“Because I could not stop for death‚” Dickinson’s impressive uses of imagery clearly illustrate every aspect of the things around the speaker as she leaves
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literature. "from orange and brown and all unearthly colours‚ banish them back to the test tube‚ save us from them‚" This section of the poem starting at line 16 shows the speaker’s frustration with the falsified beauty we force on ourselves. The speaker banishes them back to the test tube in effort to allow the natural to rise. This sort of frustration is evident throughout the poem; like when everyone seems preoccupied with the pseudo and doesn’t take notice to the simple and good things in life
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Flyer Practice test 6 41.Where is the woman going today? (A) To a trade exhibition. (B) To meet a client. (C) To the home office. (D) To their factory 42. What time is the flight? A/ 10:00. B/ 12:00. C/ 01:00. D/ 02:00. 43. Where will they meet? (A) At the trade exhibition. (B) At a coffee shop. (C) At the home office. (D) At a restaurant. 44. When is the date of the conference? (A) This Monday. (B) Next week. (C) In two weeks. (D) Next month 45. What is the problem? (A) Mr. Nolan cannot attend
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mother for so many years. The daughter is extremely unhappy to the point of it causing her pain‚ because her life is consumed with caring for her mother. While the title of Song’s poem is “The Youngest Daughter”‚ because the speaker is the youngest of six children‚ the speaker is no longer young. The aging of the daughter and both the mother is shown in the first stanza. Song uses the images of the darkening sky “for many years” (lines1-2). Song could have used the title “The Youngest Daughter” to
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Pure Hatred Towards an Inanimate Object In Toni Morrison’s The Bluest Eye‚ the speaker’s disdain for the doll is made evident through the drastic changes in tone throughout the piece‚ and the speaker’s use of sentences with many clauses to draw attention to key points. The tone of the piece‚ revealed through the connotations of abstract diction‚ mirrors the speaker’s thoughts towards the doll. The tone of the piece starts pleasant‚ containing words with positive connotations such as “special” and
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another‚ for truths are realized in the process. Each other’s attitudes and emotions become clearer‚ and soon you understand how you fit together. The poem is composed of five stanzas‚ all of them containing rebuttal. It isn’t until the end that the speaker suddenly realizes something critical. Laird leaves the reader questioning who is who‚ and which is what‚ allowing us to try to make sense of the genius poem. Even the title of the poem is confusing at first‚ looking to most like a made up word‚ yet
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in the middle to form a strong bond as they uphold one another. The poem describes marriage as an archway that can withstand the forces of nature and gain its strength from two pillars that come together at one point. In the first quatrain‚ the speaker turns to the description of how a marriage is like an arch‚ using formal diction to illustrate an image in the reader’s mind with similes‚ “Most like an arch--an entrance which upholds” (Line 1). Both sides of an arch hold an entrance up; an arch
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it is evident that the speaker has experienced much loss. Through diction‚ syntax‚ and verse form‚ the relation between the speaker’s attitudes toward loss in lines 1-15 and lines 16-19 can be clearly seen as the poem progresses from the different losses of things‚ places‚ and lastly “you‚” her lover (16). Both attitudes admit that “the art of losing” can be mastered‚ however‚ they have different ideas on whether a loss is disastrous or not. In lines 1-15‚ the speaker portrays a nonchalant attitude
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moment‚ etc. Furthermore‚ she uses words as her lens to “snapshot the face / Of the unwilling travelers‚” exhorting readers to bring out their camera to document the atrocities they see. (Implying that each person determines his or her medium‚ the speaker reflects that words are her camera.) By doing so‚ all beings bear witness to the experiences that heretofore had not been captured. Using poetry as her lens‚ Finney’s scathing commentary about the emasculation of the spirit propels readers to dismantle
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3.2 Medbh McGuckian’s “Eavesdropper” The poem “Eavesdropper” by Medbh McGuckian presents exactly this issue to the reader. The speaker in the poem addresses her pubescent younger self (Schrage-Früh‚ “Eavesdropper” 144): That year it was something to do with your hands: To play about with rings‚ to harness rhythm In staging bleach or henna on the hair‚ Or shackling‚ unshackling the breasts. (McGuckian 15) In the first stanza the author remembers how her puberty started‚ and she experimented with
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