In William Blake’s Songs of Innocence and Songs of Experience, the poems “The Lamb” and “The Tyger” are companion poems. Together, the two poems showcase one of Blake’s five main themes- childhood innocence can be dominated by evil after experience has brought an awareness of evil. With the lamb representing childhood and the tiger representing evil, Blake’s poems “The Lamb” and “The Tyger” focus on childhood and what people become after they grow and experience life.…
On November 28, 1757, one of the most eminent poets from the Romantic period was born. William Blake, the son of a successful London hosier, only briefly attended school since most of the education he received was from his mother. He was a very religious man and almost all of his poems enclose some reference to God. “Night” by William Blake is part of a larger compilation of poems called Songs of Innocence and Songs of Experience. This collection of poems, published in 1789, depicts innocence and experience. “Night” dramatizes the conflict between heaven and earth.…
When reading The Lamb poem, it reminds me of how I felt when I first met the Lord. I felt so alone, as if I had no one to call my own. Then his love was so powerful an amazing that I finaly connected with that inward grace that dwells with in. Then I begin to feel his innocence as of a lamb, just like this poems theme. It is truly something when you first connect with the almighty father, you begin to ask questions just like with in the poem. “Do you know who made you?” That’s when God calls you friend, and then you begin to rejoice for the fact that he meaning the almighty father loved you even when you didn’t know him, he still loved you first.…
In the first part of the poem, the child is asking the lamb about his origin while the second part is a kind of answer provided from the same child. With his innocent voice the child says: "Little Lamb who made thee/ Dost thou know who made thee." He builds up a series of questions, also characterizes and praises the Lamb. He creates a bright and pure picture of it. There are images of the lamb that lifts this creature up into divine spheres: it has the clothing of delight, the softest wooly bright, and a tender voice. The closing lines of this stanza are the repetition of the first two lines, which tensifies the mood of the poem, emphasizing the unknown origin of the lamb. The second stanza starts with a kind of suggestion, a kind of hope concerning the creator of the lamb. The narrator talks as if he would know the answer for the child's questions: "Little lamb I'll tell thee,/ Little lamb I'll tell thee!" Blake then states that the lamb's creator is the lamb itself. In fact, this little mild creature could be no one than Jesus Christ, himself. As we go on reading the poem, Blake makes it clear that the poem's point of view is that of a child when he says "I a child and thou a lamb." It is a child's curiosity that raises the question in our minds, as well, about the creator of the lamb and about everything that is beautiful and divine. The poem ends with the blessing of the child, "Little lamb God…
William Blake is inspired to write this poem in which the central purpose or theme is to identify who the Lamb is and its origins, by formulating a series of questions, and to describe its characteristics and personality by portraying its awesome attributes. The World English Dictionary defines Lamb as: “1. A young, immature sheep, especially under a year old and without permanent teeth; 2. Somebody who is meek, gentle, and mild, especially a baby or a small child; 3. Someone who is easily deceived or cheated; 4. Like a Lamb to the slaughter calmly and without resistance going to face something unpleasant or dangerous.” It is clearly noted by the author’s figurative language that the poem is symbolic and allegoric—having the Lamb’s description a second meaning beneath the surface one, conveying connotations beyond what is expressed, and an ulterior meaning as major interest. “Little Lamb who made thee? Dost thou know who made thee?” The poem appears to be written in a form of Sonnet in a Petrarchan style with two stanzas. The first of eight lines…
As English poets emerged in the eighteenth century, William Blake’s name became a topic of discussion. He was a well-known poet who had one eye on mystical visions and the other on the real social ills around him. The way he expressed his mystical vision side was through archetypes, plot patterns, character types, or ideas with emotional power and widespread appeal. These were sometimes viewed as ways to describe truths about humanity. “In archetypes, there is the Nurturer and the Warrior. Different kinds of strengths that, ideally, complement each other and are equally respected.” (Bishop) Some of his poems with the best examples were written in pairs, expressing each side of the archetype in separate poems. Blake uses outstanding archetypes in The Lamb, The Tyger, The Chimney Sweeper, and Infant Sorrow.…
Did Blake intentionally write this poem to have a spiritual effect? I personally feel he did Blake’s religious views were expressed in many of his works. For Blake Jesus symbolizes the essential bond and unity between spirituality and humanity. The entire poem focuses on the lamb and innocence. The Lamb is mentioned throughout the entire bible mostly acknowledged in…
It is a God that holds darkness in him rather than light. Angels from above “threw down their spears” (17) because they are so upset with this person walking around. They are disappointed that this creature is making a bad name for all the other ones. They “watered heaven with their tears” (18) because the fallen angels have been casted out and are no longer looked upon. These lines are the most religious lines of the poem. “Did he smile his work to see” (19) is going back to referencing God even though it is a God that wants to put sin and corruption into the world. Is he smiling at his work and this creature he created? Is this what he wanted the final result to be? Someone who is filled with anger, despair, and hate? The Angels are confused on how the Tyger turned out like this and question if the same person who made the Tyger is “he who made the Lamb?” (20) The Lamb is a symbol of Jesus Christ who we can say was made by God but also a reference back to Blake’s poem The Lamb. The Lamb is a soft, senseless creature and how could the same creator make both of these two with such extreme…
William Blake, a poet, painter, and printmaker, once stated, “To see a world in a grain of sand and heaven in a wild flower, hold infinity in the palm of your hand and eternity in an hour” (William Blake). He often opens our minds to deeper thought in his pieces. Blake wrote two pieces called Songs of Innocence and Songs of Experience. Within these two topics, Blake wrote many stories/poems that demonstrate the personality of innocence and experience. Both topics open our minds and forces us to look deeper into the text to see archetypes provided. William Blake’s “The Lamb” and “The Tyger” both model one of the pieces and opens our minds up into deeper thought.…
Holy Thursday was the first Thursday in May where there was a service every year for the charity schools of London; they may have been attended by as many as 6000 children. In Innocence the poem conveys the innocence of the children but can however be about the irony of the service and the fact that the poverty is present. the reference to ‘lambs’ and repetition of ‘multitudes’ emphasises the number of children and perhaps the extent of the poverty, the lambs could also be interpreted as a sacrificial animal, which shows the children are being used to make the people feel good. The lines in this poem are longer than Blake’s typical poetry and this could also emphasise the volume of magnitude of the poverty, furthermore the ‘flowing river’ also gives imagery of a large volume.…
I wander through each chartered street, Near where the chartered Thames does flow, And mark in every face I meet Marks of weakness, marks of woe. In every cry of man, In every infant’s cry of fear, In every voice, in every ban, The mind-forged manacles I hear. How the Chimney-sweeper’s cry Every black’ning Church appalls; And the hapless Soldier’s sigh Runs in blood down the Palace walls. But most through midnight streets I hear How the youthful Harlot’s curse Blasts the new-born infant’s tear, And blights with plague the Marriage hearse. When the poem reads, “Runs in blood down Palace walls” and “Blasts the new-born infant’s tear”, there is a central conflict between life and death and innocence and experience. Life is created with the new-born baby, and as Blake views is born innocent. The blood running down the palace walls is a symbol of death, and how along with death comes experience in knowing the cruelties and the truths of the world. William Blake became a major pioneer for writing in his time, because he chose to make his own mythology and not conform to what the world wanted him to be, which “kept him more simply a poet than…
First of all, it is imperative for us to get acquainted to the time background when Blake composed the work. The poem was written in the year 1794, 5 years after the breakout of the French Revolution which had unfolded across the England Channel (Hirsch, 13). Many romantic poets and writers viewed the French Revolution as a positive change - the common man overthrowing the yoke of the tyrannical aristocracy. Blake wrote most of his major works during the revolutionary times when there prevailed an atmosphere against oppressive institutions like the church, the monarchy and any other traditions which stifled imagination or passion. Meanwhile, in Blake’s another great poem The Lamb which was composed in 1789 before the French Revolution, he depicted a relatively harmonious world with love, joy, sympathy and above all, the goodness. Considering his dramatic change in attitude presented in these 2 poems, it is natural to come to the assumption that the French Revolution did exert an influential impact upon him, showing him the ferocious, intelligent,…
The Lamb is a great representation of a poem telling of innocence. It speaks about everything it needs to for helping the readers understand the symbolism within. The child is a symbol of innocence, the portion of the soul which has not yet been corrupted and destroyed by the world of conventionalized aspirations such as religion, culture, society, and state and other systems. This extremely simple poem also almost quietly advances the subject of creativity and the all great creator. While the speaker is actually speaking about a physical lamb on the surface of the poem, the reader may notice the use of Christianity and the allusion to the Bible.…
Little lamb, God bless thee! The last lines, is just wrapping the poem up and showing the relationship, and shows what a blessing everything is from God; in this case the little lamb, the child of God, and the Lamb, Jesus Christ the…
Put simply, Blake’s Songs of Innocence and Experience juxtapose the innocent pastoral world of childhood against an adult world of corruption and repression. The collection as a whole, by means of paired poems in Innocence and Experience (The Lamb, The Tyger; The Ecchoing Green, The Garden of Love/London; The Nurse’s Song (I and E); Introduction (I and E); The Chimney sweeper (I and E), etc) explores the value and limitations of two different perspectives of the world. The same situation or problem is seen through the eyes or perspective of Innocence first, then Experience. Blake stands outside Innocence and Experience, in a distanced position from which he recognises and attempts to correct the fallacies of both perspectives. He uses the pastoral, in many songs, to attack oppressive and destructive authority (Church, King, parents, adult figures), restrictive morality, sexual repression, established religion – the Established Church, social inequality, militarism.…