One of the most patent presentations of minds under stress is reflected in the way that Plath and Kesey portray a gender dominated society. Both novels display a governing gender that suppresses the other, labelling them ‘mad’ in a society that they rule. In ‘One Flew Over…’ most of the patient’s lives have been heavily affected and destroyed by women. Nurse Ratched is the most obvious example of this, and rules the ward with “an iron fist”. She represents the emasculation and dehumanisation of society. Her oppressive and matriarchal nature is reinforced by her nickname, ‘Big Nurse’, a possible reference to the Orwellian character ‘Big Brother’, with whom she shares many traits. ‘The Bell Jar’ shares this theme, although it is a patriarchal rather than matriarchal society that Esther inhabits. However, unlike ‘One Flew Over…’ Plath’s novel does not contain a main antagonist such as Ratched, and it is a combination of characters that inflict a domineering environment upon Esther. One such character is Buddy Willard. Like Ratched, he represents on the surface a near perfect stereotype; the ideal 1950s American male. Esther even remarks that he was the “most wonderful boy I’d ever seen” However, once Esther delves deeper into his persona she discovers that, akin to Ratched, he has fundamental flaws that taint his wholesome image. His constant need for order and plan bores Esther, much like Ratched frustrates the patients in ‘One Flew Over…’…
In the novel our heroine rebels and shows that she has a will of her own. Jane´s capacity to stand up for her beliefs make her a model of independent and powerful woman.…
From the 1950’s until now the expectations of women have gone through a drastic change for the better. When Esther finally accepts her true identity, it significantly changes the outlook on women in the…
Even at a young age, Ellen displays coming-of-age through the variety of different circumstances she is faced with. While this is true, a significant example of her coming-of-age is when she learns the sense of morality. In the novel, Ellen is raised in a racist part of time, and she is suppose to believe that all black people are dirt and carry diseases. Nonetheless, while working with black people in the cotton fields she analyzes how loving and caring the black people are “They fought strong as they played and laughed” (Gibbons 78). This changes her feelings towards black people and learns that racism is meaningless, wrong, and based on lies. Another example of how Ellen grows up, is when she learns that just because one is related to someone does not mean that they are true family. For instance, throughout the novel Ellen moves in with many different family members. Every single one of the family members either abuses her, abandons her, or dies and it was perfectly described in an article that Ellen’s family does not care for her; “her remaining family isn't really a family at all” (Makowsky 153). Lastly, Ellen demonstrates coming-of-age through bettering her control over her emotions. In the book, Ellen is left with the responsibility to look after her sick mother and eventually losing her a young age. After this traumatic experience, she learns how to deal with these…
The protagonist, Janie, is jettisoning the materialistic desires of Nanny, Logan and Jody. Then she runs away with her love, Tea Cake; and falls into the predicament of an impending hurricane. As the rising action continues it hits a climax point where Janie has some conflict with Tea Cake that forces her to face an obstacle that she has never faced before. In the process of this encounter, Janie had to choose between the love of her life, whom was bent on killing her, or death. With Janie’s decision to shoot Tea Cake demonstrates that she has the strength to save herself even though it means killing the man she loves. The white women’s support of Janie points toward the importance of individuality as a means of breaking down stereotypes.…
dreams of a larger life, but the stress even of dreaming such a thing worsens her madness.…
The flashbacks give us with the impression that Esther has always played the roles which others have wanted her to play. Helen O’Grady proclaims that this kind of identification of self prevents spontaneity and weakens the chances of active participation in the making of the female identity. Furthermore, she argues that women have a tendency to police themselves and criticize their own performances within the broader culture. In the broader culture’s representations, for example in the media, the female body is frequently represented as a kind of uniform, representing an unrealistic standard. This strategy of negative self-policing tends to happen automatically; it becomes a natural part of our thinking and therefore difficult to discover.…
Esther notices a gap between what society says she should experience and what she does experience, and this gap intensifies her growing insanity. 1950’s society expects women of Esther’s age to act…
The search for one’s identity is as poignant for the fictional character Janie as it was for former slave Frederick Douglass. Douglass used education to form an independent identity, which would separate him from the white slave masters. In contrast, Janie attempts to construct a dependent identity through marriage to each of her three husbands. With the death of her final husband Tea Cake, she plants the seeds he left behind, symbolically proving that she has grown as the seeds will grow and she is now a woman with her own identity.…
Sylvia Plath’s The Bell Jar is a work of fiction that spans a six month time period in the life of the protagonist and narrator, Esther Greenwood. The novel tells of Esther’s battle against her oppressive surroundings and her ever building madness, this is the central conflict throughout the narrative. After coming home from a month in New York as a guest editor for a magazine, Esther begins to have trouble with everyday activities such as reading, writing and even sleeping. Her mental state decreases rapidly until she eventually attempts suicide. During the rest of the novel Esther recounts her experiences in recovery until she finally plans to leave the hospital. Even though Esther’s condition seems stable at this point, she is aware that her depression could return at any time.…
The woman in Candide are written fairly well written for the time period, there are some complexities to their characters. Contrary to this, they're either in the story for just a brief section, or there a goal for Candide. The…
Alice Walker's novel The Color Purple has a rich array of female characters to examine when answering the above question. I feel that Louisa May Alcott's short story, "Behind A Mask" offers an equally rich array of female characters to consider. Through the course of this essay I will show how Walker and Alcott used different narrative techniques and made different use of language and dialogue to create their characters; and how they each respectively created very powerful pieces of work, identifying with their characters and the problems and obstacles faced by them in their everyday lives.…
Collier, Lizabeth’s transition into womanhood takes away her childhood innocence and throws her emotions into chaos and confusion. In the summer of Lizabeth’s fourteenth year, “the world [seems to lose] its boundaries” because she sees her “father, who [is] the rock on which [her] family [is] built, . . . sobbing like the tiniest child” (Collier 87). Her innocence begins to fall away, as she can no longer remain oblivious to the pain that taints the familiarities of her childhood. Her father’s show of weakness, along with the already-present confusion of her transition into adolescence, finally break the little control Lizabeth has left over her emotions. Her feelings of “need[,] . . . hopelessness[,] . . . bewilderment[,] . . . [and] fear” (Collier 88) unleash as she “[leaps] furiously into the mounds of [Miss Lottie’s] marigolds and [pulls] madly, trampling and pulling and destroying” until “it [is] too late to undo what [she has] done” (Collier 88). The violent uprooting of the marigolds represents Lizabeth’s own abrupt uprooting of her foothold in childhood. She leaves her childish immaturity behind in this one last tantrum, therefore rushing into the new experiences of adolescence. The journey between the two stages of Lizabeth’s life is volatile and filled with uncertainty; her loss of blissful ignorance and innocence marks the true beginning of her…
Evelyn, a female name? From the start the reader questions his male identity, disrupting a clear masculine ideal.…
In the novel, Annie John, by Jamaica Kincaid, Annie has an identity crisis. As she enters her…