The major dramatic question that was presented in the play was extending the comical‚ comedy elements and performance techniques to adapt the tail to an allotted audience. The plot was based around Rapunzel‚ a woman who was thought to be kidnapped by an evil wicked witch and locked away in a far far away place where nobody could see or talk to her. A prince was on a quest to free Rapunzel from the wicked witch and take her hand in marriage and live happily ever after. A scene that would depict
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History of Drama Ancient Drama The origins of Western drama can be traced to the celebratory music of 6th-century BC Attica‚ the Greek region centered on Athens. Although accounts of this period are inadequate‚ it appears that the poet Thespis developed a new musical form in which he impersonated a single character and engaged a chorus of singer-dancers in dialogue. As the first composer and soloist in this new form‚ which came to be known as tragedy‚ Thespis can be considered both the first dramatist
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RADIO PLAY/DRAMA The English word ‘drama’ derives from the Greek word ‘dran’ meaning ‘to do’. Thus a drama is a story performed or ‘done’ by people on stage‚ radio‚ film‚ TV‚ on the street. A drama involves a chain of events and describes a web of relationships involving one or more persons. It could be fiction or non-fiction. The main Components/ELEMENTS of a RADIO drama: I. Plot_____________________________________________________ The chain of events or actions in which the characters
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UNIVERSITY OF GAZIANTEP ENGLISH LANGUAGE AND LITERATURE SPRING 2013 ELL 246: RENAISSANCE DRAMA Tuesday 15:30-17:20 / Friday 15:30-16:20 Instructor: Hivren Demir-Atay Office Hours: M 9:30 / T 15:30-17:30 / W 16:30-17:30 Office: Y 212 Course Description: In an attempt to identify the fundamental characteristics of English Renaissance drama‚ this course will provide the students with an overview of Shakespeare’s contemporaries. Starting with the changes that the Italian Renaissance
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------------------------------------------------- DRAMA Origin of Greek tragedy and comedy Drama‚ in the western world‚ begins with ancient Greece‚ where the two major forms of drama ……….. tragedy and comedy ………..were an aspect of religious ritual. Greek tragedy is believed to have begun in the sixth century B.C. with Thespis who introduced the first actor on the stage. The first dramatic dialogue lies in the conversation of this actor with leader of the satiric chorus. The dramatic element
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Elements of Drama * Characters: Characters are the people (sometimes animals or ideas) portrayed by the actors in the play. It is the characters who move the action‚ or plot‚ of the play forward. * Plot: This is what happens in the play. Plot refers to the action; the basic storyline of the play. * Theme: While plot refers to the action of the play‚ theme refers to the meaning of the play. Theme is the main idea or lesson to be learned from the play. In some cases‚ the theme of a play
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The performative nature of fashion does not define any one person. According to Stephen Greenblatt‚ author of A Renaissance Self-Fashioning‚ performative gender defines the stereotypical male or female. For something to be authentic‚ it must come from a person’s own self without external influences. The performative differences between men and women’s fashion proves that clothing is not authentic. Performative nature usually has to do with recurring gender norms. At the same time‚ the term performative
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Dramas are serious‚ plot-driven presentations‚ portraying realistic characters‚ settings‚ life situations‚ and stories involving intense character development and interaction. Usually‚ they are not focused on special-effects‚ comedy‚ or action‚ Dramatic films are probably the largest film genre‚ with many subsets. See also melodramas‚ epics (historical dramas)‚ or romantic genres. Dramaticbiographical films (or "biopics") are a major sub-genre‚ as are ’adult’ films (with mature subject content).
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look at modern drama from a thematic perspective. Part of what defines modern drama for me is an emphasis on experiences and predicaments that have applicability to as many people as possible. Modern drama speaks loudly and lucidly to multiple parties‚ and can articulate struggle and redemption in a manner that makes it understandable to all in the modern setting. Its relevancy is effective in real time. For example‚ a reason I consider Beckett’s Waiting for Godot modern drama because it speaks
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original as much as possible so that the translation represents the goal and effort of the original author. Each translator aims at a maximal realistic authenticity‚ including both the inner (author’s and director’s notes) and outer language of the drama. “Translation‚ the surmounting of the obstacle‚ is made possible by an equivalence of thought which lies behind the different verbal expressions of a thought. No doubt this equivalence is traceable to the fact that men of all nations belong to
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