Chaos Resulting From Mistiming and Miscommunication in “Phaedra” Throughout life everyone is tempted and feels the urge to make decisions off of emotions or feelings of love. In Phaedra‚ written by Racine‚ we see a perfect example of how situations can quickly spiral out of control due to miscommunication about these emotions. We also see a great display of mistiming‚ things occurring at such an inconvenient time for the people involved. For instance‚ in the play Hippolytus‚ son
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In Phaedra by Jean Racine a major theme is miscommunication. So many things in this play could have been avoided if the characters fact checked. The first miscommunication that happens is when the character Panope enters and tells Phaedra “Death’s claimed your lord who feared no other foe.” (pg.25) This is kind of when the downfall starts. Since Oenone believes that Theseus is dead‚ she convinces Phaedra to confess her love to Hippolytus (Theseus’ son) “With Theseus’ death‚ those bonds exist no more
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their own destinies and actions despite being subject to the whims of the gods. However in Euripides’ Hippolytus this belief is shown in a contradictory light‚ especially concerning the character Phaedra‚ for she lacks free will‚ due to Aphrodite using her as a pawn in her plan to kill Hippolytus. Though Phaedra refuses to speak of this affliction‚ lest her reputation be called into question‚ she experiences an incident where her Nurse’s prying into her degenerative state leads to an outburst. This outburst
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consistent manner. Moreover‚ the tragic hero‚ due to a personal error in judgment or tragic flaw‚ is the cause of the tragedy in a play. In Jean Racine’s "Phaedra"‚ three characters exhibit these characteristics; however Phaedra most responsible for the calamity making her the tragic heroine. The tragic hero manifests both good and evil characteristics. Phaedra‚ the stepmother of Hippolytus‚ demonstrated her poor qualities when she had him banished because she was in love with him and could not carry on with
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What do we learn about the character and motivation of Hippolytus in the play? Do we feel sympathy towards him? The Hippolytus starts with a soliloquy by Aphrodite and from this we learn about Hippolytus’ rejection of the goddess‚ something that will result in the death of both himself and his stepmother. Aphrodite tells the audience that ’he scorns the bed of love‚ rejecting wedlock‚ and pays tribute to Phoebus’ sister‚ to Artemis‚ daughter of Zeus - she is his queen of heaven...I do not grudge
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Phaedra and Enlightenment values The Enlightenment period was began shortly after the Edict of Nantes in 1685 and lasted through the 18th century. This was an “intellectual movement” and the writers of this period disapproved of religion and politics ruled by absolutism. “ The movement would question almost every aspect of social and political life in Europe”(Hunt‚ 522). The writers and scholars that had enlightened views were those who believed that all people are able to apply reason or
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Phaedra‚ originally part of the large body of Greek mythological works‚ has been adapted‚ modified and presented in new contexts in recent centuries. For example‚ following the original conception of this tragedy by Euripides‚ versions of it have appeared in Latin‚ Italian‚ French‚ Spanish‚ etc through the authorship of such great writers as Frencesco Bozza‚ Jean Racine‚ Miguel de Unamuno‚ etc. Eugene O’Neill’s incorporation of it as a subplot in his ‘Desire Under the Elms’ testify to the everlasting
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Euripides vs. Dassin The classic Greek legend of Phaedra probes the tragic consequences that occur when a woman becomes sexually obsessed with her stepson. In Phaedra (1962) director Jules Dassin presents Phaedra as a woman overwhelmed by passions she cannot control. This follows the interpretation of Phaedra developed by Euripides‚ who broke with older versions in which Phaedra was an evil sensualist seeking to corrupt her innocent stepson. Dassin adds political punch to the film by exploring
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politics furnishes the frame and the center within and around which the drama of passions develops.” Thus‚ it can be seen that the political system resembles the centralized monarchy sustained by Louis XIV‚ but the play is more dramatic in the way that Racine brings together the political and the personal‚ the struggle between reason and passion. In addition‚ it seems that in the end‚ in Phèdre‚ the balance is restored with the return of the king who has adopted Aricie‚ proving his kindness and integrity
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In England‚ Chaucer‚ the Elizabethans and John Milton were among those influenced by Greek myths; nearly all the major English poets from Shakespeare to Robert Bridges turned for inspiration to Greek mythology. Jean Racine in France and Goethe in Germany revived Greek drama.[2] Racine reworked the ancient myths — including those of Phaidra‚ Andromache‚ Oedipus and Iphigeneia — to new purpose.[3] The 18th century saw the philosophical revolution of the Enlightenment spread throughout Europe and accompanied
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