"The cinematic auteurist" Essays and Research Papers

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    Sixth Sense Movie Essay

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    Sixth Sense essay. 1. How does the director M. Night Shyamalan‚ use cinematic techniques to build an atmosphere of suspense in the film The Sixth Sense? The movie The Sixth Sense is directed by M. Night Shyamalan. He uses cinematic techniques to build an atmosphere of suspense in the film. M. Shyamalan uses camera angles‚ sound and colour to enhance suspense in The Sixth Sense. Some scenes where the cinematic techniques enhance the suspense are ‘Kyra’s funeral’‚ ‘I see dead people’ and ‘the hanged

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    of Shakespeare’s King Richard III are steadily losing touch with the modern audience. Throughout Al Pacino’s modern remake of Looking for Richard‚ many modern cinematic techniques such as the specific use of colours‚ rearrangement of the original text as well as comparisons made in commentary are heavily included. It is through such cinematic techniques that the modern audience is able to comprehend not only the central values that were significant of that era but also understanding the value of the

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    The issue of racial stereotyping in cinema has largely been discussed by critics over the course of cinematic history. The negative portrayal of the Native American‚ for example‚ is rampant in the early Western film genre. Native Americans are‚ more often than not‚ portrayed as vicious savages‚ hell-bent on senselessly scalping and murdering as many ‘innocent’ (white?) American settlers as possible. Individuals of a darker skin colour‚ such as the African American‚ are also victims of negative stereotyping

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    Goodfellas. Further‚ the animators for Vice City sketch the character of Tommy Vercetti to actually resemble Ray Liotta. The usage of Ray Liotta’s voice and physical likeness takes Vice City from being a mere video game and transforms it into a cinematic‚ yet interactive experience. Essentially‚ the gamers have the ability to act

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    urban crime

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    WS 2014/2015 Organized crime and its cinematic representation How do they influence each other? Barbora Holevová Matrikelnummer: 65985 WS 2014/2015 barbora.holevova1@gmail.com Katholische Universität Ingolstadt – Eichstätt Fachbereich Geographie Professur für Wirtschaftsgeographie Prof. Hans – Martin Zademach & Cornelia Bading Table of Content 1. Introduction 3 2. Familiarization with an issue of urban crime: the mafia 4 3. Cinematic representation of a mafia life I 6 3.2

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    The Story of the Last Chrysanthemums (1939) is a fascinating piece of cinema‚ due to it’s length (running just over 2 hour) and few amount of shots‚ 140. This film is considered Myzoguchi’s masterpiece and encompasses most of his cinematic techniques and qualities in one film. The shot which best represents this is when Otoku walks down the street with the baby late at night and runs into Kikunosuke Onoue. The camera is from a very low angle in front and to the side of her‚ and follows Otoku as

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    When order is taken away chaos takes over. In Christopher Nolan’s‚ The Dark Knight (2008) there are many cinematic techniques which are used to highlight the mayhem that the Joker creates throughout the film. The Joker is a character in the film that does not care about the reward or the financial gain that most criminals want after they commit a crime‚ he just wants to kill and destroy everything for no apparent reason. In The Dark Knight there are many cinematography techniques used however there

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    say‚ when the rookie filmmaker and veteran cameraman got together‚ movie magic was in the air. Indeed‚ their collaboration would result in a cinematic spectacle

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    Title:The pathos of the unconscious: Charlie Chaplin & dreams Author(s):David J. Lemaster Source:Journal of Popular Film and Television. 25.3 (Fall 1997): p110. From General OneFile. Document Type:Critical essay DOI:http://dx.doi.org/10.1080/01956059709602757 Full Text: COPYRIGHT 1997 Taylor & Francis Ltd. http://heldref.metapress.com/app/home/journal.asp?referrer=parent&backto=browsepublicationsresults‚30‚48; Full Text:  [ILLUSTRATION OMITTED] The recent reemergence of Charlie Chaplin into

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    Pleasantville‚ a 1950s black and white sitcom. The two are trapped as Bud and Mary Sue in a radically different dimension and make some huge changes to the bland lives of the citizens of Pleasantville‚ with the use of the director’s cinematic techniques. Ross cleverly uses cinematic techniques such as colour‚ mise-en-scene‚ camera shots‚ costumes‚ music and dialogue to effectively tell the story. The town of Pleasantville is dull and this is reflected by its lack of colour - the town is completely black

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