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    The literary devices found in this novel were the use of symbols‚ repetition‚ and motifs. As the novel progresses we see several examples of symbolism‚ but one of the most important ones was when Grant is sitting by a tree while he pondered on the thought of the death of his dear friend Jefferson. Suddenly he sees a butterfly pass by him‚ he then uses is that as clear and obvious symbol that Jefferson had already passed away. This symbol of using a butterfly to symbolize death instead of something

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    Qualities of a good proof reader Good with details‚ spotting errors in spelling‚ grammar‚ and the flow of a piece and putting together quality work. A person needs to have good eyesight‚ and should be able to notice an error in a word right away without looking for further reference. They also need to be excellent at grammar and writing to know when a word has been misspelled or used incorrectly‚ or if your writing actually makes sense. Applications of these methods in stores in San Diego and Cincinnati

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    Rachel Hodges DP1 English Literature October 10th 2013 WORD COUNT: 895 Write an essay in which you explore one of the motifs central to Adichie’s Purple Hibiscus. What does this motif contribute to our understanding of the purpose or central theme of the text? How does the motif of nature contribute to our understanding of central themes in the text? In Chimamanda Ngozi Adichie’s novel Purple Hibiscus the narrative voice is a teenage girl who was physically and emotionally scarred by her

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    Peron Trotman Dr. Unger AP English Motif Essay Violence‚ a term defined and commonly known as rough or injurious physical force‚ action‚ treatment‚ or an unjust unwarranted exertion of force or power. Violence in itself is not good or bad. It is merely force‚ the motion of matter. There can be no inherent moral value to such a thing. The only moral value is what we attach to the force ourselves‚ and what we attach to that force is based on our own thoughts‚ our purposes and such. Violence

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    than others" (Jacobs & Tunnel‚ 89). There are six basic fantasy motifs‚ as discussed by Jacobs & Tunnel‚ including magic‚ other worlds‚ good versus evil‚ heroism‚ special character types‚ and fantastic objects. If a story contains all six‚ it is classified either as a classic fairy tale‚ or a modern high fantasy. Roald Dahl’s James and the Giant Peach is an example of a modern high fantasy‚ as it contains all six fantasy motifs discussed by Jacobs & Tunnel. The most basic element in fantasy

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    Chaos The motif Chaos is involved in basically every myth because in the beginning there was nothing except chaos. From most of the myths with chaos‚ some of the creators came from it. The creators that came from chaos created the world and the people. For example‚ the Babylonians used chaos in their myth when there was nothing‚ then two gods appeared and made people and a place for them to live. Destruction from the Gods The motif where the gods destroy something they or another god created

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    Edgar Allan Poe all aim to do one thing. Strike fear into the heart of the reader. Simple‚ yet effective‚ he expresses fear through these many different themes and motifs. At full length‚ Poe’s stories all acquire a distinct theme or motif that moves the story forward. Whether you know it or not‚ many of his stories rely on themes and motifs to make the story more appealing to the reader. Time‚ duality‚ and dreams all play key roles in Poe’s short stories. They descriptively provide all of the necessary

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    King Lear: Motifs Shakespeare uses many motifs to expand on the themes of the story. His most-used motif revolves around filial responsibility. Each of the two plots contains characters who betray their fathers. Goneril and Regan flatter their father‚ King Lear‚ and then betray him. The drastic change that occurred in their attidtude towards their father is clearly evident through Goneril’s speech before: "Sir‚ I love you more than words can wield the matter; Dearer than eye-sight‚ space‚ and

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    Tale" which is staged in the Bronx‚ New York‚ circa 1968‚ many narratives as well as visual motifs are present. The movie mixes many narrative structures such as the intertwinement of race‚ morals‚ and a kid growing up in the Bronx during this time. It also demonstrates the larger picture about the mafia and the power that seems to overcome everyone who gets involved. A prime example of a bound visual motif in this film is a scene in the very beginning of the film. A small boy named Collegeno always

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    The opening Act of King Lear uses the motifs of nature and the unnatural‚ sanity and madness‚ and “nothing” to reinforce the downward movement in Lear’s perception of his own identity. For example‚ at the beginning of the play‚ Lear expresses his awe at the serenity of a beautiful world: “With plenteous rivers‚ and wide wide-skirted meads…” (I‚ i‚ 66). As the plot moves forward‚ the motif of the unnatural becomes present and indicates the negative trend of Lear’s own identity. Specifically‚ when

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