The music/scene ends showing the mountain in an extreme long shot that presents Elsa’s castle, and an extreme close-up on her, now, pleased, glad face.
Territorial space
During the music For the First Time in Forever (Reprise), it is possible to observe the two main …show more content…
Since the girls were little up to their adulthood, Elsa and Anna use different tones of blue and green respectively. While blue represents snow, winter, cold, power, seriousness, depression, and sadness, the green used by Anna suggests spring, freshness, hope, and physical energy, which shows a clear contrast between them. There is one exception to this blue/green rule, which happens when Anna is looking for her sister in the North Mountains. At these scenes, she mixes blue and purple in a tentative to relate with her sister and her winter, but after that, she returns to her usual green dresses and her own
Karinne Saraiva da Silva – N01147112
Introduction
Mise-en-Scene
Shot
The element distance of diachronic shots is well explored throughout the famous music Let It Go showing the contrast between the scared Elsa and herself after the transformation. At the beginning, Elsa is terrified after running away from Arandelle, the extreme long shot of the mountain leaves the character invisible, then the camera starts to approximate, but the shot only changes to a long shot only 12 seconds after the music has begun, which emphasizes the character’s isolation, fear, and imprisonment.
The camera continues towards Elsa to a medium shot, when she starts to free herself, and the spectator has a better view of her expressions of distress. A close-up comes at the same time she lets her cap goes as a sign of liberty. From this point, the music turns happier, and the close-ups are more constants, giving space only for a quick long shot to show her recently discovered powers. The music/scene ends showing the mountain in an extreme long shot that presents Elsa’s castle, and an extreme close-up on her, now, pleased, glad face.
Territorial space
During the music For the First Time in Forever (Reprise), it is possible to observe the two main …show more content…
Since the girls were little up to their adulthood, Elsa and Anna use different tones of blue and green respectively. While blue represents snow, winter, cold, power, seriousness, depression, and sadness, the green used by Anna suggests spring, freshness, hope, and physical energy, which shows a clear contrast between them. There is one exception to this blue/green rule, which happens when Anna is looking for her sister in the North Mountains. At these scenes, she mixes blue and purple in a tentative to relate with her sister and her winter, but after that, she returns to her usual green dresses and her own