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    Sociological Perspective

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    Introduction Sociology is defined as the systematic study of human society. At the heart of sociology is a distinctive point of view called "the sociological perspective." Sociologists look for general social patterns in the behavior of individuals as they relate to a group and how the group and social structures affect our individual perception and behavior. Human behavior is patterned‚ and repetitive. We can predict with reasonable reliability what each of us will do generally under given conditions

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    Psychological Egoism Psychological egoism‚ as a doctrine‚ refers to the notion and ideology that people tend to act and behave in ways that are purposed to fulfill their needs and wishes (Fiester‚ 2012). Generally‚ this point of view endeavors to highlight that most‚ if not all‚ human actions are actuated by rather self-motivated desires that are not easily noticeable. As such‚ it is unequivocal to expound that the proponents of psychological egoism do not advocate or advance for the fact that some

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    Loss of Innocence in Mary Shelley’s Frankenstein Innocence‚ throughout time it is lost‚ varying from who and how much. Throughout the novel Frankenstein there is a central theme of loss of innocence‚ cleverly instilled by the author‚ Mary Shelley. This theme is evident in Frankenstein’s monster‚ Victor Frankenstein himself‚ and three other minor characters that lose their innocence consequently from the two major characters loss. Frankenstein’s monster is destined to lose all innocence as

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    Why is it that Frankenstein and Blade Runner present similar perspectives to humanities use of technology despite being composed more than 150 years apart?” in your response make detailed response to both texts. The desire for social progression has always shrouded society. Both Mary Shelley’s Frankenstein (1818) and Ridley Scott’s Blade Runner (1982) were produced during eras of technological exploration. Through depicting technology breeching moral boundaries through context‚ characterisation

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    Good intentions sometimes go awry. Victor Frankenstein meant well when he envisioned his skills as a scientist curing diseases. By experimenting with life‚ his creation was to help others. Whereas his man-made entity was supposedly his humanitarian contribution‚ Victor Frankenstein’s lack of basic humane treatment towards his creation showcased Victor as the monster. Unfortunately‚ the actions of Victor Frankenstein went contrary to his intent. Victor’s addiction to knowledge became an obsession

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    Psychoanalysis of the Monster from Frankenstein The monster suffers from bipolar because his creator had brought him to life‚ seeming like a bad dream‚ being shunned by the cottagers for his hideousness. Being exposed to hatred and anger so much can cause emotional outbursts. “Yet you‚ my creator‚ detest and spurn me‚ thy creature‚ to whom thou art bound by ties only dissoluble by the annihilation of one of us.”(Shelley‚ 86). His need to fit in is why he was attacked by villagers. The attack

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    dichotomous relationship has an overarching impression that plays throughout both Blade Runner and Frankenstein in similar perspectives on how guardian/social responsibility‚ science and religion are thought of in society as well as how they impact individuals. The ways are shaped and moulded to their respective contexts to suit the contrasting opinions of the time is what creates different perspectives. Mary Shelley’s rejection of the Enlightenment period – scientific rationalism‚ and reliance on romantic

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    The Psychodynamic Theory‚ or psychoanalytic as it is also referred to‚ stresses the influence of unconscious forces on human behavior. It is the systematized study and theory of the psychological forces that underlie human behavior‚ emphasizing the interplay between unconscious and conscious motivation (Gallop & Reynolds 2004). Its roots focus on the roles of unconscious sexual and aggressive impulses as a motive for choice and self-direction. The theory presents itself as our way of trying to balance

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    Frankenstein‚ speaking of himself as a young man in his father’s home‚ points out that he is unlike Elizabeth‚ who would rather follow “the aerial creations of the poets”. Instead he pursues knowledge of the “world” though investigation. As the novel progresses‚ it becomes clear that the meaning of the word “world” is for Frankenstein‚ very much biased or limited. He thirsts for knowledge of the tangible world and if he perceives an idea to be as yet unrealised in the material world‚ he then attempts

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    absent referent and justify the consumption of meat. Frankenstein creates the physique of his monster using body parts from “the damps of the grave‚” as well as “the dissecting room and the slaughterhouse” (Shelley 34). The creator constructs the monster from both human and animal carcasses‚ resulting in an animated representation of the similarities between Homo sapiens and herbivores. In the article “An Already Alienated Animality: Frankenstein as a Gothic Narrative of Carnivorism” Jackson Petsche

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