alone at night‚ for some‚ can seem like a peaceful thing to do‚ to help clear a person’s mind and let the day’s troubles disappear into the dark. For others‚ though‚ the night is when a person feels the most alone and must face their own demons. Robert Frost makes the night become that dark‚ grim and depressing time in which people reflect on themselves in his poem “Acquainted with the Night”. The first time reading the poem‚ one just simply thinks a person is taking a walk at night in the city‚ keeping
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project I chose to write about Stephen King‚ Winslow Homer‚ and Robert Frost. I chose these men because their styles are unique‚ also all three men are very widely known. In Stephen King’s book Carrie the main character had no control over her isolation. Her classmates and mother had all of the control. Whereas in The Shining Danny had complete control over his isolation. He chose not to tell his parents about his gift. In Robert Frost’s poem The Lockless Door the man in the poem was in control
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for a fairy tale ending and some may crave a life of adventure. Traveling across strange lands and seeing new discoveries. A story that has been a favorite by many and has relevance to their life is the poem titled Nature’s First Green is Gold by Robert Frost. The author writes about how good things in life do not last for very long. Some of which can include jobs‚ school‚ awards and even relationships. People in today’s society are forgetting how to take opportunities when they are present. On the
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The structure of Blackberry-picking by Seamus Heaney and Nothing Gold Can Stay by Robert Frost is similar in that both poems are written in one stanza (despite the fact the Blackberry-picking is noticeably longer). The lines in each poem do not follow a pattern in term of lengths which could be a representation of life’s unexpected ups and downs. On the other hand Blackberrying by Sylvia Plath is written in three stanzas unlike the other two poems‚ however‚ all three poems have a line which changes
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them. To begin with‚ Frost deliberately arranges his words to show who is more accountable for the accident of boy’s hand getting cut. For instance‚ the reader notices that the saw frequently “bear[s] a load” and thus seems to hold more responsibility for a task than the boy (Frost 8). However‚ it is not until line 15 that the saw takes on the characteristics of a double-edged sword. The author carefully phrases his sentence‚ noting that “the saw…leaped out at the boy’s hand” (Frost 17). Instead of placing
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debilitating a poem’s content with forced rhymes. Commentary This is a poem to be marveled at and taken for granted. Like a big stone‚ like a body of water‚ like a strong economy‚ however it was forged it seems that‚ once made‚ it has always been there. Frost claimed that he wrote it in a single nighttime sitting; it just came to him. Perhaps one hot‚ sustained burst is the only way to cast such a
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inspiration of an especially troublesome winter in New Hampshire when Frost was returning home after an unproductive outing at the business sector. Understanding that he didn’t have enough to purchase Christmas presents for his kids‚ Frost was overpowered with dejection and halted his steed at a curve in the street in order to cry his heart out. . After a couple of minutes‚ the horse shook the ringers on its tackle‚ and Frost was cheered enough to proceed home. Accordingly‚ the poem is frequently
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Two roads diverged in a yellow wood‚ The key word here is "two". Throughout our lives we constantly face decisions where we have two choices. Even when it seems there is only one choice‚ we can decide either to DO it‚ or NOT do it; so there are STILL two alternatives. And sorry I could not travel both And be one traveler‚ long I stood Then there are times we wish we could do BOTH; HAVE our cake and eat it too! We know we can’t‚ so we must agonize over the choices; weigh the possibilities. And
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Critical response Robert Frost –The Oven Bird This poem contains 14 lines and is written mainly in iambic pentameter with a little variation in some lines. Each line rhymes with some other line‚ but there is no regular rhyme pattern. Nevertheless‚ you can call this poem a sonnet in my opinion‚ because it contains the key features of a sonnet: Iambic pentameter‚ an octave (eight lines) and a sestet (six lines) and a theme linked to nature. As mentioned‚ the base metrical pattern of this poem is
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Religion in Robert Frost’s Poetry Religion and poetry are things that are not usually used hand-in-hand. The great thing about poetry‚ however‚ is that you can get your point across in a few lines and make yourself heard while leaving many different interpretations to be available. Religion‚ much like poetry‚ can be understood and interpreted in many ways. These two forms of expression can even shed light on people who might need that guidence or motivation to improve themself or another
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