Architecture, Formal Ornamentation

Architecture, Formal Ornamentation Re-emergence of use of ornaments in architectural practice has occurred on a global scale over the past decade. Several architects are unwrapping a lost language that had been an intrinsic mode of communication in architecture. The language of ornament in architecture has been readily confused with the realms of decoration and pattern among others. However, ornament decoration is used in architecture and decorative art to embellish an object or part of a building. Architectural ornaments can be derived from stone carvings, wood or precious metals. The ornaments can also be formed with plaster or even clay and then painted onto a service in the form of applied ornament. In other forms of applied arts, other objects including paint and vitreous enamel may be employed instead (Mallgrave, 2004). Other decorative styles and motifs that have been developed recently include pottery, textiles, furniture and metalwork. Mimetic ornament is common in primitive cultures while organic ornament is inherent in the materials or functions of a building (Tournikiotis, 1994). In the discussion below, I will describe and compare the ornaments of two buildings. The first building, Loos House which was constructed by architect Adolf Loos is an example of a contemporary building while Dresden Opera House, a historical building was built by Gottfried Semper. I will also describe and compare their theories on ornament in architecture. Dresden Opera House, also commonly referred to as Semperoper due to its outstanding beauty, is one of the most famous buildings in Dresden, Germany that was built in 1838-41 by architect Gottfried Semper. It is strategically located in Dresden, Germany at Theaterplatz specifically at the banks of river Elbe. It has become famous for its beautiful theatres. In fact, it is one of the most impressive monuments in Dresden, Germany. The building has been a victim of many events including the flames of 1869

References: Mallgrave, FH & Semper, G 2004, Style in the technical and tectonic arts, or, Practical aesthetics, Getty Publications, Los Angeles. Herrmann, W & Mallgrave, FH, 2011, The Four Elements of Architecture and Other Writings, 3rd edn, Cambridge University Press, London. Loos, A & Opel, A 1998, Ornament and crime: selected essays, Ariadne Press, Carlifonia. Tournikiotis, P 1994, Adolf Loos, Princeton Architectural Press, New York.