Each musical number that was performed throughout the movie conveyed strong emotionally depth. For example, The Cell Block Tango, each murderess on the row told their story. A line from the song was “And then he ran into my knife. He ran into my knife ten times”, when the woman said this line she said it with a strong start forward voice, the kind that one doesn’t trust. It is very hard to establish a sense of trust with any of these women’s stories, because all they wanted was to get off, but as they sang this song you could tell which one’s were innocent and which ones were guilty by the way they explained their crimes. Some cried and others said it like they were happy that they did…
The film starts of with classical music, which is perceived as structured, cultured, and civilized music. Therefore you picture a city in your mind as the credits roll. But Night and Fog transitions to an idyllic barren countryside. The music silences and you hear a delicate flute solo, which makes you visualize a bird or butterfly. The sky dominates the picture as it symbolizes freedom and God. Below the sky there is a field,…
Dmitri ventures to the city of S- and ends up in the theater, watching a performance called “The Geisha.” “The theater was full. As in all provincial theaters, there was a fog above the chandelier, the gallery was noisy and restless;” (Chekhov 174). This setting was busy and dramatic. There is lots of people coming in, it’s hard to keep track of everyone. In this big theater the mood is mysterious, giving Dmitri an opportunity to get a moment alone with Anna.…
The set was well made and fit the time period quite nicely, but I could not help but feel it could have used a few more props to give the audience a better sense of immersion. It was often hard to tell where the scene was, or if the characters had changed scenes or not. Using more props would also give more distinction between events and places, making the overall scenes more memorable. One of the strongest points in the play was the costumes. They all were extraordinarily well made, and looked authentic. Some of the notable mentions are Prince Pedro’s uniform, the watchmen’s uniforms, and all the costumes in the ball scene. The costumes helped the audience remember which characters are which, and make the play more memorable.…
The length and depth of the book might produce a movie has many deleted or developed events. This change can lead to different results: add more excitement to the story or unclear point to the viewers. The limited time of movies, which is mostly 1.5- 3 hours, force the director to do editing and delete many parts of the movie. Although The Help movie deleted many characters and events from the novel, it did not effect on the success. The researcher thinks that the movie was not as good the book because there were many deleted and changed senses.…
The story of Cinderella has been shared through many generations, exploring the life of a beautiful girl who is cruelly abused by her wicked stepsisters and stepmother. The director of Cinderella uses a song in every scene, making a definite contribution to the tone of underlying happiness despite the pitiful servitude Cinderella must succumb to in the movie. Not a single rhythm or melody is arbitrarily inserted into the narrative. Not only this, but the use of shadows and romantic auras to elicit a full quota of inventive ideas, is also eminent. However, the films' strongest point is its ability to elicit an emotional response from its audience through the traumatizing scenes, which consist of many horrific elements. This ability to get a hold of the audience in a way that makes the viewer feel that they are experiencing the whole film is where its success lies.…
One popular cultural myth about the mentally ill is the archetype of the "Sexy Crazy Girl", which we've seen in movies, comic books, and music. Losing your grip with reality is not a glamorous subject, but that's not what you get from Girl, Interrupted. It is apparent that all the girls in the movie had some type of dysfunctional personality, and bad things happen to some of them, but it just did not seem realistic. First off, most of the patients prtrayed were young, which made the care facility look like a youth home rather than a mental institution. but only the main (well known) stars, (Jolie and Ryder) were focal piont. I'll also note that about half the young girls in the movie, Ryder and Jolie included, simply don't look like girls in the 1960's. Maybe that's a difficult statement to explain, but it has to do with that certain look each time and generation seems to have; and Ryder and Jolie don't look like girls of the 1960's. Of course, one could easily say that their displacement is part of their condition... but I didn't buy it. To finish this paragraph about this film's inconsistent appearances, I'll mention how convenient it seems that with the exception of one extra, nearly the entire cast of patients in this ward are under the age of 25 or so. Mental illness strikes women of all ages, so it was a bit perplexing to see it portrayed as a thing of youth. This also feeds into my prior statement about making "going crazy" look cool... this movie could've used a lot more incontinent, drooling women in their 50's.…
After watching the film, we discuss differences between the film's portrayal of events and her…
Almereyda was able to preserve Shakespeare's dialogue for the most part. The majority of the renowned lines are there. The setting of the film has been moved to New York City and Denmark is the name of the corporation, instead of the country and Claudius is the CEO of Denmark. For the most part, in my opinion, the cast is below par. Ethan Hawke is portrayed as a weak and very mundane prince. Julia Stiles doesn’t do Ophelia any justice, Bill Murray who plays Polonious is rigid and tough, and the actors who play Gertrude and Cladius (Diane Venora and Kyle MacLachlan), didn’t really catch my attention either. This was very disheartening because I have just now started my endeavors into familiarizing myself with Shakespeare’s more famous works and to me and this film didn’t even hold a candle to the actual playwright. Almereyda's style is modest compared to Shakespeare, and his approach drains the play of the power that Shakespeare has so eloquently created.…
The text is better than the film, because in the text, more detail is given about what happens in the story, rather than watching a movie and having bits cropped out.…
The editing of this scene showed the series as being slow which referred to the pace of the song. This showed us that the music was an important convention of the film. During the time on stage, the camera showed low-lighting and some lights in the background, which gave a soft and romantic…
The final outstanding aspects of this book are the humor and the characters. The names are classic. "Mr. Sir," "Stanley Yelnats," "Armpit," are some of the funniest. What's more, the characters are vividly written so that the reader actually feels as though they have met these people. The way in which the Warden commands respect simply by her short "excuse mes" was nice to behold. Every character immediately figured out to address her properly and answer straightly. Also, I don't really remember the lawyer in the movie, but in the novel I thought she was a great addition, with a definite style all her own.…
The novel seemed to flow better than the movie version. When I was watching the movie even though I had read the novel I was still a little confused and wasn't sure what was going on all the time. The novel was also a lot more detailed and expressed a lot more emotion than that movie version. The movie version was also seemed to be drawn out and some what boring to me personally. The novel version seemed to keep my attention and did not lose it for the duration of my reading.…
The Red Curtain Trilogy, upon first thought, could simply be seen as a marketing tool by Baz Luhrmann and the team at Bazmark - put your three popular films in a box set with some added features and set it upon the DVD buying audience. However, upon further inspection, the three films are not boxed together simply for marketing purposes, or just by the fact they have the same director and production team - Simply Ballroom, William Shakespeares Romeo & Juliet and Moulin Rouge! all have underlying themes and myths that link them together. This essay will seek to discuss the social and aesthetic themes that run through the Red Curtain Trilogy. The themes will be compared and contrasted between the three films.…
Humanitarian and philosophical insight is usually the intent and achievement of both classic and modern literature. Tolstoy’s drama Anna Karenina embodies this sentiment flawlessly. It is inspired in its depth and intricacy, daring in the complexity of its characters, and powerful in its commentary on the influence of sociality and propriety in contrast to human nature and intrinsic behavior.…