Jung Ji-woo casts a disillusioned and harsh visage at the world of competitive swimming, which actually mirrors all the sports at the top level.
This world is dominated by the pressure applied to the athletes, which, as the film suggests, does not derive only from the fans or the coaches, but also from the families. The character of Joon-ho's mother exemplifies this last fact, as Jung-ae is an individual who thinks that her son's beating is justified, if he is to win. Furthermore, Jung also presents a question similar to the one in "Whiplash," if the only way to reach the top is through extremely harsh conditions and violence. The other notion the script exemplifies is the fact that victims of violence, tend to become violent themselves, towards
others.
The realism of the film is evident from the beginning and does not pull any punches, even in the scenes when Kwan-soo is beating and "torturing" Joon-ho, that are quite grotesque. The same applies to the depiction of swimming, where Kang Min-woo's cinematography finds its apogee. The fact that the first part is in black and white is also a nice addition as it signals the fact that these events occurred in the past.
The acting is one of the strongest points in the film. Park Hae-joon as Kwang-soo is great as the washed-up ex-champion who cannot help himself and ends acting the exact same way his own coaches did and he despised. Jung-ae is astonishing as the hysteric mother who actually tortures her children by extending her own wishes upon them, without caring for their feelings. Her character is exemplified in a scene where Joon-ho states that he wants to quit swimming because of his harsh coach and she ends up beating him. Lastly, Joon-ho is very persuasive as Joon-ho, a little boy who falls victim to the ways of his mother and his coach, when the only thing he wanted to was swim.
"Fourth Place" is a great social film that provides much food for thought in the most realistic fashion.