Double Indemnity Analysis
Description of a scene
Within the film, “Double Indemnity”, there exists quite the diversity of scenes that are presented to the viewer. A particular two minute stretch of the film is interesting in itself as it provides a good example of the sheer number of particular details that can make a film like this stand out from the rest. The first shot of the film exists as one of the most impressive as it takes place primarily within an elevator with minimal camera movement. This medium shot is the longest single take provided, and is lit exclusively from the top as to mimic an elevator. The audience is not given much information other than that the two characters in scene are riding up an elevator. From the time the doors close to the time they …show more content…
reopen, the camera stays stationary while listening to the characters talk. When the doors reopen, there exists a new location to which the camera moves forward following the character walking out, and then panning down to reveal an empty office space. This entire single shot is of importance because of its length, and how it does not reveal much to the audience. By the time the first cut occurs, it has been 44 seconds, leaving an impression that these characters did in fact take an elevator ride. This cuts to a wide panning shot following the character walking to their office. It is lit harshly with all the light directed right at the character as denoted by the railing shadows. Again, not much information is given to the audience with this shot as it is relatively quick and open ended.
This cuts to a dark medium-wide shot of what appears like a silhouette of the character. With a pan, it remains dark until a desk light is turned on, revealing a crowded and seemingly disorganized office space. Another cut reveals a medium-close shot of the main character with overhead lighting that is supposed to be coming solely from the desk lamp. This relatively stationary shot, only panning when the characters moves, focuses on the distraught character trying to comfort and make sense of the proceeding events to the clip. This relatively dialogue free shot reveals not much to the audience; only that this character would like to record observations. This shot is very crowded with visuals which also add to the confusing theme being portrayed. One final cut to a close up shot with similar lighting finally gives the audience insight into the mind of the character as they begin noting their observations. This shot is clear from distractions and gives the audience some relief and closure that has been build up with the proceeding cuts. Altogether there are 5 different shots being presented, all of which have very distinct length and composure that proceed to confusion and closure to the audience, as well as a smooth development
to the story of the film.
Within the film, “Double Indemnity”, there exists quite the diversity of scenes that are presented to the viewer. A particular two minute stretch of the film is interesting in itself as it provides a good example of the sheer number of particular details that can make a film like this stand out from the rest. The first shot of the film exists as one of the most impressive as it takes place primarily within an elevator with minimal camera movement. This medium shot is the longest single take provided, and is lit exclusively from the top as to mimic an elevator. The audience is not given much information other than that the two characters in scene are riding up an elevator. From the time the doors close to the time they …show more content…
reopen, the camera stays stationary while listening to the characters talk. When the doors reopen, there exists a new location to which the camera moves forward following the character walking out, and then panning down to reveal an empty office space. This entire single shot is of importance because of its length, and how it does not reveal much to the audience. By the time the first cut occurs, it has been 44 seconds, leaving an impression that these characters did in fact take an elevator ride. This cuts to a wide panning shot following the character walking to their office. It is lit harshly with all the light directed right at the character as denoted by the railing shadows. Again, not much information is given to the audience with this shot as it is relatively quick and open ended.
This cuts to a dark medium-wide shot of what appears like a silhouette of the character. With a pan, it remains dark until a desk light is turned on, revealing a crowded and seemingly disorganized office space. Another cut reveals a medium-close shot of the main character with overhead lighting that is supposed to be coming solely from the desk lamp. This relatively stationary shot, only panning when the characters moves, focuses on the distraught character trying to comfort and make sense of the proceeding events to the clip. This relatively dialogue free shot reveals not much to the audience; only that this character would like to record observations. This shot is very crowded with visuals which also add to the confusing theme being portrayed. One final cut to a close up shot with similar lighting finally gives the audience insight into the mind of the character as they begin noting their observations. This shot is clear from distractions and gives the audience some relief and closure that has been build up with the proceeding cuts. Altogether there are 5 different shots being presented, all of which have very distinct length and composure that proceed to confusion and closure to the audience, as well as a smooth development
to the story of the film.